Recensione:
Praise for Gilbert Adair's The Death of The Author
"Brillant, worthy of Nabokov."
—David Lodge
"Funny, gripping, and very clever... A brilliant black satire on cultural cultishness... It also works brilliantly as a detective story with apparently motiveless murders."
—Philip Howard, The Times
"The Death of the Author brilliantly combines a serious critique of a dodgy intellectual movement with a suspense-driven detective story."
—Lucasta Miller, Financial Times
"In a brilliantly exact imitaton of the style of Nabokov, Leo Sfaz recounts his life-and-death story. Once a pro-Nazi journalist in France, now an academic hero in somewhere very like Yale, he applies the fashionable technique of deconstruction (text means anything the reader wants it to mean, the author's intentions are nothing, text does not really have authors) to conceal or invert his own ignominius past. But some neat muder mystification is found a place in this dazzling satire of literary-critical pertension."
—Anthony Quinton, Evening Standard
L'autore:
Gilbert Adair was born in Edinburgh, Scotland, in 1944 and moved to Paris as a young man, because, as he told an interviewer, "If you were a film buff in the sixties, you went to Paris." Adair later returned to the UK and spent his time writing experimental fiction, as well as film and literary criticism. His works include The Holy Innocents, later made into Bernardo Bertolucci's film The Dreamers; The Postmodernist Always Rings Twice, a book of literary criticism; and the novel Love and Death in Long Island. Adair lives in London.
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