Recensione:
Fulton's translation from the Swedish is excellent: a poet of exceptional achievement has with this volume been born into English. --Guardian
In its delicate hovering between the responsibilities of the social world and the invitations of a world of possibly numinous reality, Tomas Tranströmer's poetry permits us to be happily certain of our own uncertainties... Like the animals in Rilke's first sonnet to Orpheus, they are alive to the god's music which "makes a temple deep inside their hearing. --Seamus Heaney
Tranströmer is a vivid evoker of both landscapes and cityscapes... The writer, he says, is 'at the same time eagle and mole', looking down or looking up from the vantage point best suited to catching life before it disappears. Tranströmer is especially good at memorable moments of panic, uncertainty, displacement, from which the speaker can recover but which remind him of darknesses and worlds no one would want to inhabit for long. --Edwin Morgan, Northwords
L'autore:
Tomas Tranströmer won the 2011 Nobel Prize in Literature. He was born in 1931 in Stockholm, where he grew up, but spent many long summers on the island of Runmarö in the nearby archipelago, evoking that landscape in his early work, which draws on the aesthetic tradition of Swedish nature poetry. His later poetry is more personal, open and relaxed, often reflecting his broad interests: travel, music, painting, archaeology and natural sciences. He is Scandinavia's best-known and most influential contemporary poet. His books sell thousands of copies in Sweden, and his work has been translated into 50 languages, with substantial or complete editions of his work published in 19 languages. Tranströmer started writing poetry while at the oppressive Södra Latin Grammar School (its atmosphere caught by Ingmar Bergman in Alf Sjöberg s Frenzy, which was filmed there, the young Tomas amongst the pupils). But he was devouring books on all subjects, especially geography, with daily visits to the local library, where he worked his way through most of the non-fiction shelves. However, this bookish adolescence was shadowed by the war, by his parents' divorce and the absence of his father, and at 15 he experienced a winter of psychological crisis. He published his first collection, 17 Poems, in 1954, at the age of 23. After studying psychology at the University of Stockholm, he worked at its Psychotechnological Institute, and in 1960 became a psychologist at Roxtuna, a young offenders institution. From the mid-1960s he divided his time between his writing and his work as a psychologist, and in 1965 moved with his family to Västerås, where he spent the rest of his working life. In 1990, a year after the publication of his tenth book of poems, Tranströmer suffered a stroke, which deprived him of most of his speech and partly inhibited movement on his right-hand side. Swedish composers have since written several left-hand piano pieces especially for him to play. Since his stroke, he has published a short book of 'autobiographical chapters', Memories Look at Me (1993) and a new collection, The Sad Gondola (1996), both included in Robin Fulton s translation of his Bloodaxe New Collected Poems (1997). In 2004 he published The Great Enigma, a slim volume containing five short poems and a group of 45 even smaller haiku-type poems. These were added to Robin Fulton's authoritative edition New Collected Poems to form Tranströmer s first collected edition to appear in the States, published by New Directions in 2006 under the title The Great Enigma: New and Collected Poems, which is the same book as the expanded 2010 UK reprint of New Collected Poems. Tranströmer has also translated other poets into Swedish, including Robert Bly and Hungary s János Pilinszky. In 1990 he received the Neustadt International Prize for Literature. His other awards include the Bonner Award for Poetry, Germany s Petrarch Prize, the Bellman Prize, the Swedish Academy s Nordic Prize, and the August Prize. In 1997 the city of Västerås established a special Tranströmer Prize.
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