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This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Summary: This volume explores the expressive forms and performances that come into being when cultures encounter one another. Creolisation is presented as a powerful marker of identity in the post-colonial creole societies of Latin America, the Caribbean, and the southwest Indian Ocean region, as well as a universal process that can occur anywhere cultures come into contact. Drawing from the disciplines of folklore, anthropology, ethnomusicology, literary studies, history, and material culture studies, essayists address theoretical dimensions of creolisation and present in-depth field studies. Codice inventario libreria

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Global in scope and multidisciplinary in approach, Creolization as Cultural Creativity explores the expressive forms and performances that come into being when cultures encounter one another. Creolization is presented as a powerful marker of identity in the postcolonial Creole societies of Latin America, the Caribbean, and the southwest Indian Ocean region, as well as a universal process that can occur anywhere cultures come into contact.

An extraordinary number of cultures from Haiti, Martinique, Guadeloupe, the southern United States, Trinidad and Tobago, Madagascar, Mauritius, Seychelles, Réunion, Puerto Rico, Argentina, Suriname, Jamaica, and Sierra Leone are discussed in these essays.

Essayists address theoretical dimensions of creolization and present in-depth field studies. Topics include adaptations of the Gombe drum over the course of its migration from Jamaica to West Africa; uses of "ritual piracy" involved in the appropriation of Catholic symbols by Puerto Rican brujos; the subversion of official culture and authority through playful and combative use of "creole talk" in Argentine literature and verbal arts; the mislabeling and trivialization ("toy blindness") of objects appropriated by African Americans in the American South; the strategic use of creole techniques among storytellers within the islands of the Indian Ocean; and the creolized character of New Orleans and its music. In the introductory essay the editors address both local and universal dimensions of creolization and argue for the centrality of its expressive manifestations for creolization scholarship.

Creolization as Cultural Creativity draws from the disciplines of folklore, anthropology, ethnomusicology, literary studies, history, and material culture studies. Contributors include Roger D. Abrahams, Robert Baron, Kenneth Bilby, Ana C. Cara, J. Michael Dash, Grey Gundaker, Lee Haring, Raquel Romberg, Nick Spitzer, and John F. Swzed.

Dal risvolto interno: What happens when cultures meet and new creative expressions emerge

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Descrizione libro University Press of Mississippi, 2013. PAP. Condizione libro: New. New Book. Delivered from our UK warehouse in 3 to 5 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Codice libro della libreria LQ-9781617039492

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Descrizione libro University Press of Mississippi, United States, 2013. Paperback. Condizione libro: New. Reprint. 228 x 150 mm. Language: English . Brand New Book ***** Print on Demand *****.Global in scope and multidisciplinary in approach, Creolization as Cultural Creativity explores the expressive forms and performances that come into being when cultures encounter one another. Creolization is presented as a powerful marker of identity in the postcolonial Creole societies of Latin America, the Caribbean, and the southwest Indian Ocean region, as well as a universal process that can occur anywhere cultures come into contact.An extraordinary number of cultures from Haiti, Martinique, Guadeloupe, the southern United States, Trinidad and Tobago, Madagascar, Mauritius, Seychelles, Reunion, Puerto Rico, Argentina, Suriname, Jamaica, and Sierra Leone are discussed in these essays.Essayists address theoretical dimensions of creolization and present in-depth field studies. Topics include adaptations of the Gombe drum over the course of its migration from Jamaica to West Africa; uses of ritual piracy involved in the appropriation of Catholic symbols by Puerto Rican brujos; the subversion of official culture and authority through playful and combative use of creole talk in Argentine literature and verbal arts; the mislabeling and trivialization ( toy blindness ) of objects appropriated by African Americans in the American South; the strategic use of creole techniques among storytellers within the islands of the Indian Ocean; and the creolized character of New Orleans and its music. In the introductory essay the editors address both local and universal dimensions of creolization and argue for the centrality of its expressive manifestations for creolization scholarship.Creolization as Cultural Creativity draws from the disciplines of folklore, anthropology, ethnomusicology, literary studies, history, and material culture studies. Contributors include Roger D. Abrahams, Robert Baron, Kenneth Bilby, Ana C. Cara, J. Michael Dash, Grey Gundaker, Lee Haring, Raquel Romberg, Nick Spitzer, and John F. Szwed. Codice libro della libreria AAV9781617039492

