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Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: Witches and ghosts, dream medicine, women's carnivals, masquerade, monsters, rebel angels, the ship of fools and the dance of death: Carnivals and Dreams explores the extraordinary world of Pieter Bruegel the Elder, Renaissance surrealist, student of folklore and painter of dreams. In the generation between Rabelais and Shakespeare, the Reformation shook the foundations of the collective imaginary. As the old visual cultures of carnival, dreams and the dead were fragmented and demonised in the minds of Europeans, Bruegel became the first artist to make popular culture the subject of serious art. In his hands, it became an inexhaustible medium through which he could address the new anxieties of his contemporaries. Louise Milne shows how Bruegel's inventions express the shifting mental landscapes of the sixteenth century, arguing that his art marks nothing less than the genesis of the modern nightmare in art and culture. This is a book that can be read on many levels, a ground-breaking cultural history of art and the visual imagination, explored in clear lucid prose, through a dazzling range of new sources. Louise S. Milne is a Lecturer at Edinburgh Napier University and Edinburgh College of Art. "Wonderfully rich and thought-provoking. Essential reading for anyone interested in culture in general and the work of Bruegel in particular." Lynne Holden, Cosmos "One of the most searching and imaginative studies of Pieter Bruegel's art ever published. Milne takes seriously the idea that art is or can be a kind of continuation of dreaming. Marvellous and long awaited." Christopher Wood, Yale University. Codice inventario libreria

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Riassunto: Witches and ghosts, dream medicine, women's carnivals, masquerade, monsters, rebel angels, the ship of fools and the dance of death: Carnivals and Dreams explores the extraordinary world of Pieter Bruegel the Elder, Renaissance surrealist, student of folklore and painter of dreams. In the generation between Rabelais and Shakespeare, the Reformation shook the foundations of the collective imaginary. As the old visual cultures of carnival, dreams and the dead were fragmented and demonised in the minds of Europeans, Bruegel became the first artist to make popular culture the subject of serious art. In his hands, it became an inexhaustible medium through which he could address the new anxieties of his contemporaries. Louise Milne shows how Bruegel's inventions express the shifting mental landscapes of the sixteenth century, arguing that his art marks nothing less than the genesis of the modern nightmare in art and culture. This is a book that can be read on many levels, a ground-breaking cultural history of art and the visual imagination, explored in clear lucid prose, through a dazzling range of new sources. Louise S. Milne is a Lecturer at Edinburgh Napier University and Edinburgh College of Art. "Wonderfully rich and thought-provoking... Essential reading for anyone interested in culture in general and the work of Bruegel in particular." Lynne Holden, Cosmos "One of the most searching and imaginative studies of Pieter Bruegel's art ever published... Milne takes seriously the idea that art is or can be a kind of continuation of dreaming. Marvellous and long awaited." Christopher Wood, Yale University

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Descrizione libro Mutus Liber, 2011. PAP. Condizione libro: New. New Book. Delivered from our UK warehouse in 3 to 5 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Codice libro della libreria LQ-9780955523083

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Descrizione libro Mutus Liber, United Kingdom, 2011. Paperback. Condizione libro: New. 2nd Revised edition. Language: English . Brand New Book ***** Print on Demand *****.Witches and ghosts, dream medicine, women s carnivals, masquerade, monsters, rebel angels, the ship of fools and the dance of death: Carnivals and Dreams explores the extraordinary world of Pieter Bruegel the Elder, Renaissance surrealist, student of folklore and painter of dreams. In the generation between Rabelais and Shakespeare, the Reformation shook the foundations of the collective imaginary. As the old visual cultures of carnival, dreams and the dead were fragmented and demonised in the minds of Europeans, Bruegel became the first artist to make popular culture the subject of serious art. In his hands, it became an inexhaustible medium through which he could address the new anxieties of his contemporaries. Louise Milne shows how Bruegel s inventions express the shifting mental landscapes of the sixteenth century, arguing that his art marks nothing less than the genesis of the modern nightmare in art and culture. This is a book that can be read on many levels, a ground-breaking cultural history of art and the visual imagination, explored in clear lucid prose, through a dazzling range of new sources. Louise S. Milne is a Lecturer at Edinburgh Napier University and Edinburgh College of Art. Wonderfully rich and thought-provoking. Essential reading for anyone interested in culture in general and the work of Bruegel in particular. Lynne Holden, Cosmos One of the most searching and imaginative studies of Pieter Bruegel s art ever published. Milne takes seriously the idea that art is or can be a kind of continuation of dreaming. Marvellous and long awaited. Christopher Wood, Yale University. Codice libro della libreria AAV9780955523083

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Descrizione libro Mutus Liber Books, 2016. Paperback. Condizione libro: New. PRINT ON DEMAND Book; New; Publication Year 2016; Not Signed; Fast Shipping from the UK. No. book. Codice libro della libreria ria9780955523083_lsuk

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Descrizione libro Mutus Liber Books, 2011. Paperback. Condizione libro: New. Codice libro della libreria INGM9780955523083

