ISBN 10: 0807833878 / ISBN 13: 9780807833872
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Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: Bernstein explores the forces that sparked a dramatic "prison art renaissance" in the 1970s, when incarcerated people produced powerful works of writing, performance, and visual art. An extraordinary range of prison programs--fine arts, theater, secondary education, and prisoner-run programs--allowed the voices of prisoners such as George Jackson, Miguel Pinero, and Jack Henry Abbott to influence the Black Arts Movement, the Nuyorican writers, "New Journalism," and political theater, among the most important aesthetic contributions of the decade. Codice inventario libreria

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Riassunto: In the 1970s, while politicians and activists outside prisons debated the proper response to crime, incarcerated people helped shape those debates though a broad range of remarkable political and literary writings.

Lee Bernstein explores the forces that sparked a dramatic "prison art renaissance," shedding light on how incarcerated people produced powerful works of writing, performance, and visual art. These included everything from George Jackson's revolutionary Soledad Brother to Miguel Piñero's acclaimed off-Broadway play and Hollywood film Short Eyes. An extraordinary range of prison programs--fine arts, theater, secondary education, and prisoner-run programs--allowed the voices of prisoners to influence the Black Arts Movement, the Nuyorican writers, "New Journalism," and political theater, among the most important aesthetic contributions of the decade.

By the 1980s and '90s, prisoners' educational and artistic programs were scaled back or eliminated as the "war on crime" escalated. But by then these prisoners' words had crossed over the wall, helping many Americans to rethink the meaning of the walls themselves and, ultimately, the meaning of the society that produced them.


By the 1980s and '90s, prisoners' educational and artistic programs were scaled back or eliminated as the "war on crime" escalated. But by then these prisoners' words had crossed over the wall, helping many Americans to rethink the meaning of the walls themselves and, ultimately, the meaning of the society that produced them.

Descrizione del libro: "This is a valuable contribution to the burgeoning study of one of America's central institutions and features: the prison. Lee Bernstein zooms in on a crucial period of aesthetic, intellectual, political, and social transformation involving the American prison, surveying both the striking achievements of prison consciousness in this key decade and the emerging repression that would unleash the frenzied construction of our present prison-industrial complex."--H. Bruce Franklin, Professor of English and American Studies, Rutgers University

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Lee Bernstein
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Descrizione libro University of North Carolina Press. Condizione libro: New. Brand New. Codice libro della libreria 0807833878

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Descrizione libro Univ North Carolina. Condizione libro: BRAND NEW. BRAND NEW Hardcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Codice libro della libreria 2058887

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Descrizione libro The University of North Carolina Press, 2010. HRD. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria CE-9780807833872

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Descrizione libro The University of North Carolina Press. Hardback. Condizione libro: new. BRAND NEW, America is the Prison: Arts and Politics in Prison in the 1970s, Lee Bernstein, In the 1970s, while politicians and activists outside prisons debated the proper response to crime, incarcerated people helped shape those debates though a broad range of remarkable political and literary writings. Lee Bernstein explores the forces that sparked a dramatic "prison art renaissance," shedding light on how incarcerated people produced powerful works of writing, performance, and visual art. These included everything from George Jackson's revolutionary Soledad Brother to Miguel Pinero's acclaimed off-Broadway play and Hollywood film Short Eyes. An extraordinary range of prison programs--fine arts, theater, secondary education, and prisoner-run programs--allowed the voices of prisoners to influence the Black Arts Movement, the Nuyorican writers, "New Journalism," and political theater, among the most important aesthetic contributions of the decade. By the 1980s and '90s, prisoners' educational and artistic programs were scaled back or eliminated as the "war on crime" escalated. But by then these prisoners' words had crossed over the wall, helping many Americans to rethink the meaning of the walls themselves and, ultimately, the meaning of the society that produced them. By the 1980s and '90s, prisoners' educational and artistic programs were scaled back or eliminated as the "war on crime" escalated. But by then these prisoners' words had crossed over the wall, helping many Americans to rethink the meaning of the walls themselves and, ultimately, the meaning of the society that produced them. Codice libro della libreria B9780807833872

