ISBN 10: 1617039489 / ISBN 13: 9781617039485
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This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Summary: "This spirited book traces important footsteps left by black and Asian writers, radicals and cultural workers bound by common dreams of change and revolution. Rychetta Watkins forges a stirring mode of guerilla scholarship to remind us of how the battle for power on the streets of the 1960s changed the university forever." --Bill V. Mullen, coeditor (with Cathryn Watson) of W. E. B. Du Bois on Asia: Crossing the World Color Line. Codice inventario libreria

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Images of upraised fists, afros, and dashikis have long dominated the collective memory of Black Power and its proponents. The "guerilla" figure--taking the form of the black-leather-clad revolutionary within the Black Panther Party--has become an iconic trope in American popular culture. That politically radical figure, however, has been shaped as much by Asian American cultural discourse as by African American political ideology. From the Asian-African Conference held in April of 1955 in Bandung, Indonesia, onward to the present, Afro-Asian political collaboration has been active and influential.

In Black Power, Yellow Power, and the Making of Revolutionary Identities, author Rychetta Watkins uses the guerilla figure as a point of departure and shows how the trope's rhetoric animates discourses of representation and identity in African American and Asian American literature and culture. In doing so, she examines the notion of "Power," in terms of ethnic political identity, and explores collaborating--and sometimes competing--ethnic interests that have drawn ideas from the concept. The project brings together a range of texts--editorial cartoons, newspaper articles, novels, visual propaganda, and essays--that illustrate the emergence of this subjectivity in Asian American and African American cultural productions during the Power period, roughly 1966 through 1981. After a case study of the cultural politics of academic anthologies and the cooperation between Frank Chin and Ishmael Reed, the volume culminates with analyses of this trope in Sam Greenlee's The Spook Who Sat by the Door, Alice Walker's Meridian, and John Okada's No No Boy.

Dal risvolto interno: How the image of the militant guerilla helped and hindered aims of African American and Asian American power movements

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ISBN 10: 1617039489 ISBN 13: 9781617039485
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Descrizione libro Soft cover. Condizione libro: New. NEW COPY, shipped from the UK. Codice libro della libreria 281/RG/255P

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Watkins, Rychetta
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Descrizione libro University Press of Mississippi. PAPERBACK. Condizione libro: New. 1617039489 BRAND NEW. GIFT QUALITY!. Codice libro della libreria 621.179

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Rychetta Watkins
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Descrizione libro University Press of Mississippi, United States, 2014. Paperback. Condizione libro: New. 216 x 137 mm. Language: English . Brand New Book ***** Print on Demand *****. Images of upraised fists, afros, and dashikis have long dominated the collective memory of Black Power and its proponents. The -guerilla- figure--taking the form of the black-leather-clad revolutionary within the Black Panther Party--has become an iconic trope in American popular culture. That politically radical figure, however, has been shaped as much by Asian American cultural discourse as by African American political ideology. From the Asian-African Conference held in April of 1955 in Bandung, Indonesia, onward to the present, Afro-Asian political collaboration has been active and influential.In Black Power, Yellow Power, and the Making of Revolutionary Identities, author Rychetta Watkins uses the guerilla figure as a point of departure and shows how the trope s rhetoric animates discourses of representation and identity in African American and Asian American literature and culture. In doing so, she examines the notion of -Power, - in terms of ethnic political identity, and explores collaborating--and sometimes competing--ethnic interests that have drawn ideas from the concept. The project brings together a range of texts--editorial cartoons, newspaper articles, novels, visual propaganda, and essays--that illustrate the emergence of this subjectivity in Asian American and African American cultural productions during the Power period, roughly 1966 through 1981. After a case study of the cultural politics of academic anthologies and the cooperation between Frank Chin and Ishmael Reed, the volume culminates with analyses of this trope in Sam Greenlee s The Spook Who Sat by the Door, Alice Walker s Meridian, and John Okada s No No Boy. Codice libro della libreria AAV9781617039485

