Gently used. Expect delivery in 20 days. Codice inventario libreria
Riassunto: The songs, dances, jokes, parodies, spoofs, and skits of blackface groups such as the Virginia Minstrels and Buckley's Serenaders became wildly popular in antebellum America. Behind the Burnt Cork Mask not only explores the racist practices of these entertainers but considers their performances as troubled representations of ethnicity, class, gender, and culture in the nineteenth century.
William J. Mahar's unprecedented archival study of playbills, newspapers, sketches, monologues, and music engages new sources previously not considered in twentieth-century scholarship. More than any other study of its kind, Behind the Burnt Cork Mask investigates the relationships between blackface comedy and other Western genres and traditions; between the music of minstrel shows and its European sources; and between "popular" and "elite" constructions of culture.
By locating minstrel performances within their complex sites of production, Mahar offers a significant reassessment of the historiography of the field. Behind the Burnt Cork Mask promises to redefine the study of blackface minstrelsy, charting new directions for future inquiries by scholars in American studies, popular culture, and musicology.
Titolo: Behind the Burnt Cork Mask: Early Blackface ...
Casa editrice: University of Illinois Press
Data di pubblicazione: 1999
Condizione libro: very good
Descrizione libro University of Illinois Press, 1999. Hardcover. Condizione libro: Very Good. Very good. Codice libro della libreria HH-226-X6-7537207
Descrizione libro University of Illinois Press, 1999. Hardcover. Condizione libro: Very Good. Codice libro della libreria P02025202396X
Descrizione libro University of Illinois Press, 1999. Hardcover. Condizione libro: New. Codice libro della libreria P11025202396X