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Harrison, Martin

ISBN 10: 0847813711 / ISBN 13: 9780847813711
Editore: Rizzoli, New York, 1991
Condizione: Fine Rilegato
Da Warren Berry (Ashville, NY, U.S.A.)

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First American edition. Hardcover, gray cloth, 12 by 11 inches, 312 pages. Black and white and color photos with accompanying text. "Avedon, Penn, Newton, Horst, Scavullo, Parkinson, Bourdin, Weber." Also Mapplethorpe and Goldin. (Among, of course, many others.) Striking photos, indeed. Striking fashions, for that matter. A very interesting book to peruse. Fine, in a lightly scuffed else fine dustjacket. Codice inventario libreria 003965

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Dati bibliografici


Casa editrice: Rizzoli, New York

Data di pubblicazione: 1991

Legatura: Hardcover

Condizione libro:Fine

Condizione sovraccoperta: Near Fine

Descrizione articolo


A study of fashion photography since 1945 which places it in the mainstream of popular culture. It links fashion to such influential figures as Walker Evans and Robert Frank, and its implications transcend purely photographic history. Martin Harrison explores the role of magazine culture and the influences of art directors and editors, who have both created and reflected the mood and tones of the post-war decades. With the participation of the greatest figures in the field, from Richard Avedon and Irving Penn to Bruce Weber, he presents some of the most famous fashion photographs of all time, as well as many rare images. The involvement of artists such as Cindy Sherman and Robert Mapplethorpe is also examined, whose work is peripheral to the fashion industry, yet whose influence pervades the look and climate of the times. The conclusion is that fashion photography is no longer dinstinct from the lineage of art photography and has now become central to an understanding of modern culture and vidual media.

From Library Journal:

Photography as a fine art is often shaped by work done in the field of fashion. As well as peddling clothes in the pages of women's magazines, fashion photographers also influence and reflect society's attitudes and obsessions. Thus, the elegant, chic, and sophisticated fashion images of the postwar period gradually evolved into the decadent, soft-porn statements typical of the 1980s and 1990s. Art historian Harrison discusses the sociological issues behind these photographic trends by examining not only the impact made by fashion photographers but also the influence of certain powerful and creative art directors. In addition, he covers the often overlooked area of male fashion, attempting to explain why this subject has received such little serious attention.The author does well in identifying the models used in each fashion shot. (Most of us have forgotten that Anjelica Huston also worked as a model.) Unfortunately, there is little new material in this book--little that was not covered in the same author's Shots of Style (Faber & Faber, 1986), written as an exhibition catalog for the Victoria and Albert Museum in 1985. Although neither book is indexed (which makes anthologies of this size difficult to use), the earlier work lists the photographers alphabetically in the table of contents, while the present work does not, merely offering such vague chapter headings as "Inside" and "White Heat." Chicago readers will be disappointed that Victor Skrebneski's work is not included. Superfluous if your library has Shots of Style .
- Margarete Gross, Chicago P.L.
Copyright 1991 Reed Business Information, Inc.

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