ISBN 10: 0262040530 / ISBN 13: 9780262040532
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Riassunto: Here, for the first time in this century, is an opportunity to reexamine the philosophy of the Beaux-Arts school of architecture, whose two-hundred-year history represented the body of ideas and buildings against which the modern movement rebelled.

Based on the doctrines of architecture formulated by the French Academy during the eighteenth century, the Ecole des Beaux-Arts system of instruction stressed drawing as the primary means of visualizing architectural form. The Concours du Grand Prix de Rome was the ultimate test of ability, and thus the index of the Academy's ideals throughout this period. This book reproduces, in more than 200 drawings, projects for the Grand Prix and for virtually every other type of competition or assignment at the Ecole des Beaux-Arts. Included are drawings by students who subsequently became preeminent as professional architects?among them Henri Labrouste, architect of the Bibliothèque Sainte-Geneviève, and Charles Garnier, architect of the Paris Opéra. All illustrations are accompanied by extensive explanatory captions, and a selection of important larger studies appear on specially folded inserts, enabling the reader to view them in unusually clear and precise detail.

Complementing the student work reproduced here is a selection of photographs by major Beaux-Arts buildings executed in France and the United States. In all, the book contains 423 illustrations, 23 in color, and 10 inserts.

The Architecture of the Ecole des Beaux-Arts offers an enlightening analysis of the school. The authors examine Beaux-Arts concepts of theory and practice and assess major work by each of the school's main factions. The essay by Richard Chafee covers the school's complex political and administrative history and is followed by a survey of the school's evolving notions of architectural composition?from Charles Percier through Garnier?by David Van Zanten. Neil Levine discusses the emergence of the Neo-Grec and the ideas of Labrouste, which in their preoccupation with literature and meaning in architecture parallel some recent concerns. In the final essay, Arthur Drexler examines such issues as the uses of the past, the ethical implications of style versus "non-style," and the techniques of visualizing buildings that have influenced the development of modern architecture.

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1.

Arthur Drexler
Editore: The Mit Press, New York (1977)
ISBN 10: 0262040530 ISBN 13: 9780262040532
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Descrizione libro The Mit Press, New York, 1977. Hardcover. Condizione libro: Near Fine. Condizione sovraccoperta: near fine. First edition. Quarto. 528pp. 401 illustrations, 24 in color. Small ownership stamp on fly-leaf. Codice libro della libreria 10501

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2.

Arthur Drexler
Editore: MIT PRESS
ISBN 10: 0262040530 ISBN 13: 9780262040532
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Descrizione libro MIT PRESS. Hardcover. Condizione libro: Good. Condizione sovraccoperta: Good. HARDCOVER Legendary independent bookstore online since 1994. Reliable customer service and no-hassle return policy. General. Book: USED, Good. Dust Jacket: Good. Bookseller Inventory # 01978026204053201. Codice libro della libreria 01978026204053201

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3.

Arthur Drexler,
Editore: MIT Press (MA) September 1977 (1977)
ISBN 10: 0262040530 ISBN 13: 9780262040532
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Descrizione libro MIT Press (MA) September 1977, 1977. Hardcover. Condizione libro: Used - Very Good. Here, for the first time in this century, is an opportunity to reexamine the philosophy of the Beaux-Arts school of architecture, whose two-hundred-year history represented the body of ideas and buildings against which the modern movement rebelled.Based on the doctrines of architecture formulated by the French Academy during the eighteenth century, the Ecole des Beaux-Arts system of instruction stressed drawing as the primary means of visualizing architectural form. The 'Concours du Grand Prix de Rome' was the ultimate test of ability, and thus the index of the Academy's ideals throughout this period. This book reproduces, in more than 200 drawings, projects for the Grand Prix and for virtually every other type of competition or assignment at the Ecole des Beaux-Arts. Included are drawings by students who subsequently became preeminent as professional architects--among them Henri Labrouste, architect of the Bibliotheque Sainte-Genevieve, and Charles Garnier, architect of the Paris Opera. All illustrations are accompanied by extensive explanatory captions, and a selection of important larger studies appear on specially folded inserts, enabling the reader to view them in unusually clear and precise detail.Complementing the student work reproduced here is a selection of photographs by major Beaux-Arts buildings executed in France and the United States. In all, the book contains 423 illustrations, 23 in color, and 10 inserts.'The Architecture of the Ecole des Beaux-Arts' offers an enlightening analysis of the school. The authors examine Beaux-Arts concepts of theory and practice and assess major work by each of the school's main factions. The essay by Richard Chafee covers the school's complex political and administrative history and is followed by a survey of the school's evolving notions of architectural composition--from Charles Percier through Garnier--by David Van Zanten. Neil Levine discusses the emergence of the 'Neo-Grec' and the ideas of Labrouste, which in their preoccupation with literature and meaning in architecture parallel some recent concerns. In the final essay, Arthur Drexler examines such issues as the uses of the past, the ethical implications of style versus 'non-style,' and the techniques of visualizing buildings that have influenced the development of modern architecture. Very nice clean, tight copy free of any marks. Price clipped, small tear on dj. Codice libro della libreria 211825

