Between the Black Box and the White Cube

Andrew V. Uroskie

Editore: The University of Chicago Press, 2014
ISBN 10: 0226842991 / ISBN 13: 9780226842998
Usato / Paperback / Quantità: 0
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Riassunto: Today, the moving image is ubiquitous in global contemporary art. The first book to tell the story of the postwar expanded cinema that inspired this omnipresence, Between the Black Box and the White Cube travels back to the 1950s and 1960s, when the rise of television caused movie theaters to lose their monopoly over the moving image, leading cinema to be installed directly alongside other forms of modern art.
 
Explaining that the postwar expanded cinema was a response to both developments, Andrew V. Uroskie argues that, rather than a formal or technological innovation, the key change for artists involved a displacement of the moving image from the familiarity of the cinematic theater to original spaces and contexts. He shows how newly available, inexpensive film and video technology enabled artists such as Nam June Paik, Robert Whitman, Stan VanDerBeek, Robert Breer, and especially Andy Warhol to become filmmakers. Through their efforts to explore a fresh way of experiencing the moving image, these artists sought to reimagine the nature and possibilities of art in a post-cinematic age and helped to develop a novel space between the black box” of the movie theater and the white cube” of the art gallery. Packed with over one hundred illustrations, Between the Black Box and the White Cube is a compelling look at a seminal moment in the cultural life of the moving image and its emergence in contemporary art.

From the Back Cover: "Between the Black Box and the White Cube rescues critically neglected and under-recognized work by artists who embraced media, especially film, at times and in contexts that proved inhospitable to intermedia art. Andrew Uroskie writes with a retrospective lens aimed at correcting the art historical past, but he also shows himself adept at treating the work of major contemporary figures. Bringing extraordinary care to his in-depth analyses and the development of his historical claims, Uroskie has produced a wide-ranging and insightful book that fills an important gap in the literature and will readily cross over from the realm of cinema studies to that of contemporary art history."  (Bruce Jenkins, School of the Art Institute of Chicago)

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Dati bibliografici

Titolo: Between the Black Box and the White Cube
Casa editrice: The University of Chicago Press
Data di pubblicazione: 2014
Legatura: Paperback
Condizione libro: New

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Uroskie, Andrew V.
Editore: University Of Chicago Press (2014)
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Descrizione libro University Of Chicago Press, 2014. Condizione libro: Very Good. Great condition for a used book! Minimal wear. Codice libro della libreria GRP97240912

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Descrizione libro University Of Chicago Press. PAPERBACK. Condizione libro: Very Good. 0226842991 Crisp, clean, unread book with some shelfwear and a remainder mark to one edge - NICE. Codice libro della libreria Z0226842991Z2

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Descrizione libro University Of Chicago Press. PAPERBACK. Condizione libro: Good. 0226842991 Bumped and creased book with tears to the extremities, but not affecting the text block and a remainder mark to one edge - Good. Codice libro della libreria Z0226842991Z3

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Descrizione libro University of Chicago Press, 2014. PAP. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria WG-9780226842998

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Descrizione libro University of Chicago Press 2014-02-27, 2014. Paperback. Condizione libro: Very Good. All books are pre-owned and will have been read by someone else before you. They may well show signs of minor wear and tear. Please note, cover images are illustrative only, and the actual book cover and edition can vary. Codice libro della libreria 9780226842998-21

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Descrizione libro The University of Chicago Press, United States, 2014. Paperback. Condizione libro: New. Language: English . Brand New Book. Today, the moving image is ubiquitous in global contemporary art. The first book to tell the story of the postwar expanded cinema that inspired this omnipresence, Between the Black Box and the White Cube travels back to the 1950s and 1960s when the rise of television caused movie theaters to lose their monopoly over the moving image, leading cinema to be installed directly alongside other forms of modern art. Explaining that the postwar expanded cinema was a response to both developments, Andrew V. Uroskie argues that, rather than a formal or technological innovation, the key change for artists involved a displacement of the moving image from the familiarity of the cinematic theater to original spaces and contexts. He shows how newly available, inexpensive film and video technology enabled artists such as Nam June Paik, Robert Whitman, Stan VanDerBeek, Robert Breer, and especially Andy Warhol to become filmmakers. Through their efforts to explore a fresh way of experiencing the moving image, these artists sought to reimagine the nature and possibilities of art in a postcinematic age and helped to develop a novel space between the black box of the movie theater and the white cube of the art gallery. Packed with one hundred illustrations, Between the Black Box and the White Cube is a compelling look at a seminal moment in the cultural life of the moving image and its emergence in contemporary art. Codice libro della libreria AAZ9780226842998

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Descrizione libro University of Chicago press. Condizione libro: New. Brand New. Codice libro della libreria 0226842991

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Andrew V. Uroskie
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Descrizione libro The University of Chicago Press, United States, 2014. Paperback. Condizione libro: New. Language: English . Brand New Book. Today, the moving image is ubiquitous in global contemporary art. The first book to tell the story of the postwar expanded cinema that inspired this omnipresence, Between the Black Box and the White Cube travels back to the 1950s and 1960s when the rise of television caused movie theaters to lose their monopoly over the moving image, leading cinema to be installed directly alongside other forms of modern art. Explaining that the postwar expanded cinema was a response to both developments, Andrew V. Uroskie argues that, rather than a formal or technological innovation, the key change for artists involved a displacement of the moving image from the familiarity of the cinematic theater to original spaces and contexts. He shows how newly available, inexpensive film and video technology enabled artists such as Nam June Paik, Robert Whitman, Stan VanDerBeek, Robert Breer, and especially Andy Warhol to become filmmakers. Through their efforts to explore a fresh way of experiencing the moving image, these artists sought to reimagine the nature and possibilities of art in a postcinematic age and helped to develop a novel space between the black box of the movie theater and the white cube of the art gallery. Packed with one hundred illustrations, Between the Black Box and the White Cube is a compelling look at a seminal moment in the cultural life of the moving image and its emergence in contemporary art. Codice libro della libreria AAZ9780226842998

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Andrew V. Uroskie
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ISBN 10: 0226842991 ISBN 13: 9780226842998
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Descrizione libro UNIVERSITY OF CHICAGO PRESS 2014-03-07, Chicago, 2014. paperback. Condizione libro: New. Codice libro della libreria 9780226842998

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Descrizione libro University Of Chicago Press, 2014. Condizione libro: Good. A+ Customer service! Satisfaction Guaranteed! Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. Codice libro della libreria 0226842991-2-4

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