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Les Collections Des Arts Du Spectacle Et Leur Traitement / Performing Arts Collections and Their Treatment: Congres De Rome Sibmas Congress 2002 - Brossura
Comment se compose la mémoire du spectacle ? Les bibliothèques et les musées s’attachant à l’entretenir ont parfois du mal à contenir une matière aussi multiforme. Chaque collection a son histoire, chaque institution a dû faire face à diverses difficultés. Dans cette mission, la technologie peut contribuer à approfondir la mémoire du spectacle et à élargir virtuellement à l’infini les espaces qui l’accueillent. Le congrès de la SIBMAS qui s’est tenu à Rome en 2002 témoignait d’une étape dans la réflexion suscitée par l’utilisation des nouvelles technologies dans les bibliothèques et les centres d’archives. Cet ouvrage en présente les communications.
How is the memory of a show evoked and brought back to life? Libraries and museums, by focusing on conservation, sometimes struggle to control the many details of the subject matter. Each collection has its own history and each institution has faced a multitude of difficulties. The aim of the papers put forward in this book is to illustrate how technology can help deepen the memory of each show and expand the virtually infinite spaces that keep them. The SIBMAS Congress held in Rome in 2002 represented a step forward in thinking about the use of new technologies in libraries and archives.
How is the memory of a show evoked and brought back to life? Libraries and museums, by focusing on conservation, sometimes struggle to control the many details of the subject matter. Each collection has its own history and each institution has faced a multitude of difficulties. The aim of the papers put forward in this book is to illustrate how technology can help deepen the memory of each show and expand the virtually infinite spaces that keep them. The SIBMAS Congress held in Rome in 2002 represented a step forward in thinking about the use of new technologies in libraries and archives.
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L'autore:
Nicole Leclercq est attachée scientifique, assistante aux Archives & Musée de la Littérature et responsable de la section Théâtre. Elle est en outre présidente du Centre belge de la SIBMAS, vice-présidente du Comité exécutif international, secrétaire générale du Centre belge de l’Institut international du théâtre IIT et présidente du Comité international de la communication de l’IIT. Responsable de la publication des actes de plusieurs colloques et congrès, elle est aussi éditrice de la série Le Monde du théâtre (P.I.E. Peter Lang).
Kristy Davis, an art and special collections librarian, is currently working on an Information Management Project with the Edinburgh University Collection of Historic Musical Instruments and on the Towards Dolly Project at the University’s Centre for Research Collections. She is a member of SIBMAS’s Executive Committee and has previously helped to edit the Barcelona and Glasgow SIBMAS proceedings.
Maria Teresa Iovinelli has been librarian at the Biblioteca e Raccolta Teatrale del Burcardo (now «Biblioteca Teatrale SIAE» and «Museo Teatrale SIAE del Burcardo») since 1983 – she was appointed Head Librarian and Museum Curator in 1999. In addition to management and general organisation, she is directly involved in the theatre iconography, digital collections and new acquisitions departments. She has also been Vice-president (1996-2000) and General Secretary (2002-2007) of SIBMAS.
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Kristy Davis, an art and special collections librarian, is currently working on an Information Management Project with the Edinburgh University Collection of Historic Musical Instruments and on the Towards Dolly Project at the University’s Centre for Research Collections. She is a member of SIBMAS’s Executive Committee and has previously helped to edit the Barcelona and Glasgow SIBMAS proceedings.
Maria Teresa Iovinelli has been librarian at the Biblioteca e Raccolta Teatrale del Burcardo (now «Biblioteca Teatrale SIAE» and «Museo Teatrale SIAE del Burcardo») since 1983 – she was appointed Head Librarian and Museum Curator in 1999. In addition to management and general organisation, she is directly involved in the theatre iconography, digital collections and new acquisitions departments. She has also been Vice-president (1996-2000) and General Secretary (2002-2007) of SIBMAS.