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Descrizione libro Condizione libro: New. Depending on your location, this item may ship from the US or UK. Codice libro della libreria 97808078338720000000

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Descrizione libro The University of North Carolina Press, United States, 2010. Hardback. Condizione libro: New. 218 x 142 mm. Language: English . Brand New Book. In the 1970s, while politicians and activists outside prisons debated the proper response to crime, incarcerated people helped shape those debates though a broad range of remarkable political and literary writings. Lee Bernstein explores the forces that sparked a dramatic prison art renaissance, shedding light on how incarcerated people produced powerful works of writing, performance, and visual art. These included everything from George Jackson s revolutionary Soledad Brother to Miguel Pinero s acclaimed off-Broadway play and Hollywood film Short Eyes. An extraordinary range of prison programs--fine arts, theater, secondary education, and prisoner-run programs--allowed the voices of prisoners to influence the Black Arts Movement, the Nuyorican writers, New Journalism, and political theater, among the most important aesthetic contributions of the decade. By the 1980s and 90s, prisoners educational and artistic programs were scaled back or eliminated as the war on crime escalated. But by then these prisoners words had crossed over the wall, helping many Americans to rethink the meaning of the walls themselves and, ultimately, the meaning of the society that produced them. By the 1980s and 90s, prisoners educational and artistic programs were scaled back or eliminated as the war on crime escalated. But by then these prisoners words had crossed over the wall, helping many Americans to rethink the meaning of the walls themselves and, ultimately, the meaning of the society that produced them. Codice libro della libreria AAN9780807833872

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Lee Bernstein
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ISBN 10: 0807833878 ISBN 13: 9780807833872
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Descrizione libro The University of North Carolina Press, United States, 2010. Hardback. Condizione libro: New. 218 x 142 mm. Language: English . Brand New Book. In the 1970s, while politicians and activists outside prisons debated the proper response to crime, incarcerated people helped shape those debates though a broad range of remarkable political and literary writings. Lee Bernstein explores the forces that sparked a dramatic prison art renaissance, shedding light on how incarcerated people produced powerful works of writing, performance, and visual art. These included everything from George Jackson s revolutionary Soledad Brother to Miguel Pinero s acclaimed off-Broadway play and Hollywood film Short Eyes. An extraordinary range of prison programs--fine arts, theater, secondary education, and prisoner-run programs--allowed the voices of prisoners to influence the Black Arts Movement, the Nuyorican writers, New Journalism, and political theater, among the most important aesthetic contributions of the decade. By the 1980s and 90s, prisoners educational and artistic programs were scaled back or eliminated as the war on crime escalated. But by then these prisoners words had crossed over the wall, helping many Americans to rethink the meaning of the walls themselves and, ultimately, the meaning of the society that produced them. By the 1980s and 90s, prisoners educational and artistic programs were scaled back or eliminated as the war on crime escalated. But by then these prisoners words had crossed over the wall, helping many Americans to rethink the meaning of the walls themselves and, ultimately, the meaning of the society that produced them. Codice libro della libreria AAN9780807833872

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Descrizione libro Univ of North Carolina Pr, 2010. Hardcover. Condizione libro: Brand New. 1st edition. 240 pages. 8.50x5.75x0.75 inches. In Stock. Codice libro della libreria __0807833878

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Descrizione libro The University of North Carolina Press 2010-06-01, 2010. Hardcover. Condizione libro: New. 0807833878. Codice libro della libreria 594852

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Descrizione libro 2010. Hardcover. Condizione libro: New. 130mm x 13mm x 249mm. Hardcover. In the 1970s, while politicians and activists outside prisons debated the proper response to crime, incarcerated people helped shape those debates though a broad range of remarkable politi.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 224 pages. 0.422. Codice libro della libreria 9780807833872

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