American Iconographic: National Geographic, Global Culture, and the Visual Imagination (Cultural Frames, Framing Culture)

Hawkins, Stephanie L.

Editore: University of Virginia Press, 2010
ISBN 10: 0813929652 / ISBN 13: 9780813929651
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In an era before affordable travel, National Geographic not only served as the first glimpse of countless other worlds for its readers, but it helped them confront sweeping historical change. There was a time when its cover, with the unmistakable yellow frame, seemed to be on every coffee table, in every waiting room. In American Iconographic, Stephanie L. Hawkins traces National Geographic’s rise to cultural prominence, from its first publication of nude photographs in 1896 to the 1950s, when the magazine’s trademark visual and textual motifs found their way into cartoon caricature, popular novels, and film trading on the "romance" of the magazine’s distinctive visual fare.

National Geographic transformed local color into global culture through its production and circulation of readily identifiable cultural icons. The adventurer-photographer, the exotic woman of color, and the intrepid explorer were part of the magazine’s "institutional aesthetic," a visual and textual repertoire that drew upon popular nineteenth-century literary and cultural traditions. This aesthetic encouraged readers to identify themselves as members not only in an elite society but, paradoxically, as both Americans and global citizens. More than a window on the world, National Geographic presented a window on American cultural attitudes and drew forth a variety of complex responses to social and historical changes brought about by immigration, the Great Depression, and world war.

Drawing on the National Geographic Society’s archive of readers’ letters and its founders’ correspondence, Hawkins reveals how the magazine’s participation in the "culture industry" was not so straightforward as scholars have assumed. Letters from the magazine’s earliest readers offer an important intervention in this narrative of passive spectatorship, revealing how readers resisted and revised National Geographic’s authority. Its photographs and articles celebrated American self-reliance and imperialist expansion abroad, but its readers were highly aware of these representational strategies, and alert to inconsistencies between the magazine’s editorial vision and its photographs and text. Hawkins also illustrates how the magazine actually encouraged readers to question Western values and identify with those beyond the nation’s borders. Chapters devoted to the magazine’s practice of photographing its photographers on assignment and to its genre of husband-wife adventurers reveal a more enlightened National Geographic invested in a cosmopolitan vision of a global human family.

A fascinating narrative of how a cultural institution can influence and embody public attitudes, this book is the definitive account of an iconic magazine’s unique place in the American imagination.

About the Author:

Stephanie L. Hawkins is Assistant Professor of English at the University of North Texas.

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Titolo: American Iconographic: National Geographic, ...
Casa editrice: University of Virginia Press
Data di pubblicazione: 2010
Condizione libro: very good

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Descrizione libro University of Virginia Press, 2010. Hardcover. Condizione libro: New. Codice libro della libreria DADAX0813929652

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Descrizione libro University of Virginia Press, United States, 2010. Hardback. Condizione libro: New. New.. Language: English . Brand New Book. In an era before affordable travel, National Geographic not only served as the first glimpse of countless other worlds for its readers, but it helped them confront sweeping historical change. There was a time when its cover, with the unmistakable yellow frame, seemed to be on every coffee table, in every waiting room. In American Iconographic, Stephanie L. Hawkins traces American Geographic s rise to cultural prominence, from its first publication of nude photographs in 1896 to the 1950s, when the magazine s trademark visual and textual motifs found their way into cartoon caricature, popular novels, and film trading on the romance of the magazine s distinctive visual fare. National Geographic transformed local color into global culture through its production and circulation of readily identifiable cultural icons. The adventurer-photographer, the exotic woman of color, and the intrepid explorer were part of the magazine s institutional aesthetic, a visual and textual repertoire that drew upon popular nineteenth-century literary and cultural traditions.This aesthetic encouraged readers to identify themselves as members not only in an elite society but, paradoxically, as both Americans and global citizens. More than a window on the world, National Geographic presented a window on American cultural attitudes and drew forth a variety of complex responses to social and historical changes brought about by immigration, the Great Depression, and world war. Drawing on the National Geographic Society s archive of readers letters and its founders correspondence, Hawkins reveals how the magazine s participation in the culture industry was not so straightforward as scholars have assumed. Letters from the magazine s earliest readers offer an important intervention in this narrative of passive spectatorship, revealing how readers resisted and revised National Geographic s authority. Its photographs and articles celebrated American self-reliance and imperialist expansion abroad, but its readers were highly aware of these representational strategies, and alert to inconsistencies between the magazine s editorial vision and its photographs and text.Hawkins also illustrates how the magazine actually encouraged readers to question Western values and identify with those beyond the nation s borders. Chapters devoted to the magazine s practice of photographing its photographers on assignment and to its genre of husband-wife adventurers reveal a more enlightened National Geographic invested in a cosmopolitan vision of a global human family. A fascinating narrative of how a cultural institution can influence and embody public attitudes, this book is the definitive account of an iconic magazine s unique place in the American imagination. Codice libro della libreria AAC9780813929651

