From dramatically lit paintings to elaborate gilded interiors, the Baroque era introduced a new dimension to Western art. In place of the harmonious perspectives and elegant proportions of the Renaissance came a world of momentum, energy, and heightened spectacle. The style influenced many forms and disciplines between the 16th and 18th centuries, infusing painting, sculpture, architecture, and music with a direct, often emotive, appeal to the audience.
This TASCHEN Basic Art 2.0 edition focuses on Baroque painting. Through mythological and religious scenes, still lifes, and beyond, we explore how a vivid vocabulary of deep colors, intense shadows, dramatic gestures, and diagonal lines infiltrated both northern and southern European schools. Along the way, we meet such leading Baroque practitioners as Nicolas Poussin, Annibale Carracci, Caravaggio, Velázquez, Rubens, and Rembrandt, and examine their particular innovations in composition, narrative, and light to achieve a Baroque sensibility.
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1966 wurde er auf den Lehrstuhl fr Baubetrieb und Baumaschinen an die TU Berlin berufen. 1974 wechselte er an die neue Baufakultt der Universitt Dortmund (Grndungsdekan). Von 1970 bis 2000 war Professor Bauer zudem freiberuflich als Terminplaner und -steuerer groer Bauvorhaben ttig.
Prater received a doctorate 1974 on Michelangelo's Cappella Medicea.
Ingo F. Walther (1940 2007) was born in Berlin and studied medieval studies, literature, and art history in Frankfurt am Main and Munich. He published numerous books on the art of the Middle Ages and of the 19th and 20th centuries. Walther s many titles for TASCHEN include Vincent van Gogh, Pablo Picasso, Art of the 20th Century, and Codices illustres.
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