Titolo: The Cambridge Companion to the Lied (...
Casa editrice: Cambridge University Press
Data di pubblicazione: 2004
Legatura: Soft cover
Condizione libro: New
Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: Notes on the contributors; Acknowledgments; The Lied in context: a chronology; Names and dates mentioned in this Volume; Part I. Introducing a Genre: 'Introduction: Why the Lied?' James Parsons: 1. 'In the beginning was poetry' Jane Brown; Part II. The Birth and Early History of a Genre in the Age of Enlightenment: 2. The eighteenth-century Lied James Parsons; 3. The Lieder of Carl Philipp Emanuel Bach, Haydn, Mozart, and Beethoven Amanda Glauert; Part III. The Nineteenth Century: Issues of Style and Development: 4. The Lieder of Schubert Marie-Agnes Dittrich; 5. The early nineteenth-century song cycle Ruth O. Bingham; 6. Schumann: reconfiguring the Lied Jrgen Thym; 7. The Lied at mid-century James Deaville; 8. The Lieder of Liszt Rena Charnin Mueller; 9. The Lieder of Brahms Heather Platt; 10. Tradition and innovation: the Lieder of Hugo Wolf Susan Youens; 11. Song beyond song: instrumental transformations and adaptations of the Lied from Schubert to Mahler Christopher H. Gibbs; Part IV. Into the Twentieth Century: 12. The Lieder of Mahler and Richard Strauss James L. Zychowicz; 13. The Lied in the modern age: to mid century James Parsons; Part V. Reception and Performance: 14. The circulation of the Lied: the double life of an artwork and a commodity David Gramit; 15. The Lied in performance Graham Johnson; A guide to suggested further reading; Index. Codice inventario libreria ABE_book_new_052180471X
Riassunto: Several generations before Schubert, the Lied emerged as domestic entertainment destined to move beyond the home to the symphony hall. This introductory chronicle of this fascinating genre analyzes the Lied in its musical, literary, and cultural contexts--with chapters devoted to focal composers; influence of the Lied on other musical genres; use as a musical commodity and issues of performance. The volume includes a chronology and a comprehensive bibliography.
Descrizione del libro: Beginning several generations before Schubert, the Lied first appears as domestic entertainment and was to move beyond the home to the symphony hall. This is the first introductory chronicle of this fascinating genre and places the Lied in its full context--at once musical, literary, and cultural--with chapters devoted to focal composers, influence of the Lied on other musical genres, use as a musical commodity, and issues of performance. The volume is framed by a chronology and also contains a comprehensive bibliography.
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Libreria AbeBooks dal: 7 maggio 2014
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