Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
Spese di spedizione:
EUR 3,73
In U.S.A.
Descrizione libro Condizione: New. Brand New. Codice articolo 8857239500
Descrizione libro HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000. Codice articolo HU-9788857239507
Descrizione libro Hardcover. Condizione: new. Codice articolo 9788857239507
Descrizione libro Condizione: new. Codice articolo b891defdac4b80c3c1a668085f4e32a7
Descrizione libro Hardcover. Condizione: New. Codice articolo 6666-HCE-9788857239507
Descrizione libro Condizione: New. 2019. Hardcover. . . . . . Codice articolo V9788857239507
Descrizione libro Hardcover. Condizione: Brand New. 01 edition. 143 pages. French language. 11.00x8.50x0.50 inches. In Stock. Codice articolo __8857239500
Descrizione libro Condizione: New. 2019. Hardcover. . . . . . Books ship from the US and Ireland. Codice articolo V9788857239507
Descrizione libro HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000. Codice articolo HU-9788857239507
Descrizione libro Hardcover. Condizione: new. Hardcover. William J. Glackens's (1870-1938) keen interest in the work of Pierre-Auguste Renoir (1841-1919) has long been recognized, but Glackens's specific debt to the art of this important French modernist has not been fully explored. In bringing together more than 30 works by each of these two important modernists for the first time, William Glackens and Pierre-Auguste Renoir: Affinities and Distinctions fills this void. It demonstrates Glackens's response to Renoir's Impressionist work (1860-mid-1880s), which was avidly purchased by a wide variety of American collectors, including Albert C. Barnes, who sent Glackens, his friend and colleague, to Paris in 1912 to purchase works for his then fledgling collection.Glackens was the only American artist who subsequently had nearly carte blanche access to Barnes' increasingly important collection of American and European modern art that included work by Paul Cezanne, Henri Matisse, and Pablo Picasso, among others, and numerous examples of Renoir's late-style (1890-1919). The exhibition defines Glackens's late style (c.1925-1938) for the first time, its affinities and distinctions from Renoir's work, and how it emerges from Glackens's familiarity with works specific exhibitions in New York, and the art he saw in Italy in 1926, and in Barnes' collection, while shedding new light on the history of taste in American collecting from the late-nineteenth to the mid-twentieth century. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Codice articolo 9788857239507