Brand New, Unread Copy in Perfect Condition. A+ Customer Service!. Codice inventario libreria
Riassunto: Since its debut in 1988, sales for The Best American Poetry have nearly quadrupled. Now, in the midst of a present explosion in the interest of poetry nationwide (The New York Times), this renowned series promises to deliver one of its finest volumes yet with Rita Dove as the year's guest editor. One of the most prominent figures in the poetry world, former Poet Laureate Dove brings all of her dynamism and well-honed acumen to bear on the project.Dove has chosen the best poems of the year from a wide range of literary magazines and journals. Along with the work of today's most celebrated poets, including W. S. Merwin, Lucille Clifton, Susan Mitchell, and John Ashbery, Dove has also selected several fresh and diverse poems from a host of groundbreaking newcomers. Featuring comments from the poets elucidating their work and a Foreword by Series Editor David Lehman, The Best American Poetry 2000 is an especially strong addition to the series People magazine called, a year's worth of the very best.
Review: In her introduction to The Best American Poetry 2000, Rita Dove offers the key to honest appreciation: read the work for itself, not for its creator's name and rank on the great chain of poetic being. With luck it will take the top of your head off, though some poems may only elicit a tingle the first time around. Put those away and come back another time, in another mood. "A poem must sing," she writes, "even if the song elicits horror." And the 75 she ultimately chose--by such poetic senior citizens as Lucille Clifton, Thom Gunn, W.S. Merwin, and the as yet unacknowledged--both sing and explode. Her harvest is as varied and abundant as the garden (and gardener!) Stanley Plumley celebrates in "Kunitz Tending Roses":
Still, there he is, on any given day,Dove does find certain trends, ranging from "the interpolation of personal chronicles with the larger sweep of events" to "elegies for the passing of heroes, of good times, of innocence." Certainly, more than one therapist pops up here--in, for instance, Pamela Sutton's mesmerizing "There Is a Lake of Ice on the Moon" and in Denise Duhamel's intricate "Incest Taboo" (which is a lot more subtle than its title would give out). This dislocating double sestina's 13 stanzas juggle a fear of birds, a brother's death, alcoholism, familial expectations, and so much more. Set free by the form's constraints--the same end-words must recur in each stanza--this poet uses such phrases as "parrot," swoop," "wrong, "hover," hum," and "mother" to great effect, ironies and tragedies accreting. As Duhamel writes in the contributors' notes: "I felt as though I were doing a strenuous combination of math, crossword puzzles, and particle physics."
talking to ramblers, floribundas, Victorian
perpetuals, as if for beauty and to make us
glad or otherwise for envy and to make us
wish for more--if only to mystify and move us.
Some poems are definitely augmented by their creators' explanations--and their prose is often as eloquent as their verse. Others require none. Yet what threatens to steal the poetic show occurs after these comments. The series wizard, David Lehman, asked past and present guest editors to cite their top 15 20th-century American poems, in alphabetical order. It's impossible not to gravitate to this section and silently argue with some selections, approve others wholeheartedly, discover a few for the first time, and remonstrate over certain absences. How marvelous, if unsurprising, to see so many poets voting for Robert Frost, Elizabeth Bishop (who scores particularly high), and two whom John Hollander wittily terms "the transatlantic problematics," Auden and Eliot. If only Lehman had asked each editor to expound on his or her choices. In this list context, Louise Glück's refusal to "prefer merely fifteen" proves as inspiring as others' elections. Still, it's amusing to watch such poets as Mark Strand, A.R. Ammons, and Lehman himself look for loopholes and stuff the ballot box with also-rans. --Kerry Fried
Condizione libro: New
Descrizione libro Scribner, 2000. Condizione libro: Good. Former Library book. Shows some signs of wear, and may have some markings on the inside. Codice libro della libreria GRP8215506
Descrizione libro Scribner, 2000. Condizione libro: Good. Shows some signs of wear, and may have some markings on the inside. Codice libro della libreria GRP10609262
Descrizione libro Scribner Poetry. Hardcover. Condizione libro: GOOD. book was well loved but cared for. Possible ex-library copy with all the usual markings and stickers. Some light textual notes, highlighting and underling. Codice libro della libreria 2777358483
Descrizione libro Scribner Poetry. Hardcover. Condizione libro: Fair. Codice libro della libreria G0684842815I5N00
Descrizione libro Scribner Poetry. Hardcover. Condizione libro: Good. Ex-Library Book - will contain Library Markings. Book shows a small amount of wear to cover and binding. Some pages show signs of use. Codice libro della libreria G0684842815I3N10
Descrizione libro Scribner. Hardcover. Condizione libro: Good. Book has some visible wear on the binding, cover, pages. Codice libro della libreria G0684842815I3N00
Descrizione libro Scribner. Hardcover. Condizione libro: Very Good. Appearance of only slight previous use. Cover and binding show a little wear. All pages are undamaged with potentially only a few, small markings. Codice libro della libreria G0684842815I4N00
Descrizione libro Scribner Poetry, 2000. Hardcover. Condizione libro: Used: Good. Codice libro della libreria SONG0684842815
Descrizione libro Condizione libro: Good. Book Condition: Good. Codice libro della libreria 97806848428134.0
Descrizione libro Scribner, Old Tappan, New Jersey, U.S.A., 2000. Hard Cover. Condizione libro: Good. No Jacket. Used. Codice libro della libreria 001239