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Bodies and Books: Reading and the Fantasy of Communion in Nineteenth-Century America

Silverman, Gillian

Editore: University of Pennsylvania Press
ISBN 10: 081224415X / ISBN 13: 9780812244151
Usato / Hardcover / Quantità: 6
Da Midtown Scholar Bookstore (Harrisburg, PA, U.S.A.)
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Titolo: Bodies and Books: Reading and the Fantasy of...

Casa editrice: University of Pennsylvania Press

Legatura: Hardcover

Condizione libro: Very Good

Condizione sovraccoperta: Dust Jacket Included


081224415X Crisp, clean, unread hardcover with light shelfwear to the dust jacket and a publisher's mark to one edge - Nice!. Codice inventario libreria Z081224415XZ2

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In nineteenth-century America, Gillian Silverman contends, reading?and particularly book reading?precipitated intense fantasies of communion. In handling a book, the reader imagined touching and being touched by the people affiliated with that book's narrative world?an author, a character, a fellow reader. This experience often led to a sense of consubstantiality, a fantasy that the reader, the material book, and the imagined other were momentarily merged. Such a fantasy challenges psychological conceptions of discrete subjectivity along with the very notion of corporeal integrity?the idea that we are detached, skin-bound, and autonomously functioning entities. It forces us to envision readers not as liberal subjects, pursuing reading as a means toward privacy, interiority, and individuation, but rather as communal beings inseparable from objects in our psychic and phenomenal world.

While theorists have long emphasized the way reading can promote a sense of abstract belonging, Bodies and Books emphasizes the intense somatic bonds that nineteenth-century subjects experienced while reading. Silverman bridges the gap between the cognitive and material effects of reading, arguing that the two worked in tandem, enabling readers to feel deep communion with objects (both human and nonhuman) in the external world. Drawing on the letters and diaries of nineteenth-century readers along with literary works by Herman Melville, Frederick Douglass, Susan Warner, and others, Silverman explores the book as a technology of intimacy and ponders what nineteenth-century readers might be able to teach us two centuries later.

L'autore: Gillian Silverman is Associate Professor of English at the University of Colorado, Denver.

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