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Drexler, Arthur (Editor)
Editore: The MIT Press (1977)
ISBN 10: 0262040530 ISBN 13: 9780262040532
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Descrizione libro The MIT Press, 1977. Hardcover. Condizione libro: Very Good. Condizione sovraccoperta: Near Fine. 9.13 x 6.57 x 1.11. Previous owner name on front blank page. 528 pages. Codice libro della libreria 114186

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Editore: The MIT Press 1977-09-15 (1977)
ISBN 10: 0262040530 ISBN 13: 9780262040532
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Descrizione libro The MIT Press 1977-09-15, 1977. Hardcover. Condizione libro: good. 1st Ed.. 0262040530. Codice libro della libreria 555772

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6.

Arthur Drexler, Editor
Editore: Museum of Modern Art, NY (1977)
ISBN 10: 0262040530 ISBN 13: 9780262040532
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art longwood books
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Descrizione libro Museum of Modern Art, NY, 1977. Hard Cover. Condizione libro: Near Fine. Condizione sovraccoperta: Very Good Plus. First Edition. cloth, hardcover in dust jacket., very slight wear to dj at top edge of spine. minor rubbing to bottom edges of boards, no markings or writing, strong binding.; large, heavy book.; distributed by the mit press.; 528pp., 401 illustrations, 24 in color, 12 gatefolds.; contains four major sections by: arthur drexler, richard chafee, david van zanten, and neil levine. major reference work on the period and its influence. Size: 4to - over 9¾" - 12" tall. Exhibition Catalogue. Codice libro della libreria 17465

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7.

Drexler, Arthur
Editore: The MIT Press, Bx-265 (1977)
ISBN 10: 0262040530 ISBN 13: 9780262040532
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Descrizione libro The MIT Press, Bx-265, 1977. Hardcover. Condizione libro: Very Good. Condizione sovraccoperta: Very Good-. First Edition; Second Printing. Hardcover. 4to. MIT Press. 1977. 528 pgs. 401 illustrations, 24 in color with 12 gatefolds. First Edition/Second Printing. DJ in VG shape with some shelfwear present to the DJ (chip to the heel of the spine about the size of a quarter). No ownership marks present. Text is clean and free of marks, binding tight and solid, boards clean with no wear present. Photos sent upon request. Bx-265; 4to 11" - 13" tall; 528 pages. Codice libro della libreria 44095

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8.

Drexler, Arthur
Editore: MOMA; MIT Press, New York, NY; Cambridge, MA (1977)
ISBN 10: 0262040530 ISBN 13: 9780262040532
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Descrizione libro MOMA; MIT Press, New York, NY; Cambridge, MA, 1977. Hardcover. Condizione libro: Near fine condition. Condizione sovraccoperta: Near fine condition (DJ). First Edition. 525 pages of text. Hardcover binding in almost new condition. The unclipped dustjacket has a tiny tear on the rear inner panel and minimal shelfwear; protected in archival mylar. Contains 401 illustrations, of which 24 are in color, with 12 gatefolds. With essays by Richard Chafee, Drexler, Neil Levine and David Van Zanten. The text is clean and unmarked. First edition. Size: Quarto (4to). Codice libro della libreria 017247

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Drexler, Arthur (Hrsg.)
Editore: The Museum of Modern Art (1977)
ISBN 10: 0262040530 ISBN 13: 9780262040532
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Descrizione libro The Museum of Modern Art, 1977. - Text englisch / Essays von Richard Chafee, Neil Levine und David van Zanten / gutes Exemplar - Gewicht in Gramm: 2560 The Museum of Modern Art, New York, 1977. 544 S. mit 401 Abb., davon 24 in Farbe und 12 auf ausklappbaren Seiten, Leinen-Einband mit Umschlag, quart. Codice libro della libreria 1j7014

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Editore: The MIT Press (1977)
ISBN 10: 0262040530 ISBN 13: 9780262040532
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Descrizione libro The MIT Press, 1977. Hardcover. Condizione libro: Very Good. Codice libro della libreria P020262040530

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