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Descrizione libro University Press of Mississippi, United States, 2014. Paperback. Condizione libro: New. 216 x 137 mm. Language: English Brand New Book ***** Print on Demand *****.Images of upraised fists, afros, and dashikis have long dominated the collective memory of Black Power and its proponents. The guerilla figure--taking the form of the black-leather-clad revolutionary within the Black Panther Party--has become an iconic trope in American popular culture. That politically radical figure, however, has been shaped as much by Asian American cultural discourse as by African American political ideology. From the Asian-African Conference held in April of 1955 in Bandung, Indonesia, onward to the present, Afro-Asian political collaboration has been active and influential.In Black Power, Yellow Power, and the Making of Revolutionary Identities, author Rychetta Watkins uses the guerilla figure as a point of departure and shows how the trope s rhetoric animates discourses of representation and identity in African American and Asian American literature and culture. In doing so, she examines the notion of Power, in terms of ethnic political identity, and explores collaborating--and sometimes competing--ethnic interests that have drawn ideas from the concept. The project brings together a range of texts--editorial cartoons, newspaper articles, novels, visual propaganda, and essays--that illustrate the emergence of this subjectivity in Asian American and African American cultural productions during the Power period, roughly 1966 through 1981. After a case study of the cultural politics of academic anthologies and the cooperation between Frank Chin and Ishmael Reed, the volume culminates with analyses of this trope in Sam Greenlee s The Spook Who Sat by the Door, Alice Walker s Meridian, and John Okada s No No Boy. Codice libro della libreria AAV9781617039485

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Descrizione libro University Press of Mississippi, 2014. PAP. Condizione libro: New. New Book. Delivered from our UK warehouse in 3 to 5 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Codice libro della libreria LQ-9781617039485

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Descrizione libro University Press of Mississippi, 2014. PAP. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria CE-9781617039485

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Descrizione libro Condizione libro: New. Depending on your location, this item may ship from the US or UK. Codice libro della libreria 97816170394850000000

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Descrizione libro University Press of Mississippi, 2016. Paperback. Condizione libro: New. PRINT ON DEMAND Book; New; Publication Year 2016; Not Signed; Fast Shipping from the UK. No. book. Codice libro della libreria ria9781617039485_lsuk

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Descrizione libro University Press of Mississippi, 2014. PAP. Condizione libro: New. New Book.Shipped from US within 10 to 14 business days.THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Codice libro della libreria IP-9781617039485

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Descrizione libro University Press of Mississippi Jack, Jackson. Softcover. Condizione libro: New. 176 pages. Softcover. New book. POWER. .How the image of the militant guerilla helped and hindered aims of African American and Asian American power movements Images of upraised fists, afros, and dashikis have long dominated the collective memory of Black Power and its proponents. The "guerilla" figure--taking the form of the black-leather-clad revolutionary within the Black Panther Party--has become an iconic trope in American popular culture. That politically radical figure, however, has been shaped as much by Asian American cultural discourse as by African American political ideology. From the Asian-African Conference held in April of 1955 in Bandung, Indonesia, onward to the present, Afro-Asian political collaboration has been active and influential. In Black Power, Yellow Power, and the Making of Revolutionary Identities, author Rychetta Watkins uses the guerilla figure as a point of departure and shows how the trope's rhetoric animates discourses of representation and identity in African American and Asian American literature and culture. In doing so, she examines the notion of "Power," in terms of ethnic political identity, and explores collaborating--and sometimes competing-- ethnic interests that have drawn ideas from the concept. The project brings together a range of texts--editorial cartoons, newspaper articles, novels, visual propaganda, and essays--that illustrate the emergence of this subjectivity in Asian American and African American cultural productions during the Power period, roughly 1966 through 1981. After a case study of the cultural politics of academic anthologies and the cooperation between Frank Chin and Ishmael Reed, the volume culminates with analyses of this trope in Sam Greenlee's The Spook Who Sat by the Door, Alice Walker's Meridian, and John Okada's No No Boy. Rychetta Watkins, Memphis, Tennessee, is assistant professor of English at Rhodes College. Her work has appeared in M/MLA Journal, MELUS, and the Southern Quarterly. 176 pages (approx.), 6 x 9 inches, 6 line illustrations, bibliography, index. (Key Words: Rychetta Watkins, Black Power, Frank Chin, Afro-Asian Political Cooperation, Ishmael Reed, Alice Walker, Sam Greenlie, John Okada). book. Codice libro della libreria 81263X1

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