Articoli correlati a Baroque sculpture in Rome: The Art Gallery Series
Reconsidering the terminology art historians use to describe 17th-century Roman sculpture, this history examines how famous artists, such as Bernini, Alessandro Algardi, François Duquesnoy, and lesser-known artists influenced one another during this period. Artistic events and completed works are presented in chronological order with an emphasis on the workshop relationships that allowed accomplished sculptors to apprentice younger artists. The use of Venetian-derived color, sublime accents, and travertine and marble that marked this era created a thoroughly modern Rome as statues and other examples of sculpture were placed in gardens, homes, and churches.
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L'autore:
Alessandro Angelini is a professor of modern art history at the University of Siena. He collaborated in several important exhibitions and their catalogues, including Disegni italiani del tempo di Donatello, Domenico Beccafumi e il suo tempo, and Francesco di Giorgio e il Rinascimento a Siena. He is a member of the editorial staff on Italy's art history journal Prospettiva.
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- Editore5 Continents Editions
- Data di pubblicazione2005
- ISBN 10 8874391188
- ISBN 13 9788874391189
- RilegaturaCopertina rigida
- Numero di pagine172
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Baroque Sculpture In Rome
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Baroque Sculpture in Rome (Gallery of the Arts)
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Baroque Sculpture In Rome
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Descrizione libro Hardcover. Condizione: Brand New. annotated edition. 160 pages. 9.75x7.00x1.00 inches. In Stock. Codice articolo __8874391188
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Baroque Sculpture in Rome: Art Gallery Series (Gallery of the Arts, 5)
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ISBN 13: 9788874391189
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ISBN 13: 9788874391189
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Baroque sculpture in Rome
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Descrizione libro Rilegato. Condizione: nuovo. (Gallery of the Arts 5). On the whole, when one thinks of seventeenth-century sculpture in Rome, one has in mind the wonderful and famous works of Gian Lorenzo Bernini, such as the Fountain of the Rivers or The Ecstasy of St.Theresa. The very idea of Roman baroque is commonly identified with the century s great genius. And indeed, the influence of Bernini s work on the sculpture and art in general of the period was, especially in Rome, decisive. However, this domination spread only during the second half of the seventeenth century, and less unequivocally than one might suppose. Other great sculptors, with personalities that were often very different form Bernini s, contributed to making the extraordinary proliferation of Roman statuary extremely complex and varied at that time. This book is aimed especially at students and museum visitors who would like to learn more about the topic and discusses the art in a straightforward and strictly chronological fashion. The narrative begins in the early decades of the seventeenth century with sculpture created by a motley and conspicuously cosmopolitan group of artists. Later, with the growing success of the great masters, commissions began to gravitate around Bernini, Alessandro Algardi, and François Duquesnoy. A new approach to Antiquity went hand in hand with a marked predilection for striking chromatic effects, borrowed from Venetian painting, and a desire to make a strong impact and achieve a particular tone, often with results of surprising originality. Taking the most up-to-date and best founded historiographic observations on the subject we have tried to highlight the workshop relationships between the great masters and the giovani, their pupils or occasional assistants, and in this way put into relief the experimental approach of some of these apprentices, such as Melchirro Caffàor Antonio Raggi, or the ability of certain others, for instance Ercole Ferrata, to fuse the most diverse influences.The book thus aims to show how marble and travertine were used throughout the century to create a whole army of statues that were positioned in the open and in churches, lending modern Rome its truly incomparable new face. Alessandro Angelini was born in Siena in 1958 and teaches History of Modern Art at the University of Siena. He specializes in fifteenth and sixteenth-century Tuscan art (Disegni italiani del tempo di Donatello, Florence, 1986) and seventeenth-century sculpture (Gian Lorenzo Bernini and Chigi tra Roma e Siena, Milan, 1998). He also mounted the Alessandro VII Chigi, il papa senese di Roma moderna exhibition in Siena in 2000, whose catalogue he edited with M. Butzek and B. Sani. He has been a member of the editorial staff of the magazine Prospettiva, as well a regular contributor. Note alle condizioni del volume Nessuna. (T-CA) Autore/i Alessandro Angelini Editore 5 Continents Editions Luogo Milano Anno 2005 Pagine 172 Dimensioni 17x24 (cm) Illustrazioni 63 ill. a colori, 12 b/n n.t. - colors and b/w ills Legatura cart. edit. ill. colori - Hardcover Conservazione Nuovo - New Lingua Inglese - English text Peso 1200 (gr) ISBN 8874391188 EAN-13 9788874391189. Codice articolo LdS18836
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