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Descrizione libro Mutus Liber, United Kingdom, 2011. Paperback. Condizione libro: New. 2nd Revised edition. Language: English . Brand New Book ***** Print on Demand *****. Witches and ghosts, dream medicine, women s carnivals, masquerade, monsters, rebel angels, the ship of fools and the dance of death: Carnivals and Dreams explores the extraordinary world of Pieter Bruegel the Elder, Renaissance surrealist, student of folklore and painter of dreams. In the generation between Rabelais and Shakespeare, the Reformation shook the foundations of the collective imaginary. As the old visual cultures of carnival, dreams and the dead were fragmented and demonised in the minds of Europeans, Bruegel became the first artist to make popular culture the subject of serious art. In his hands, it became an inexhaustible medium through which he could address the new anxieties of his contemporaries. Louise Milne shows how Bruegel s inventions express the shifting mental landscapes of the sixteenth century, arguing that his art marks nothing less than the genesis of the modern nightmare in art and culture. This is a book that can be read on many levels, a ground-breaking cultural history of art and the visual imagination, explored in clear lucid prose, through a dazzling range of new sources. Louise S. Milne is a Lecturer at Edinburgh Napier University and Edinburgh College of Art. Wonderfully rich and thought-provoking. Essential reading for anyone interested in culture in general and the work of Bruegel in particular. Lynne Holden, Cosmos One of the most searching and imaginative studies of Pieter Bruegel s art ever published. Milne takes seriously the idea that art is or can be a kind of continuation of dreaming. Marvellous and long awaited. Christopher Wood, Yale University. Codice libro della libreria AAV9780955523083

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Descrizione libro Mutus Liber, 2011. PAP. Condizione libro: New. New Book. Shipped from US within 10 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Codice libro della libreria IQ-9780955523083

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Descrizione libro Mutus Liber Books, 2017. Paperback. Condizione libro: New. Never used! This item is printed on demand. Codice libro della libreria 0955523087

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Descrizione libro Mutus Liber. Paperback. Condizione libro: New. Paperback. 650 pages. Dimensions: 9.1in. x 6.0in. x 0.8in.Witches and ghosts, dream medicine, womens carnivals, masquerade, monsters, rebel angels, the ship of fools and the dance of death: Carnivals and Dreams explores the extraordinary world of Pieter Bruegel the Elder, Renaissance surrealist, student of folklore and painter of dreams. In the generation between Rabelais and Shakespeare, the Reformation shook the foundations of the collective imaginary. As the old visual cultures of carnival, dreams and the dead were fragmented and demonised in the minds of Europeans, Bruegel became the first artist to make popular culture the subject of serious art. In his hands, it became an inexhaustible medium through which he could address the new anxieties of his contemporaries. Louise Milne shows how Bruegels inventions express the shifting mental landscapes of the sixteenth century, arguing that his art marks nothing less than the genesis of the modern nightmare in art and culture. This is a book that can be read on many levels, a ground-breaking cultural history of art and the visual imagination, explored in clear lucid prose, through a dazzling range of new sources. Louise S. Milne is a Lecturer at Edinburgh Napier University and Edinburgh College of Art. Wonderfully rich and thought-provoking. . . Essential reading for anyone interested in culture in general and the work of Bruegel in particular. Lynne Holden, Cosmos One of the most searching and imaginative studies of Pieter Bruegels art ever published. . . Milne takes seriously the idea that art is or can be a kind of continuation of dreaming. Marvellous and long awaited. Christopher Wood, Yale University This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Codice libro della libreria 9780955523083

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Descrizione libro Mutus Liber Books, 2011. Condizione libro: New. This item is printed on demand for shipment within 3 working days. Codice libro della libreria GM9780955523083

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Descrizione libro Mutus Liber, United Kingdom, 2011. Paperback. Condizione libro: New. 2nd Revised edition. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Witches and ghosts, dream medicine, women s carnivals, masquerade, monsters, rebel angels, the ship of fools and the dance of death: Carnivals and Dreams explores the extraordinary world of Pieter Bruegel the Elder, Renaissance surrealist, student of folklore and painter of dreams. In the generation between Rabelais and Shakespeare, the Reformation shook the foundations of the collective imaginary. As the old visual cultures of carnival, dreams and the dead were fragmented and demonised in the minds of Europeans, Bruegel became the first artist to make popular culture the subject of serious art. In his hands, it became an inexhaustible medium through which he could address the new anxieties of his contemporaries. Louise Milne shows how Bruegel s inventions express the shifting mental landscapes of the sixteenth century, arguing that his art marks nothing less than the genesis of the modern nightmare in art and culture. This is a book that can be read on many levels, a ground-breaking cultural history of art and the visual imagination, explored in clear lucid prose, through a dazzling range of new sources. Louise S. Milne is a Lecturer at Edinburgh Napier University and Edinburgh College of Art. Wonderfully rich and thought-provoking. Essential reading for anyone interested in culture in general and the work of Bruegel in particular. Lynne Holden, Cosmos One of the most searching and imaginative studies of Pieter Bruegel s art ever published. Milne takes seriously the idea that art is or can be a kind of continuation of dreaming. Marvellous and long awaited. Christopher Wood, Yale University. Codice libro della libreria LIE9780955523083

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