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- EditorePeter Lang Pub Inc
- Data di pubblicazione2012
- ISBN 10 9052018189
- ISBN 13 9789052018188
- RilegaturaCopertina flessibile
- Numero di pagine271
- RedattoreLeclercq Nicole, Davis Kristy, Iovinelli Maria Teresa
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Les collections des arts du spectacle et leur traitement- Performing Arts Collections and Their Treatment
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Les collections des arts du spectacle et leur traitement- Performing Arts Collections and Their Treatment: Congrès de Rome SIBMAS (2002)- SIBMAS Congress in Rome (2002) (English and French Edition) [Paperback] Leclercq, Nicole; Davis, Kristy and Iovinelli, Maria Teresa
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Les Collections Des Arts Du Spectacle Et Leur Traitement / Performing Arts Collections and Their Treatment: Congres De Rome Sibmas Congress (2002)
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Les collections des arts du spectacle et leur traitement- Performing Arts Collections and Their Treatment: Congrès de Rome SIBMAS (2002)- SIBMAS Congress in Rome (2002) (English and French Edition)
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Descrizione libro Taschenbuch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Comment se compose la mémoire du spectacle Les bibliothèques et les musées s'attachant à l'entretenir ont parfois du mal à contenir une matière aussi multiforme. Chaque collection a son histoire, chaque institution a dû faire face à diverses difficultés. Dans cette mission, la technologie peut contribuer à approfondir la mémoire du spectacle et à élargir virtuellement à l'infini les espaces qui l'accueillent. Le congrès de la SIBMAS qui s'est tenu à Rome en 2002 témoignait d'une étape dans la réflexion suscitée par l'utilisation des nouvelles technologies dans les bibliothèques et les centres d'archives. Cet ouvrage en présente les communications.How is the memory of a show evoked and brought back to life Libraries and museums, by focusing on conservation, sometimes struggle to control the many details of the subject matter. Each collection has its own history and each institution has faced a multitude of difficulties. The aim of the papers put forward in this book is to illustrate how technology can help deepen the memory of each show and expand the virtually infinite spaces that keep them. The SIBMAS Congress held in Rome in 2002 represented a step forward in thinking about the use of new technologies in libraries and archives. 271 pp. Französisch, Englisch. Codice articolo 9789052018188
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Descrizione libro Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Comment se compose la mémoire du spectacle Les bibliothèques et les musées s'attachant à l'entretenir ont parfois du mal à contenir une matière aussi multiforme. Chaque collection a son histoire, chaque institution a dû faire face à diverses difficultés. Dans cette mission, la technologie peut contribuer à approfondir la mémoire du spectacle et à élargir virtuellement à l'infini les espaces qui l'accueillent. Le congrès de la SIBMAS qui s'est tenu à Rome en 2002 témoignait d'une étape dans la réflexion suscitée par l'utilisation des nouvelles technologies dans les bibliothèques et les centres d'archives. Cet ouvrage en présente les communications.How is the memory of a show evoked and brought back to life Libraries and museums, by focusing on conservation, sometimes struggle to control the many details of the subject matter. Each collection has its own history and each institution has faced a multitude of difficulties. The aim of the papers put forward in this book is to illustrate how technology can help deepen the memory of each show and expand the virtually infinite spaces that keep them. The SIBMAS Congress held in Rome in 2002 represented a step forward in thinking about the use of new technologies in libraries and archives. Codice articolo 9789052018188
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Les collections des arts du spectacle et leur traitement- Performing Arts Collections and Their Treatment (Paperback)
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Descrizione libro Paperback. Condizione: new. Paperback. Comment se compose la memoire du spectacle ? Les bibliotheques et les musees sattachant a lentretenir ont parfois du mal a contenir une matiere aussi multiforme. Chaque collection a son histoire, chaque institution a du faire face a diverses difficultes. Dans cette mission, la technologie peut contribuer a approfondir la memoire du spectacle et a elargir virtuellement a linfini les espaces qui laccueillent. Le congres de la SIBMAS qui sest tenu a Rome en 2002 temoignait dune etape dans la reflexion suscitee par lutilisation des nouvelles technologies dans les bibliotheques et les centres darchives. Cet ouvrage en presente les communications. How is the memory of a show evoked and brought back to life? Libraries and museums, by focusing on conservation, sometimes struggle to control the many details of the subject matter. Each collection has its own history and each institution has faced a multitude of difficulties. The aim of the papers put forward in this book is to illustrate how technology can help deepen the memory of each show and expand the virtually infinite spaces that keep them. The SIBMAS Congress held in Rome in 2002 represented a step forward in thinking about the use of new technologies in libraries and archives. How is the memory of a show evoked and brought back to life? Libraries and museums, by focusing on conservation, sometimes struggle to control the many details of the subject matter. This title includes papers that illustrate how technology can help deepen the memory of each show and expand the virtually infinite spaces that keep them. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Codice articolo 9789052018188
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Les collections des arts du spectacle et leur traitement. Performing Arts Collections and Their Treatment
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