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A History of Experimental Film and Video: From the Canonial Avant-garde to Contemporary British Practice - Brossura
Avant-garde film is almost indefinable. It is in a constant state of change and redefinition. In his highly-acclaimed history of experimental film, A.L. Rees tracks the movement of the film avant-garde between the cinema and modern art (with its postmodern coda). But he also reconstitutes the film avant-garde as an independent form of art practice with its own internal logic and aesthetic discourse.
In this revised and updated edition, Rees introduces experimental film and video to new readers interested in the wider cinema, as well as offering a guide to enthusiasts of avant-garde film and new media arts. Ranging from Cézanne and Dada, via Cocteau, Brakhage and Le Grice, to the new wave of British film and video artists from the 1990s to the present day, this expansive study situates avant-garde film between the cinema and the gallery, with many links to sonic as well as visual arts.
The new edition includes a review of current scholarship in avant-garde film history and includes updated reading and viewing lists. It also features a new introduction and concluding chapter, which assess the rise of video projection in the gallery since the millennium, and describe new work by the latest generation of experimental film-makers. The new edition is richly illustrated with images of the art works discussed.
In this revised and updated edition, Rees introduces experimental film and video to new readers interested in the wider cinema, as well as offering a guide to enthusiasts of avant-garde film and new media arts. Ranging from Cézanne and Dada, via Cocteau, Brakhage and Le Grice, to the new wave of British film and video artists from the 1990s to the present day, this expansive study situates avant-garde film between the cinema and the gallery, with many links to sonic as well as visual arts.
The new edition includes a review of current scholarship in avant-garde film history and includes updated reading and viewing lists. It also features a new introduction and concluding chapter, which assess the rise of video projection in the gallery since the millennium, and describe new work by the latest generation of experimental film-makers. The new edition is richly illustrated with images of the art works discussed.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
Descrizione del libro:
Introduces experimental film and video and offers a guide to avant-garde film and new media arts. Situates avant-garde film between the cinema and the gallery with links to sonic and visual arts.
L'autore:
A.L. REES is a Research Tutor in Visual Communication, Royal College of Art, London.
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
- EditoreBritish Film Inst
- Data di pubblicazione2011
- ISBN 10 1844574369
- ISBN 13 9781844574360
- RilegaturaCopertina flessibile
- Numero edizione2
- Numero di pagine196
- Valutazione libreria
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A History of Experimental Film and Video: From the Canonial Avant-garde to Contemporary British Practice
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ISBN 10: 1844574369
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A History of Experimental Film and Video: From the Canonial Avant-garde to Contemporary British Practice
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Descrizione libro Condizione: New. 2011. 2nd Edition. Paperback. This new edition covers thehistory of avante-garde film and video, ranging from Cezanne and dada, via Cocteau, Brakhage and Le Grice, to the new wave of British video artists in the 1990s. The author also reconstitutes the avante-garde film as an independent form of art practice with its own internal logic and aesthetic discourse. Num Pages: 208 pages, 60 black & white halftones, 35 colour illustrations. BIC Classification: APFN. Category: (U) Tertiary Education (US: College). Dimension: 233 x 173 x 16. Weight in Grams: 428. . . . . . Codice articolo V9781844574360
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