ISBN 10: 3822871931 / ISBN 13: 9783822871935
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Riassunto: Piet Mondrian behind his easel, Igor Stravinsky at his piano, Max Ernst sitting smoking on his throne-like chair: Arnold Newman's photographs are classics of portraiture. His subtle arrangements constituted the foundations of ""environmental portraiture."" His photographs integrate the respective artist's characteristic equipment and surroundings, thus indicating his or her field of activity. The enormous fame of Newman's portraits can be ascribed to their daring compositions and sometimes astounding spatial structures. The photographer's beginnings, on the other hand, were none too promising. During the Great Depression Newman had to abandon his art studies for financial reasons. Between 1938 and 1942 he concentrated on socio-documentary photography in the ghettos of West Palm Beach, Philadelphia, and Baltimore. One might think that being forced to earn his living in a photography studio would have stifled his artistic potential: Newman portrayed up to 70 clients a day. Yet he still succeeded in developing a very personal touch and establishing himself in the New York art scene of the early 1940s. His subjects included Max Ernst, Marcel Duchamp, Marc Chagall, Jackson Pollock, Willem de Kooning and Alexander Calder. With his unmistakable style, Newman became the star photographer of artists, writers and musicians.

Review: There's a famous photograph of Picasso in his 70s that probably would make you think "genius" and "visionary" even if you had no idea he was a great artist. One hand pushes up against his forehead, carving a few extra wrinkles and hooding one eye; the other eye stares out with implacable intensity. This is the work of Arnold Newman, one of the great contemporary American portrait photographers, whose images--frequently made on assignment in Europe--appeared in Harper's Bazaar, Fortune, Life, Look, and other major magazines. Trained as a painter, he believes (as he writes in a short, passionate essay prefacing his selection of 60 years of his work) that "we do not take pictures with our cameras, but with our hearts and minds." He has always been fascinated by the kind of people--scientists, musicians, actors, politicians, writers, and artists--with whom he could have "long conversations until late at night."

Arnold Newman, probably the most extensive of the many samplings of the photographer's work, amply displays his vaunted skill at portraying mostly well-known sitters in their native habitats, whether these happen to be lonely-looking palaces (Haile Selassie, Generalissimo Franco), book-lined offices (Golda Meier, Stephen Jay Gould), a shabby road veiled in darkness (Shelagh Delaney), a bed (Woody Allen, scribbling on a legal pad), or mysterious precincts that capture the willful individuality of artists and architects. With 240 black-and-white and color plates, this beautifully produced book (marred only by the awkward way the elegant black silhouette of a grand piano lid in the Igor Stravinsky portrait bleeds across two pages) accompanies an exhibition at the Corcoran Gallery of Art in Washington, D.C. (March 18-May 21, 2000). --Cathy Curtis

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1.

Brookman, Philip, Newman, Arnold
Editore: Taschen (2000)
ISBN 10: 3822871931 ISBN 13: 9783822871935
Usato Prima edizione QuantitÓ: 1
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Better World Books
(Mishawaka, IN, U.S.A.)
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[?]

Descrizione libro Taschen, 2000. Condizione libro: Fair. 1st. Former Library book. Shows definite wear, and perhaps considerable marking on inside. Codice libro della libreria GRP10865417

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2.

Brookman, Philip; Newman, Arnold
Editore: Taschen, Cologne (2000)
ISBN 10: 3822871931 ISBN 13: 9783822871935
Usato Rilegato Prima edizione QuantitÓ: 1
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Lectioz Books
(Sydney, NSW, Australia)
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Descrizione libro Taschen, Cologne, 2000. Hard Cover. Condizione libro: Very Good. Condizione sovraccoperta: Good. First Edition. Jacket has light to moderate general wear plus a 5mm tear to head of spine. A 1cm tear to top edge of pages 89/90 and a small former owner's initials to top corner of half-title page. Otherwise internally clean. Binding tight. 276pp Size: 270mm x 330mm. Codice libro della libreria 017356

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3.

Philip Brookman
Editore: TASCHEN BOOKS (2000)
ISBN 10: 3822871931 ISBN 13: 9783822871935
Usato Rilegato QuantitÓ: 1
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Powell's Books
(Portland, OR, U.S.A.)
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Descrizione libro TASCHEN BOOKS, 2000. Hardcover. Condizione libro: Fair. Condizione sovraccoperta: Fair. HARDCOVER Legendary independent bookstore online since 1994. Reliable customer service and no-hassle return policy. General. Book: USED, Fair. Dust Jacket: Fair. Bookseller Inventory # 17978382287193503. Codice libro della libreria 17978382287193503

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4.

Newman, Arnold
Editore: Taschen, Cologne. (2000)
ISBN 10: 3822871931 ISBN 13: 9783822871935
Usato Rilegato Prima edizione QuantitÓ: 1
Da
Second-Hand Rows
(Encino, CA, U.S.A.)
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Descrizione libro Taschen, Cologne., 2000. Boards. Condizione libro: Near fine. Condizione sovraccoperta: very good. First Edition. Folio (13" x 11"). 276pp. Index. Parallel text in English, French and German. Profusely illustrated with full-page photographs, some in color. Yellow boards stamped in white. Dust jacket (minor edgewear and 2 small closed tears at top edge, repaired/reinforced with archival tape and now protected with a Brodart). Note: the shipping weight of this book is approximately 6 pounds and it may require additional postage depending upon its destination. Codice libro della libreria 2815

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5.

