Focuses on how nothing in the Moroccan French Protectorate (1912-1956) escaped the imprints of metropolitan ideology and how the French transformed and dominated Moroccan society by looking at how the arts and crafts were transformed in the colonial period. Our orders are sent from our warehouse locally or directly from our international distributors to allow us to offer you the best possible price and delivery time. Codice inventario libreria
Riassunto: Art in the Service of Colonialism throws new light on how nothing in the Moroccan French Protectorate (1912-1956) escaped the imprints of metropolitan ideology and how the French transformed and dominated Moroccan society by looking at how the arts and crafts were transformed in the colonial period. The French established vocational and fine art schools, revived local methods for producing crafts, imposed modern systems of industrial production and pedagogy and reinvented old traditions. By marrying the old with the new, they revitalized arts and crafts and made them saleable commodities. Hamid Irbouh examines and analyses these processes and demonstrates how Moroccan artists have struggled to exorcise French influences and rediscover their authentic visual culture since decolonization.
A highly original, meticulously researched, pioneering investigation, not least in addressing the role French colonial women played in diffusing and maintaining French visual culture in the Moroccan feminine milieu. This book will interest a very wide range of readers, not only in the history of Morocco, but also in art and design history more generally and especially, the rapidly growing field of post colonial studies. It sheds immense light on the distinctive characteristics of contemporary culture in this North African country.
Anthony King, Professor Emeritus of Art History and Sociology, State University of New York.
[A] well-conceived book based on original arhival sources...this is a novel approach to colonial art history, situating Moroccan art production in large social, political and ideological contexts. --Stuart Schaar, Professor Emeritus of Middle Eastern and North African History, Brooklyn College, City University of New York
Titolo: Art in the Service of Colonialism
Casa editrice: Tauris Academic Studies
Data di pubblicazione: 2013
Condizione libro: New
Descrizione libro IB Tauris, 2018. Paperback. Condizione: NEW. 9781780760360 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. Print on Demand title, produced to the highest standard, and there would be a delay in dispatch of around 10 working days. For all enquiries, please contact Herb Tandree Philosophy Books directly - customer service is our primary goal. Codice articolo HTANDREE0881047
Descrizione libro Paperback. Condizione: Acceptable. This is a paper back book. The pages have normal wear. We ship Monday-Saturday and respond to inquries within 24 hours. Codice articolo 3O6CWB000A57
Descrizione libro I.B.Tauris Co. Ltd., United Kingdom, 2013. Paperback. Condizione: New. Revised. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. In the Moroccan French Protectorate (1912-1956), the French established vocational and fine art schools, imposed modern systems of industrial production and pedagogy and reinvented old traditions. Hamid Irbouh argues that the French used this systematic modernisation of local arts and crafts regulation to impose their control. He looks in particular at the role and place of women in the structures of art production and education created by the French- that transformed and dominated Moroccan society during the colonial period. French women infiltrated the Moroccan milieu, to buttress colonial ideology, yet at critical moments, Moroccan women rejected traditional roles and sabotaged colonial plans. Meanwhile, the contradictions between reformist goals and the old order added to social dislocations and led to rebellion against French hegemony. Irbouh examines and analyses these processes and demonstrates how Moroccan artists have struggled to exorcise French influences and rediscover an authentic visual culture since decolonisation. This book reveals that the weight of colonial history continues to weigh heavily on artistic practice and production. Codice articolo BTE9781780760360
Descrizione libro I.B.Tauris, 2013. Condizione: New. book. Codice articolo M1780760361
Descrizione libro I.B.Tauris, 2013. Paperback. Condizione: Very Good. Great condition with minimal wear, aging, or shelf wear. Codice articolo P021780760361
Descrizione libro I B Tauris & Co Ltd, 2013. Paperback. Condizione: Brand New. revised edition. 280 pages. 8.50x5.50x1.00 inches. In Stock. Codice articolo 1780760361
Descrizione libro I.B.Tauris, 2013. Paperback. Condizione: New. Never used!. Codice articolo P111780760361
Descrizione libro I.B.Tauris, 2013. Paperback. Condizione: Good. Revised. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. May not contain Access Codes or Supplements. May be ex-library. Shipping & Handling by region. Buy with confidence, excellent customer service!. Codice articolo 1780760361