Recensione:
The editors have once again outdone themselves in finding fashion illustrations, pictures and adverts to document day wear, evening wear, accessories such as bags and hats and even details such as children's clothing and bridal gowns. ... this book part sourcebook, part inspirational bible should be a must read. --Queens of Vintage http://www.queensofvintage.com/book-review-fashion-sourcebook-1930s/
The coffee table book of the year. --Penny Dreadful Vintage (http://www.pennydreadfulvintage.com/book-review-1930s-fashion-definitive-sourcebook/)
... an amazing resource of 1930s style explained through a journey of 600 pictures ... This beautiful book would make a great Christmas present for any lover of vintage fashion ...or just yourself. Yesterday Girl (http://jennyjenny-yesterdaygirl.blogspot.co.uk/2012/11/a-review-1930s-fashion-definitive.html)
... this book is a veritable feast for theatre and film wardrobe departments, fashion historians, fashion enthusiasts, and vintage wearers everywhere --Elizabeth Baines, author and blogger
... an amazing resource of 1930s style explained through a journey of 600 pictures ... This beautiful book would make a great Christmas present for any lover of vintage fashion ...or just yourself. --Yesterday Girl (http://jennyjenny-yesterdaygirl.blogspot.co.uk/2012/11/a-review-1930s-fashion-definitive.html)
Forget Taschen for Fashion this year. For Christmas 2012, I'm all about books from Carlton --Kingdom of Style
L'autore:
Charlotte Fiell is a leading design historian who has written numerous bestselling books on all aspects of design, from industrial products to graphic communications. She studied at the British Institute in Florence and at Camberwell College of Arts, London, where she received a BA(Hons) in the History of Drawing and Printmaking with Material Science. She later trained at Sotheby's Institute, also in London. Emmanuelle Dirix is a highly regarded fashion historian, who has an MA in Design History from the University of Brighton as well as an MPhil in Critical and Historical Studies from the Royal College of Art, London. She works as a freelance curator specializing in fashion history and theory, and also lectures at various universities including London College of Fashion, Central Saint Martins, The Royal College of Art and the Antwerp Fashion Academy. She has also contributed to various exhibition catalogues and academic volumes on fashion.
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