Philippi, Simone [Hrsg.]:
Editore: K÷ln, London, Madrid, New York, Paris, Tokyo, Taschen Verlag (2000)
ISBN 10: 3822871931 ISBN 13: 9783822871935
Usato Rilegato Prima edizione QuantitÓ: 1
Da
Antiquariat Lenzen
(Düsseldorf, Germania)
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Descrizione libro Köln, London, Madrid, New York, Paris, Tokyo, Taschen Verlag, 2000. 4°. 34 cm. 276 Seiten. Original-Pappband, gebunden mit Original-Schutzumschlag. 1. Auflage. Dreisprachige Ausgabe: Deutsch, Englisch, Französisch. Mit zahlreichen Abbildungen. Sehr gutes Exemplar. First edition. Trilingual edition: english, german, french. With many illustrations. Original hardcover with dust jacket. Fine copy. Codice libro della libreria 47041CB

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6.

Philip Brookman
Editore: Taschen GmbH (2000)
ISBN 10: 3822871931 ISBN 13: 9783822871935
Usato Rilegato QuantitÓ: 1
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Anybook Ltd.
(Lincoln, Regno Unito)
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Descrizione libro Taschen GmbH, 2000. Condizione libro: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Dust Jacket in good condition. , 2650grams, ISBN:9783822871935. Codice libro della libreria 6956088

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7.

Brookman, Philip
Editore: Taschen, K÷ln (Cologne), Germany (2000)
ISBN 10: 3822871931 ISBN 13: 9783822871935
Usato Rilegato QuantitÓ: 1
Da
Mullen Books, ABAA
(Marietta, PA, U.S.A.)
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Descrizione libro Taschen, Köln (Cologne), Germany, 2000. Hardcover. Canary yellow cloth, yellow and BW illus. dust jacket in mylar cover; 276 pp., many BW and color illus. Text is in English, German, and French. Showcases mostly portraiture of American photographer Arnold Newman (1918-2006). With an essay by Philip Brookman. Includes chronology, bibliography, and exhibitions history. Much to see here. G+ (Ex-art library, with some scuffs to dj and one nick to edge; label on spine and i.d. marks on outermost pages; internally clean.). Codice libro della libreria 158988

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8.

Brookman, Philip; Newman, Arnold
Editore: Taschen (2000)
ISBN 10: 3822871931 ISBN 13: 9783822871935
Usato Rilegato QuantitÓ: 1
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CorgiPack
(Fulton, NY, U.S.A.)
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Descrizione libro Taschen, 2000. Hardcover. Condizione libro: Fine. Condizione sovraccoperta: Like New. 3822871931 Dust jacket condition: Like New. Due to weight, no foreign orders or domestic priority shipments accepted without prior arrangement as to shipping costs, which will exceed our usual rates. This book is too large for our scanner so a partial cover image is shown. Piet Mondrian behind his easel, Igor Stravinsky at his piano, Max Ernst sitting smoking on his throne-like chair: Arnold Newman's photographs are classics of portraiture. His subtle arrangements constituted the foundations of "environmental portraiture." His photographs integrate the respective artist's characteristic equipment and surroundings, thus indicating his or her field of activity. The enormous fame of Newman's portraits can be ascribed to their daring compositions and sometimes astounding spatial structures. The photographer's beginnings, on the other hand, were none too promising. During the Great Depression Newman had to abandon his art studies for financial reasons. Between 1938 and 1942 he concentrated on socio-documentary photography in the ghettos of West Palm Beach, Philadelphia, and Baltimore. One might think that being forced to earn his living in a photography studio would have stifled his artistic potential: Newman portrayed up to 70 clients a day. Yet he still succeeded in developing a very personal touch and establishing himself in the New York art scene of the early 1940s. His subjects included Max Ernst, Marcel Duchamp, Marc Chagall, Jackson Pollock, Willem de Kooning and Alexander Calder. With his unmistakable style, Newman became the star photographer of artists, writers and musicians. 276 pages. Codice libro della libreria 062626

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9.

Brookman, Philip; Newman, Arnold
Editore: Taschen
ISBN 10: 3822871931 ISBN 13: 9783822871935
Usato Rilegato QuantitÓ: 1
Da
AZBOOKA
(Oceanside, CA, U.S.A.)
Valutazione libreria
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Descrizione libro Taschen. Hardcover. Condizione libro: Fine. 3822871931 Practically new book - no signs of usage. No remainder marks, price clips or other imperfections. The dust jacket is in protective mylar. Codice libro della libreria SKU1034431

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10.

Philip Brookman
Editore: Taschen 2000-02-19 (2000)
ISBN 10: 3822871931 ISBN 13: 9783822871935
Usato Rilegato QuantitÓ: 1
Da
Lost Books
(AUSTIN, TX, U.S.A.)
Valutazione libreria
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Descrizione libro Taschen 2000-02-19, 2000. Hardcover. Condizione libro: good. 3822871931. Codice libro della libreria 576202

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