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Descrizione libro University of Virginia Press, United States, 2010. Hardback. Condizione libro: New. New.. Language: English . Brand New Book. In an era before affordable travel, National Geographic not only served as the first glimpse of countless other worlds for its readers, but it helped them confront sweeping historical change. There was a time when its cover, with the unmistakable yellow frame, seemed to be on every coffee table, in every waiting room. In American Iconographic, Stephanie L. Hawkins traces American Geographic s rise to cultural prominence, from its first publication of nude photographs in 1896 to the 1950s, when the magazine s trademark visual and textual motifs found their way into cartoon caricature, popular novels, and film trading on the romance of the magazine s distinctive visual fare. National Geographic transformed local color into global culture through its production and circulation of readily identifiable cultural icons. The adventurer-photographer, the exotic woman of color, and the intrepid explorer were part of the magazine s institutional aesthetic, a visual and textual repertoire that drew upon popular nineteenth-century literary and cultural traditions. This aesthetic encouraged readers to identify themselves as members not only in an elite society but, paradoxically, as both Americans and global citizens. More than a window on the world, National Geographic presented a window on American cultural attitudes and drew forth a variety of complex responses to social and historical changes brought about by immigration, the Great Depression, and world war. Drawing on the National Geographic Society s archive of readers letters and its founders correspondence, Hawkins reveals how the magazine s participation in the culture industry was not so straightforward as scholars have assumed. Letters from the magazine s earliest readers offer an important intervention in this narrative of passive spectatorship, revealing how readers resisted and revised National Geographic s authority. Its photographs and articles celebrated American self-reliance and imperialist expansion abroad, but its readers were highly aware of these representational strategies, and alert to inconsistencies between the magazine s editorial vision and its photographs and text. Hawkins also illustrates how the magazine actually encouraged readers to question Western values and identify with those beyond the nation s borders. Chapters devoted to the magazine s practice of photographing its photographers on assignment and to its genre of husband-wife adventurers reveal a more enlightened National Geographic invested in a cosmopolitan vision of a global human family. A fascinating narrative of how a cultural institution can influence and embody public attitudes, this book is the definitive account of an iconic magazine s unique place in the American imagination. Codice libro della libreria AAC9780813929651

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Descrizione libro University of Virginia Press. Hardback. Condizione libro: new. BRAND NEW, American Iconographic: National Geographic, Global Culture, and the Visual Imagination, Stephanie L. Hawkins, In an era before affordable travel, National Geographic not only served as the first glimpse of countless other worlds for its readers, but it helped them confront sweeping historical change. There was a time when its cover, with the unmistakable yellow frame, seemed to be on every coffee table, in every waiting room. In American Iconographic, Stephanie L. Hawkins traces American Geographic 's rise to cultural prominence, from its first publication of nude photographs in 1896 to the 1950s, when the magazine's trademark visual and textual motifs found their way into cartoon caricature, popular novels, and film trading on the "romance" of the magazine's distinctive visual fare. National Geographic transformed local color into global culture through its production and circulation of readily identifiable cultural icons. The adventurer-photographer, the exotic woman of color, and the intrepid explorer were part of the magazine's "institutional aesthetic," a visual and textual repertoire that drew upon popular nineteenth-century literary and cultural traditions. This aesthetic encouraged readers to identify themselves as members not only in an elite society but, paradoxically, as both Americans and global citizens. More than a window on the world, National Geographic presented a window on American cultural attitudes and drew forth a variety of complex responses to social and historical changes brought about by immigration, the Great Depression, and world war. Drawing on the National Geographic Society's archive of readers' letters and its founders' correspondence, Hawkins reveals how the magazine's participation in the "culture industry" was not so straightforward as scholars have assumed. Letters from the magazine's earliest readers offer an important intervention in this narrative of passive spectatorship, revealing how readers resisted and revised National Geographic's authority. Its photographs and articles celebrated American self-reliance and imperialist expansion abroad, but its readers were highly aware of these representational strategies, and alert to inconsistencies between the magazine's editorial vision and its photographs and text. Hawkins also illustrates how the magazine actually encouraged readers to question Western values and identify with those beyond the nation's borders. Chapters devoted to the magazine's practice of photographing its photographers on assignment and to its genre of husband-wife adventurers reveal a more enlightened National Geographic invested in a cosmopolitan vision of a global human family. A fascinating narrative of how a cultural institution can influence and embody public attitudes, this book is the definitive account of an iconic magazine's unique place in the American imagination. Codice libro della libreria B9780813929651

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Descrizione libro Hardcover. Condizione libro: New. Hardcover. In an era before affordable travel, National Geographic not only served as the first glimpse of countless other worlds for its readers, but it helped them confront sweeping historical chan.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 264 pages. Codice libro della libreria 9780813929651

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Descrizione libro Hardcover. Condizione libro: New. Hardcover. In an era before affordable travel, National Geographic not only served as the first glimpse of countless other worlds for its readers, but it helped them confront sweeping hi.Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. 264 pages. Codice libro della libreria 9780813929651

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