Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: Preface; Acknowledgments Introduction: Welcome to the Alamo; Hollywood on the Border; One: How the Southwest Was Won; Border Westerns and the Southern Frontier; Two: "The Imaginary Illegal Alien"; Hollywood Border Crossers and Buddy Cops in the 1980s; Three: The "Narc" in All of Us; Border Media and the War on Drugs; Four: Urban Frontiers; Border Cinema and the Global City; Conclusion: Frontier Myths on the Line; Border Cinema Redux Notes; Filmography; Bibliography; Index. Codice inventario libreria
Riassunto: The southern frontier is one of the most emotionally charged zones in the United States, second only to its historical predecessor and partner, the western frontier. Though they span many genres, border films share common themes, trace the mood swings of public policy, and shape our cultural agenda. In this examination, Camilla Fojas studies how major Hollywood films exploit the border between Mexico and the United States to tell a story about U.S. dominance in the American hemisphere. She charts the shift from the mythos of the open western frontier to that of the embattled southern frontier by offering in-depth analyses of particular border films, from post-World War II Westerns to drug-trafficking films to contemporary Latino/a cinema, within their historical and political contexts.Fojas argues that Hollywood border films do important social work by offering a cinematic space through which viewers can manage traumatic and undesirable histories and ultimately reaffirm core 'American' values. At the same time, these border narratives delineate opposing values and ideas. Latino border films offer a critical vantage onto these topics; they challenge the presumptions of U.S. nationalism and subsequent cultural attitudes about immigrants and immigration, and often critically reconstruct their Hollywood kin. By analyzing films such as "Duel in the Sun", "The Wild Bunch", "El Norte", "The Border", "Traffic", and "Brokeback Mountain", Fojas demands that we re-examine the powerful mythology of the Hollywood borderlands. This detailed scrutiny recognizes that these films are part of a national narrative comprised of many texts and symbols that create the myth of the United States as capital of the Americas.
L'autore: Camilla Fojas is Associate Professor and Director of Latin American and Latino Studies at DePaul University in Chicago.
Condizione libro: New
Descrizione libro University of Texas Press, 2008. Hardcover. Condizione libro: As New. Condizione sovraccoperta: As New. 1 This book is like new; no remainder marks. Dustjacket does have some shelfwear. Inside pages are clean. ; Film and Media Studies: Border Studies, Latin American Studies, Chicano/A Studies; 9 X 5.90 X 1.10 inches; 249 pages. Codice libro della libreria 021416-787-240
Descrizione libro University of Texas Press, 2008. Hardcover. Condizione libro: Used: Good. Codice libro della libreria SONG0292718624
Descrizione libro University of Texas Press, 2009. Hardcover. Condizione libro: New. No.1 BESTSELLERS - great prices, friendly customer service â€" all orders are dispatched next working day. Codice libro della libreria mon0000431557
Descrizione libro Condizione libro: Good. Book Condition: Good. Codice libro della libreria 97802927186234.0
Descrizione libro Condizione libro: Like New. Book Condition: Like New. Codice libro della libreria 97802927186232.0
Descrizione libro University of Texas Press, 2008. Hardcover. Condizione libro: Used: Good. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. May not contain Access Codes or Supplements. Buy with confidence, excellent customer service!. Codice libro della libreria 0292718624