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9781841154756: The Rest is Noise: Listening to the Twentieth Century
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The inspiration behind the South Bank Centre’s year-long festival of 20th century music, Alex Ross’s masterpiece is a sweeping musical history from pre-war Vienna to the Velvet Underground.

The landscape of twentieth-century classical music is a wild one: this was a period in which music fragmented into apparently divergent strands, each influenced by its own composers, performers and musical innovations. In this comprehensive tour, Alex Ross, music critic for the ‘New Yorker’, explores the people and places that shaped musical development: Adams to Zweig, Brahms to Björk, pre-First World War Vienna to ‘Nixon in China’.

Winner of the Guardian First Book Award, this unique portrait of an exceptional era weaves together art, politics and cultural history to show how twentieth-century classical music was both a symptom and a source of immense social change.

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Recensione:

‘Alex Ross's incredibly nourishing book will rekindle anyone's fire for music.’ Björk

‘One of the best living writers about rock .’ Steven Poole, Guardian ‘Picks for 2008’

‘A superb and inclusive account by a champion of modern music.’ Sunday Times

'Puts the history back into music and the music back into history. Alex Ross's brave avoidance of musical notation and brilliant use of metaphorical and descriptive language, means that The Rest is Noise grapples with the actual stuff of music as few other books have done. And if you want to hear the sounds themselves, you can always go to his website at www.therestisnoise.com and listen.' TLS

'Print is silent. Which is why the task of writing about music is so difficult. I should therefore probably explain that the noise you now ought to be hearing is the sound of my hands as they stop typing and start applauding this vital, engaging, happily polyphonic book.' Peter Conrad, Observer

‘This is a long book and a slow read: slow not because it is especially difficult, but because it is full of material you really need to savour. It is the superb selection of image and anecdote that makes this book work so well. Best of all are the moments when Ross really strikes you dumb with wonder, moments when the author's passion for the supreme significance of music raises his erudition to a new level. Warm, joyful and unfailingly adroit in his evocation of music in words – Ross, with this book, establishes himself as the supreme champion of modern music. Read this and listen.’ Sunday Times

'Ross will whisk you on to the fast–moving train that was 20th–century music; he will fascinate, challenge and delight you, but above all he will never, ever patronise you.' Stephen Pritchard, Observer Music Monthly

L'autore:

ALEX ROSS has been the music critic of The New Yorker since 1996. From 1992 to 1996 he wrote for the New York Times. His first book, The Rest is Noise: Listening to the Twentieth Century, published in 2007, was awarded The Guardian First Book Award and was shortlisted for the Pulitzer and Samuel Johnson prizes. In 2008 he became a MacArthur Fellow. A native of Washington, DC, he now lives in Manhattan.

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  • EditoreFourth Estate
  • Data di pubblicazione2008
  • ISBN 10 184115475X
  • ISBN 13 9781841154756
  • RilegaturaCopertina rigida
  • Numero edizione1
  • Numero di pagine624
  • Valutazione libreria

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9780312427719: The Rest Is Noise: Listening to the Twentieth Century

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ISBN 10:  0312427719 ISBN 13:  9780312427719
Casa editrice: Picador USA, 2008
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Descrizione libro Hardback. Condizione: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine. Codice articolo GOR002073119

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Descrizione libro Paperback. Condizione: Very Good. A sweeping musical history that goes from the salons of pre-war Vienna to Velvet Underground shows in the sixties. In The Rest is Noise, Alex Ross, music critic of the New Yorker, gives us a riveting tour of the wild landscape of twentieth-century classical music: portraits of individuals, cultures, and nations reveal the predicament of the composer in a noisy, chaotic century. Taking as his starting point a production of Richard Strauss's Salome, conducted by the composer on 16 May 1906 with Puccini, Schoenberg, Berg and Adolf Hitler seated in the stalls, Ross suggests how this evening can be considered the century's musical watershed rather the riotous premiere of Stravinsky's Rite of Spring seven years later. Ross goes on to explore the mythology of modernism, Sibelius and the music of small countries, Kurt Weill, the music of the Third Reich, Britten, Boulez and the post-war avant-garde, and interactions between minimalist composers and rock bands in the sixties and seventies. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Codice articolo GOR001908570

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Descrizione libro Condizione: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. . Codice articolo 7719-9781841154756

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