The Arab Imago

Stephen Sheehi

Editore: Princeton University Press Apr 2016, 2016
ISBN 10: 0691151326 / ISBN 13: 9780691151328
Nuovi / Buch / Quantitą: 0
Da Rhein-Team Lörrach Ivano Narducci e.K. (Lörrach, Germania)
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Neuware - The birth of photography coincided with the expansion of European imperialism in the Middle East, and some of the medium's earliest images are Orientalist pictures taken by Europeans in such places as Cairo and Jerusalem - photographs that have long shaped and distorted the Western visual imagination of the region. But the Middle East had many of its own photographers, collectors, and patrons. In this book, Stephen Sheehi presents a groundbreaking new account of early photography in the Arab world. Featuring extensive previously unpublished images, The Arab Imago shows how native photography played an essential role in the creation of modern Arab societies in Egypt, Palestine, Syria, and Lebanon before the First World War. At the same time, the book overturns Eurocentric and Orientalist understandings of indigenous photography and challenges previous histories of the medium. 264 pp. Englisch. Codice inventario libreria 9780691151328

Dati bibliografici

Titolo: The Arab Imago
Casa editrice: Princeton University Press Apr 2016
Data di pubblicazione: 2016
Legatura: Buch
Condizione libro: Neu

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Descrizione libro Princeton University Press, 2016. HRD. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria WP-9780691151328

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Stephen Sheehi
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Descrizione libro Princeton University Press 2016-04-08, New Jersey, 2016. hardback. Condizione libro: New. Codice libro della libreria 9780691151328

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Stephen Sheehi
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Descrizione libro Princeton University Press, United States, 2016. Hardback. Condizione libro: New. 254 x 178 mm. Language: English . Brand New Book. The birth of photography coincided with the expansion of European imperialism in the Middle East, and some of the medium s earliest images are Orientalist pictures taken by Europeans in such places as Cairo and Jerusalem--photographs that have long shaped and distorted the Western visual imagination of the region. But the Middle East had many of its own photographers, collectors, and patrons. In this book, Stephen Sheehi presents a groundbreaking new account of early photography in the Arab world. The Arab Imago concentrates primarily on studio portraits by Arab and Armenian photographers in the late Ottoman Empire. Examining previously known studios such as Abdullah Freres, Pascal Sebah, Garabed Krikorian, and Khalil Raad, the book also provides the first account of other pioneers such as Georges and Louis Saboungi, the Kova Brothers, Muhammad Sadiq Bey, and Ibrahim Rif at Pasha--as well as the first detailed look at early photographs of the annual pilgrimage to Mecca. In addition, the book explores indigenous photography manuals and albums, newspapers, scientific journals, and fiction. Featuring extensive previously unpublished images, The Arab Imago shows how native photography played an essential role in the creation of modern Arab societies in Egypt, Palestine, Syria, and Lebanon before the First World War. At the same time, the book overturns Eurocentric and Orientalist understandings of indigenous photography and challenges previous histories of the medium. Codice libro della libreria AAZ9780691151328

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Stephen Sheehi
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Descrizione libro Princeton University Press. Hardback. Condizione libro: new. BRAND NEW, The Arab Imago: A Social History of Portrait Photography, 1860-1910, Stephen Sheehi, The birth of photography coincided with the expansion of European imperialism in the Middle East, and some of the medium's earliest images are Orientalist pictures taken by Europeans in such places as Cairo and Jerusalem--photographs that have long shaped and distorted the Western visual imagination of the region. But the Middle East had many of its own photographers, collectors, and patrons. In this book, Stephen Sheehi presents a groundbreaking new account of early photography in the Arab world. The Arab Imago concentrates primarily on studio portraits by Arab and Armenian photographers in the late Ottoman Empire. Examining previously known studios such as Abdullah Freres, Pascal Sebah, Garabed Krikorian, and Khalil Raad, the book also provides the first account of other pioneers such as Georges and Louis Saboungi, the Kova Brothers, Muhammad Sadiq Bey, and Ibrahim Rif'at Pasha--as well as the first detailed look at early photographs of the annual pilgrimage to Mecca. In addition, the book explores indigenous photography manuals and albums, newspapers, scientific journals, and fiction. Featuring extensive previously unpublished images, The Arab Imago shows how native photography played an essential role in the creation of modern Arab societies in Egypt, Palestine, Syria, and Lebanon before the First World War. At the same time, the book overturns Eurocentric and Orientalist understandings of indigenous photography and challenges previous histories of the medium. Codice libro della libreria B9780691151328

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Stephen Sheehi
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ISBN 10: 0691151326 ISBN 13: 9780691151328
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Descrizione libro Princeton University Press, United States, 2016. Hardback. Condizione libro: New. 254 x 178 mm. Language: English . Brand New Book. The birth of photography coincided with the expansion of European imperialism in the Middle East, and some of the medium s earliest images are Orientalist pictures taken by Europeans in such places as Cairo and Jerusalem--photographs that have long shaped and distorted the Western visual imagination of the region. But the Middle East had many of its own photographers, collectors, and patrons. In this book, Stephen Sheehi presents a groundbreaking new account of early photography in the Arab world. The Arab Imago concentrates primarily on studio portraits by Arab and Armenian photographers in the late Ottoman Empire. Examining previously known studios such as Abdullah Freres, Pascal Sebah, Garabed Krikorian, and Khalil Raad, the book also provides the first account of other pioneers such as Georges and Louis Saboungi, the Kova Brothers, Muhammad Sadiq Bey, and Ibrahim Rif at Pasha--as well as the first detailed look at early photographs of the annual pilgrimage to Mecca. In addition, the book explores indigenous photography manuals and albums, newspapers, scientific journals, and fiction. Featuring extensive previously unpublished images, The Arab Imago shows how native photography played an essential role in the creation of modern Arab societies in Egypt, Palestine, Syria, and Lebanon before the First World War. At the same time, the book overturns Eurocentric and Orientalist understandings of indigenous photography and challenges previous histories of the medium. Codice libro della libreria AAZ9780691151328

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Descrizione libro Hardback. Condizione libro: New. Not Signed; The birth of photography coincided with the expansion of European imperialism in the Middle East, and some of the medium's earliest images are Orientalist pictures taken by Europeans in such places as Cairo and Jerusalem--photographs that have long shaped and distorted the Western visual imagination. book. Codice libro della libreria ria9780691151328_rkm

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Descrizione libro Princeton University Press, 2016. Condizione libro: New. Num Pages: 264 pages, 100 halftones. BIC Classification: 1FB; 3JH; AJCP; HBJF1; HBLL; HBTB. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 254 x 178. . . 2016. Hardcover. . . . . . Codice libro della libreria V9780691151328

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Descrizione libro Princeton University Press. Hardcover. Condizione libro: New. book. Codice libro della libreria 0691151326

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