ISBN 10: 1934110191 / ISBN 13: 9781934110195
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This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Summary: When the first record company representatives went to the American south or invited musicians to their studios, they would have had no idea how their technology would change how the world perceived musical performance. '78 Blues' explores the impact of the 78-rpm record on the American music industry from the 1920s through WW2. Codice inventario libreria

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When record men first traveled from Chicago or invited musicians to studios in New York, these entrepreneurs had no conception how their technology would change the dynamics of what constituted a musical performance. 78 Blues: Folksongs and Phonographs in the American South covers a revolution in artist performance and audience perception through close examination of hundreds of key "hillbilly" and "race" records released between the 1920s and World War II.

In the postwar period, regional strains recorded on pioneering 78 r.p.m. discs exploded into urban blues and R&B, honky-tonk and western swing, gospel, soul, and rock 'n' roll. These old-time records preserve the work of some of America's greatest musical geniuses such as Jimmie Rodgers, Robert Johnson, Charlie Poole, and Blind Lemon Jefferson. They are also crucial mile markers in the course of American popular music and the growth of the modern recording industry.

When these records first circulated, the very notion of recorded music was still a novelty. All music had been created live and tied to particular, intimate occasions. How were listeners to understand an impersonal technology like the phonograph record as a musical event? How could they reconcile firsthand interactions and traditional customs with technological innovations and mass media? The records themselves, several hundred of which are explored fully in this book, offer answers in scores of spoken commentaries and skits, in song lyrics and monologues, or other more subtle means.

From the Publisher: This study of the first "hillbilly" and "race" records and their impact on artists and audiences

- Offers the most in-depth study of southern folk-derived music on phonograph records before World War II

- Devotes equal attention to African American and Euro-American music

- Relates this topic to larger intellectual issues in the fields of folklore studies, music, popular culture, and media studies

- Expands the American Made Music Series

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John Minton
Editore: University Press of Mississippi (2008)
ISBN 10: 1934110191 ISBN 13: 9781934110195
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Descrizione libro University Press of Mississippi, 2008. Hardcover. Condizione libro: Good. Item may show signs of shelf wear. Pages may include limited notes and highlighting. Includes supplemental or companion materials if applicable. Access codes may or may not work. Connecting readers since 1972. Customer service is our top priority. Codice libro della libreria mon0000791487

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Descrizione libro University Press of Mississippi, 2008. Hardcover. Condizione libro: New. Codice libro della libreria SONG1934110191

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Descrizione libro Hardcover. Condizione libro: Good. Used book in GOOD condition. Good enough to read. Binding in GOOD shape with no missing pages. Cover has visible wear. Markings, writings and highligtings inside the book. Text ONLY. Does NOT include accessories such as CD, DVD, access code etc. Fast Shipping. Prompt Customer Service. Satisfaction guaranteed. Codice libro della libreria 1934110191GOA

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Descrizione libro University Press of Mississippi 2008-04-01, 2008. Hardcover. Condizione libro: good. 1934110191. Codice libro della libreria 552584

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Descrizione libro University Press of Mississippi. Hardback. Condizione libro: new. BRAND NEW, 78 Blues: Folksongs and Phonographs in the American South, John Minton, When record men first traveled from Chicago or invited musicians to studios in New York, these entrepreneurs had no conception how their technology would change the dynamics of what constituted a musical performance. "78 Blues: Folksongs and Phonographs in the American South" covers a revolution in artist performance and audience perception through close examination of hundreds of key "hillbilly" and "race" records released between the 1920s and World War II. In the postwar period, regional strains recorded on pioneering 78 r.p.m. discs exploded into urban blues and R&B, honky-tonk and western swing, gospel, soul, and rock 'n' roll. These old-time records preserve the work of some of America's greatest musical geniuses such as Jimmie Rodgers, Robert Johnson, Charlie Poole, and Blind Lemon Jefferson. They are also crucial mile markers in the course of American popular music and the growth of the modern recording industry. When these records first circulated, the very notion of recorded music was still a novelty. All music had been created live and tied to particular, intimate occasions. How were listeners to understand an impersonal technology like the phonograph record as a musical event? How could they reconcile firsthand interactions and traditional customs with technological innovations and mass media? The records themselves, several hundred of which are explored fully in this book, offer answers in scores of spoken commentaries and skits, in song lyrics and monologues, or other more subtle means. Codice libro della libreria B9781934110195

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John Minton
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ISBN 10: 1934110191 ISBN 13: 9781934110195
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Descrizione libro University Press of Mississippi, United States, 2008. Hardback. Condizione libro: New. Language: English . Brand New Book. When record men first traveled from Chicago or invited musicians to studios in New York, these entrepreneurs had no conception how their technology would change the dynamics of what constituted a musical performance. 78 Blues: Folksongs and Phonographs in the American South covers a revolution in artist performance and audience perception through close examination of hundreds of key hillbilly and race records released between the 1920s and World War II. In the postwar period, regional strains recorded on pioneering 78 r.p.m. discs exploded into urban blues and RB, honky-tonk and western swing, gospel, soul, and rock n roll. These old-time records preserve the work of some of America s greatest musical geniuses such as Jimmie Rodgers, Robert Johnson, Charlie Poole, and Blind Lemon Jefferson. They are also crucial mile markers in the course of American popular music and the growth of the modern recording industry. When these records first circulated, the very notion of recorded music was still a novelty. All music had been created live and tied to particular, intimate occasions.How were listeners to understand an impersonal technology like the phonograph record as a musical event? How could they reconcile firsthand interactions and traditional customs with technological innovations and mass media? The records themselves, several hundred of which are explored fully in this book, offer answers in scores of spoken commentaries and skits, in song lyrics and monologues, or other more subtle means. Codice libro della libreria AAN9781934110195

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John Minton
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ISBN 10: 1934110191 ISBN 13: 9781934110195
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Descrizione libro University Press of Mississippi, United States, 2008. Hardback. Condizione libro: New. Language: English . Brand New Book. When record men first traveled from Chicago or invited musicians to studios in New York, these entrepreneurs had no conception how their technology would change the dynamics of what constituted a musical performance. 78 Blues: Folksongs and Phonographs in the American South covers a revolution in artist performance and audience perception through close examination of hundreds of key hillbilly and race records released between the 1920s and World War II. In the postwar period, regional strains recorded on pioneering 78 r.p.m. discs exploded into urban blues and RB, honky-tonk and western swing, gospel, soul, and rock n roll. These old-time records preserve the work of some of America s greatest musical geniuses such as Jimmie Rodgers, Robert Johnson, Charlie Poole, and Blind Lemon Jefferson. They are also crucial mile markers in the course of American popular music and the growth of the modern recording industry. When these records first circulated, the very notion of recorded music was still a novelty. All music had been created live and tied to particular, intimate occasions.How were listeners to understand an impersonal technology like the phonograph record as a musical event? How could they reconcile firsthand interactions and traditional customs with technological innovations and mass media? The records themselves, several hundred of which are explored fully in this book, offer answers in scores of spoken commentaries and skits, in song lyrics and monologues, or other more subtle means. Codice libro della libreria AAN9781934110195

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Descrizione libro University Press of Mississippi, 2008. HRD. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria CE-9781934110195

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Descrizione libro University Press of Mississipp, 2008. Hardcover. Condizione libro: New. Codice libro della libreria P111934110191

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