Between the Black Box and the White Cube

Andrew V. Uroskie

Editore: The University of Chicago Press, 2014
ISBN 10: 0226842991 / ISBN 13: 9780226842998
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Riassunto: Today, the moving image is ubiquitous in global contemporary art. The first book to tell the story of the postwar expanded cinema that inspired this omnipresence, Between the Black Box and the White Cube travels back to the 1950s and 1960s, when the rise of television caused movie theaters to lose their monopoly over the moving image, leading cinema to be installed directly alongside other forms of modern art.

Explaining that the postwar expanded cinema was a response to both developments, Andrew V. Uroskie argues that, rather than a formal or technological innovation, the key change for artists involved a displacement of the moving image from the familiarity of the cinematic theater to original spaces and contexts. He shows how newly available, inexpensive film and video technology enabled artists such as Nam June Paik, Robert Whitman, Stan VanDerBeek, Robert Breer, and especially Andy Warhol to become filmmakers. Through their efforts to explore a fresh way of experiencing the moving image, these artists sought to reimagine the nature and possibilities of art in a post-cinematic age and helped to develop a novel space between the ?black box” of the movie theater and the ?white cube” of the art gallery. Packed with over one hundred illustrations, Between the Black Box and the White Cube is a compelling look at a seminal moment in the cultural life of the moving image and its emergence in contemporary art.

L'autore: Andrew V. Uroskie is associate professor and graduate director of the MA/PhD Graduate Program in Art History and Criticism at Stony Brook University, SUNY. He lives in Brooklyn, NY.

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Titolo: Between the Black Box and the White Cube
Casa editrice: The University of Chicago Press
Data di pubblicazione: 2014
Legatura: Paperback
Condizione libro: New

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Descrizione libro University Of Chicago Press. PAPERBACK. Condizione: Very Good. 0226842991 Crisp, clean, unread book with some shelfwear and a remainder mark to one edge - NICE. Codice articolo Z0226842991Z2

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Descrizione libro University Of Chicago Press. PAPERBACK. Condizione: Good. 0226842991 Bumped and creased book with tears to the extremities, but not affecting the text block and a remainder mark to one edge - Good. Codice articolo Z0226842991Z3

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Descrizione libro University Of Chicago Press, 2014. Paperback. If you are not happy with your product, contact us before leaving feedback and we will make it right! Fast shipping. No Hassle Return Policy. Please contact us immediately for any discrepancy with any order. The book is in overall good cond. Codice articolo 018461

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Descrizione libro The University of Chicago Press, United States, 2014. Paperback. Condizione: New. Language: English . Brand New Book. Today, the moving image is ubiquitous in global contemporary art. The first book to tell the story of the postwar expanded cinema that inspired this omnipresence, Between the Black Box and the White Cube travels back to the 1950s and 1960s when the rise of television caused movie theaters to lose their monopoly over the moving image, leading cinema to be installed directly alongside other forms of modern art. Explaining that the postwar expanded cinema was a response to both developments, Andrew V. Uroskie argues that, rather than a formal or technological innovation, the key change for artists involved a displacement of the moving image from the familiarity of the cinematic theater to original spaces and contexts. He shows how newly available, inexpensive film and video technology enabled artists such as Nam June Paik, Robert Whitman, Stan VanDerBeek, Robert Breer, and especially Andy Warhol to become filmmakers. Through their efforts to explore a fresh way of experiencing the moving image, these artists sought to reimagine the nature and possibilities of art in a postcinematic age and helped to develop a novel space between the black box of the movie theater and the white cube of the art gallery. Packed with one hundred illustrations, Between the Black Box and the White Cube is a compelling look at a seminal moment in the cultural life of the moving image and its emergence in contemporary art. Codice articolo AAZ9780226842998

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Andrew V. Uroskie
Editore: The University of Chicago Press, United States (2014)
ISBN 10: 0226842991 ISBN 13: 9780226842998
Nuovo Paperback Quantità: 1
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Descrizione libro The University of Chicago Press, United States, 2014. Paperback. Condizione: New. Language: English . Brand New Book. Today, the moving image is ubiquitous in global contemporary art. The first book to tell the story of the postwar expanded cinema that inspired this omnipresence, Between the Black Box and the White Cube travels back to the 1950s and 1960s when the rise of television caused movie theaters to lose their monopoly over the moving image, leading cinema to be installed directly alongside other forms of modern art. Explaining that the postwar expanded cinema was a response to both developments, Andrew V. Uroskie argues that, rather than a formal or technological innovation, the key change for artists involved a displacement of the moving image from the familiarity of the cinematic theater to original spaces and contexts. He shows how newly available, inexpensive film and video technology enabled artists such as Nam June Paik, Robert Whitman, Stan VanDerBeek, Robert Breer, and especially Andy Warhol to become filmmakers. Through their efforts to explore a fresh way of experiencing the moving image, these artists sought to reimagine the nature and possibilities of art in a postcinematic age and helped to develop a novel space between the black box of the movie theater and the white cube of the art gallery. Packed with one hundred illustrations, Between the Black Box and the White Cube is a compelling look at a seminal moment in the cultural life of the moving image and its emergence in contemporary art. Codice articolo AAZ9780226842998

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