Concerning the Spiritual—and the Concrete—in Kandinsky’s Art

Florman, Lisa

Editore: Stanford University Press
ISBN 10: 0804784833 / ISBN 13: 9780804784832
Usato / Hardcover / Quantità: 0
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0804784833 Crisp, clean, unread hardcover with light shelfwear to the boards, no dust jacket as issued with a publisher's mark to one edge - Nice!. Codice inventario libreria

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This book examines the art and writings of Wassily Kandinsky, who is widely regarded as one of the first artists to produce non-representational paintings. Crucial to an understanding of Kandinsky's intentions is On the Spiritual in Art, the celebrated essay he published in 1911. Where most scholars have taken its repeated references to "spirit" as signaling quasi-religious or mystical concerns, Florman argues instead that Kandinsky's primary frame of reference was G.W.F. Hegel's Aesthetics, in which art had similarly been presented as a vehicle for the developing self-consciousness of spirit (or Geist, in German). In addition to close readings of Kandinsky's writings, the book also includes a discussion of a 1936 essay on the artist's paintings written by his own nephew, philosopher Alexandre Kojève, the foremost Hegel scholar in France at that time. It also provides detailed analyses of individual paintings by Kandinsky, demonstrating how the development of his oeuvre challenges Hegel's views on modern art, yet operates in much the same manner as does Hegel's philosophical system. Through the work of a single, crucial artist, Florman presents a radical new account of why painting turned to abstraction in the early years of the twentieth century.

About the Author: Lisa Florman is Professor in the History of Art Department at Ohio State University. She is the author of Myth and Metamorphosis (2000).

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Titolo: Concerning the Spiritual—and the Concrete—in...
Casa editrice: Stanford University Press
Legatura: Hardcover
Condizione libro: Very Good

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Florman, Lisa
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Descrizione libro Stanford University Press, 2014. Hardcover. Condizione libro: Very Good. New book with slight shop soiling and/or shelf damage, otherwise in excellent condition. Rapidly dispatched worldwide from our clean, automated UK warehouse within 1-2 working days. Codice libro della libreria mon0000083960

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Descrizione libro Stanford University Press. Hardcover. Condizione libro: Very Good. 0804784833 Crisp, clean, unread hardcover with light shelfwear to the boards, no dust jacket as issued with a publisher's mark to one edge - Nice!. Codice libro della libreria Z0804784833Z2

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Descrizione libro Stanford University Press, United States, 2014. Hardback. Condizione libro: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. This book examines the art and writings of Wassily Kandinsky, who is widely regarded as one of the first artists to produce non-representational paintings. Crucial to an understanding of Kandinsky s intentions is On the Spiritual in Art, the celebrated essay he published in 1911. Where most scholars have taken its repeated references to spirit as signaling quasi-religious or mystical concerns, Florman argues instead that Kandinsky s primary frame of reference was G.W.F. Hegel s Aesthetics, in which art had similarly been presented as a vehicle for the developing self-consciousness of spirit (or Geist, in German). In addition to close readings of Kandinsky s writings, the book also includes a discussion of a 1936 essay on the artist s paintings written by his own nephew, philosopher Alexandre Kojeve, the foremost Hegel scholar in France at that time. It also provides detailed analyses of individual paintings by Kandinsky, demonstrating how the development of his oeuvre challenges Hegel s views on modern art, yet operates in much the same manner as does Hegel s philosophical system. Through the work of a single, crucial artist, Florman presents a radical new account of why painting turned to abstraction in the early years of the twentieth century. Codice libro della libreria BTE9780804784832

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Descrizione libro Stanford University Press, United States, 2014. Hardback. Condizione libro: New. Language: English . Brand New Book ***** Print on Demand *****.This book examines the art and writings of Wassily Kandinsky, who is widely regarded as one of the first artists to produce non-representational paintings. Crucial to an understanding of Kandinsky s intentions is On the Spiritual in Art, the celebrated essay he published in 1911. Where most scholars have taken its repeated references to spirit as signaling quasi-religious or mystical concerns, Florman argues instead that Kandinsky s primary frame of reference was G.W.F. Hegel s Aesthetics, in which art had similarly been presented as a vehicle for the developing self-consciousness of spirit (or Geist, in German). In addition to close readings of Kandinsky s writings, the book also includes a discussion of a 1936 essay on the artist s paintings written by his own nephew, philosopher Alexandre Kojeve, the foremost Hegel scholar in France at that time. It also provides detailed analyses of individual paintings by Kandinsky, demonstrating how the development of his oeuvre challenges Hegel s views on modern art, yet operates in much the same manner as does Hegel s philosophical system. Through the work of a single, crucial artist, Florman presents a radical new account of why painting turned to abstraction in the early years of the twentieth century. Codice libro della libreria APC9780804784832

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Lisa Florman
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Descrizione libro Stanford University Press, United States, 2014. Hardback. Condizione libro: New. Language: English . Brand New Book ***** Print on Demand *****. This book examines the art and writings of Wassily Kandinsky, who is widely regarded as one of the first artists to produce non-representational paintings. Crucial to an understanding of Kandinsky s intentions is On the Spiritual in Art, the celebrated essay he published in 1911. Where most scholars have taken its repeated references to spirit as signaling quasi-religious or mystical concerns, Florman argues instead that Kandinsky s primary frame of reference was G.W.F. Hegel s Aesthetics, in which art had similarly been presented as a vehicle for the developing self-consciousness of spirit (or Geist, in German). In addition to close readings of Kandinsky s writings, the book also includes a discussion of a 1936 essay on the artist s paintings written by his own nephew, philosopher Alexandre Kojeve, the foremost Hegel scholar in France at that time. It also provides detailed analyses of individual paintings by Kandinsky, demonstrating how the development of his oeuvre challenges Hegel s views on modern art, yet operates in much the same manner as does Hegel s philosophical system. Through the work of a single, crucial artist, Florman presents a radical new account of why painting turned to abstraction in the early years of the twentieth century. Codice libro della libreria APC9780804784832

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Descrizione libro 2014. Hardcover. Condizione libro: New. Hardcover. Contains an English translation of Les Peintures concretes de Kandinsky by Alexandre Kojeve.Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. 236 pages. 0.762. Codice libro della libreria 9780804784832

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