0822348845 Bumped and creased book with tears to the extremities, but not affecting the text block - GOOD. Codice inventario libreria
Riassunto: Covering more than one hundred years of history, this multidisciplinary collection of essays explores the vital connections between popular music and citizenship in Brazil. While popular music has served as an effective resource for communities to stake claims to political, social, and cultural rights in Brazil, it has also been appropriated by the state in its efforts to manage and control a socially, racially, and geographically diverse nation. The question of citizenship has also been a recurrent theme in the work of many of Brazil’s most important musicians. These essays explore popular music in relation to national identity, social class, racial formations, community organizing, political protest, and emergent forms of distribution and consumption. Contributors examine the cultural politics of samba in the 1930s, the trajectory of middle-class musical sensibility associated with Música Popular Brasileira (MPB), rock and re-democratization in the 1980s, music and black identity in Bahia, hip hop and community organizing in São Paulo, and the repression of baile funk in Rio in the 1990s. Among other topics, they consider the use of music by the Landless Workers’ Movement, the performance of identity by Japanese Brazilian musicians, the mangue beat movement of Recife, and the emergence of new regional styles, such as lambadão and tecnobrega, that circulate outside of conventional distribution channels. Taken together, the essays reveal the important connections between citizenship, national belonging, and Brazilian popular music.
Contributors. Idelber Avelar, Christopher Dunn, João Freire Filho, Goli Guerreiro, Micael Herschmann, Ari Lima, Aaron Lorenz, Shanna Lorenz, Angélica Madeira, Malcolm K. McNee, Frederick Moehn, Flávio Oliveira, Adalberto Paranhos, Derek Pardue, Marco Aurélio Paz Tella, Osmundo Pinho, Carlos Sandroni, Daniel Sharp, Hermano Vianna, Wivian Weller
About the Author:
Idelber Avelar is Professor of Spanish and Portuguese at Tulane University. He is the author of The Letter of Violence: Essays on Narrative, Ethics, and Politics and The Untimely Present: Postdictatorial Latin American Fiction and the Task of Mourning, also published by Duke University Press.
Christopher Dunn is Associate Professor of Brazilian literary and cultural studies at Tulane University. He is the author of Brutality Garden: Tropicália and the Emergence of a Brazilian Counterculture and a co-editor of Brazilian Popular Music and Globalization.
Titolo: Brazilian Popular Music and Citizenship
Casa editrice: Duke University Press Books
Condizione libro: Good
Descrizione libro Duke University Press. Condizione libro: New. Brand New. Codice libro della libreria 0822348845
Descrizione libro Duke University Press Books. Hardcover. Condizione libro: Very Good. 0822348845 Crisp, clean, unread hardcover with light shelfwear, missing dust jacket and a publisher's mark to one edge - Nice!. Codice libro della libreria Z0822348845Z2
Descrizione libro Duke University Press Books. Hardcover. Condizione libro: Good. 0822348845 Bumped and creased book with tears to the extremities, but not affecting the text block - GOOD. Codice libro della libreria Z0822348845Z3
Descrizione libro Duke Univ. Condizione libro: BRAND NEW. BRAND NEW Hardcover A Brand New Quality Book from a Full-Time Veteran Owned Bookshop in business since 1992!. Codice libro della libreria 2592747
Descrizione libro Duke University Press Books, 2011. Hardcover. Condizione libro: Used: Good. Codice libro della libreria SONG0822348845
Descrizione libro Duke University Press Books, 2011. Hardcover. Condizione libro: New. Codice libro della libreria DADAX0822348845
Descrizione libro Condizione libro: Very Good. Book Condition: Very Good. Codice libro della libreria 97808223488493.0