Gently used. Expect delivery in 2-3 weeks. Codice inventario libreria
Riassunto: During the mid-1960s, sculptors in the United States and Europe simultaneously lost interest in making objects. Instead, under banners such as "Anti-Form" and "Arte Povera", they began to present undifferentiated matter as sculpture: industrial felt, lead, dirt, vegetables, even live animals. Such heaps, arrays, and environments seemed to mark the end of modern sculpture. They dominated sculptural debate at the time of their appearance, and they have since proved enormously influential on contemporary art. This is the first book to treat such work as a separate topic.
About the Author:
Richard Williams is Lecturer in Contextual Studies, Liverpool John Moores University.
Titolo: After Modern Sculpture: Art in the United ...
Casa editrice: Manchester University Press
Data di pubblicazione: 2000
Condizione libro: very good
Descrizione libro Manchester University Press, 2000. Soft cover. Condizione libro: Good. Ex library book; shelf wear, slight staining to the text block and the front and back covers, solidly bound. Codice libro della libreria 6771
Descrizione libro Manchester University Press, 2000. Paperback. Condizione libro: Good. Slightly scuffed cover. Otherwise In very good, unmarked condition. Your purchase benefits the world-wide relief efforts of Mennonite Central Committee. Codice libro della libreria mon0000224669