Recensione:
Mabey is -- or should be -- a national treasure ... the finest current flowering of a great British traditions that includes not just prose writers but also the poets William Wordsworth and John Clare... like being taken aside by a complete stranger who talks as if you have known each other for years... it makes you feel that your home is much bigger and stranger than you ever imagined and it makes you glad -- no, astounded -- to be alive. (The Sunday Times 2015-10-18)
The greatest writer on nature alive... [Mabey] fuses botany, art and literature into a prose which is interrogative, pungent and urgently alive. (The Evening Standard 2015-10-22)
The nation's favourite nature writer. (Sunday Telegraph)
Our greatest nature writer... a true Renaissance man of botany, effortlessly bridging the divides between science and literature, history and psychology, forensic examination and sheer exultation at how plants are central to our lives. (Fred Pearce New Scientist 2015-12-19)
Wonderfully thought-provoking... of all his 30-plus books this is surely among his finest, an eclectic world-roaming collection of stories... lacing colour, intimacy and emotional texture around the scaffold of hard facts. (The Spectator 2015-10-17)
His language is as rich as the flora he describes... each interaction between plant and people has its own story and each in Mabey's hands, with his frame of cultural and historical reference, is one of satisfying richness... he makes his case utterly convincingly: plants are not just individuals but indeed rather more interesting ones than many people. (Michael Prodger The Times 2015-10-24)
This is the nature-writing equivalent of fine dining -- rich, full of different tastes, lasting and satisfying -- as Richard Mabey, perhaps our greatest nature writer. A treat not to miss... the prose is so gorgeous it makes you want to clap... go, buy it, and feast. Botany rocks! (Dominic Couzens BBC Countryfile 2015-10-01)
Mr Mabey is the kind of person you wish you had with you on every country walk, identifying, explaining, deducing, drawing on deep knowledge lightly worn. (Country Life)
As a celebrant of the botanical, Richard Mabey has few peers. He is on eloquent form in this portrayal of plants not as dully functional components of natural capital -- a "biological proletariat" -- but as unruly, autonomous and endlessly fascinating. This engaging scientific and cultural tour takes in ice-age engravings of plant forms; ancients and giants such as bristlecone pines and baobabs; the vast biodiversity of maize (corn); and, as touched on by plant scientist Ian Baldwin (Nature 522, 282-283; 2015), Erasmus Darwin's discovery of "irritability" in Mimosa pudica more than 200 years ago. (Andrew Jermy Nature Microbiology 2015-10-26)
Enraptured, visionary, witty and erudite (Daily Telegraph)
Descrizione del libro:
A Mabey Magnum Opus: an in-depth, beautifully-written and insightful exploration of humans and plants, from the author of Flora Britannica and Weeds
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.