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Descrizione libro Condizione libro: good. Used products do not contain supplements and some products may include highlighting and writing. Codice libro della libreria 19811798-5

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Descrizione libro University Press of Mississippi. PAPERBACK. Condizione libro: Good. 1617039497 Bumped and creased book with tears to the extremities, but not affecting the text block - GOOD. Codice libro della libreria Z1617039497Z3

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Descrizione libro University Press of Mississippi, 2016. Paperback. Condizione libro: New. PRINT ON DEMAND Book; New; Publication Year 2016; Not Signed; Fast Shipping from the UK. No. book. Codice libro della libreria ria9781617039492_lsuk

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Descrizione libro University Press of Mississippi, 2013. PAP. Condizione libro: New. New Book. Shipped from US within 10 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Codice libro della libreria IQ-9781617039492

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Descrizione libro University Press of Mississippi, United States, 2013. Paperback. Condizione libro: New. Reprint. 228 x 150 mm. Language: English . Brand New Book ***** Print on Demand *****. Global in scope and multidisciplinary in approach, Creolization as Cultural Creativity explores the expressive forms and performances that come into being when cultures encounter one another. Creolization is presented as a powerful marker of identity in the postcolonial Creole societies of Latin America, the Caribbean, and the southwest Indian Ocean region, as well as a universal process that can occur anywhere cultures come into contact.An extraordinary number of cultures from Haiti, Martinique, Guadeloupe, the southern United States, Trinidad and Tobago, Madagascar, Mauritius, Seychelles, Reunion, Puerto Rico, Argentina, Suriname, Jamaica, and Sierra Leone are discussed in these essays.Essayists address theoretical dimensions of creolization and present in-depth field studies. Topics include adaptations of the Gombe drum over the course of its migration from Jamaica to West Africa; uses of ritual piracy involved in the appropriation of Catholic symbols by Puerto Rican brujos; the subversion of official culture and authority through playful and combative use of creole talk in Argentine literature and verbal arts; the mislabeling and trivialization ( toy blindness ) of objects appropriated by African Americans in the American South; the strategic use of creole techniques among storytellers within the islands of the Indian Ocean; and the creolized character of New Orleans and its music. In the introductory essay the editors address both local and universal dimensions of creolization and argue for the centrality of its expressive manifestations for creolization scholarship.Creolization as Cultural Creativity draws from the disciplines of folklore, anthropology, ethnomusicology, literary studies, history, and material culture studies. Contributors include Roger D. Abrahams, Robert Baron, Kenneth Bilby, Ana C. Cara, J. Michael Dash, Grey Gundaker, Lee Haring, Raquel Romberg, Nick Spitzer, and John F. Szwed. Codice libro della libreria AAV9781617039492

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Baron, Robert & Ana C. (editors).
Editore: University Press of Mississippi, Jackson (2013)
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Descrizione libro University Press of Mississippi, Jackson, 2013. Softcover. Condizione libro: New. 320 pages. Softcover. New book. CULTURAL HISTORY. What happens when cultures meet and new creative expressions emerge. Contributions from Roger D. Abrahams, Robert Baron, Kenneth Bilby, Ana C. Cara, J. Michael Dash, Grey Gundaker, Lee Haring, Raquel Romberg, Nick Spitzer, and John F. Szwed. Global in scope and multidisciplinary in approach, Creolization as Cultural Creativity explores the expressive forms and performances that come into being when cultures encounter one another. Creolization is presented as a powerful marker of identity in the postcolonial creole societies of Latin America, the Caribbean, and the southwest Indian Ocean region, as well as a universal process that can occur anywhere cultures come into contact. An extraordinary number of cultures from Haiti, Martinique, Guadeloupe, the southern United States, Trinidad and Tobago, Madagascar, Mauritius, Seychelles, RŽunion, Puerto Rico, Argentina, Suriname, Jamaica, and Sierra Leone are discussed in these essays. Drawing from the disciplines of folklore, anthropology, ethnomusicology, literary studies, history, and material culture studies, essayists address theoretical dimensions of creolization and present in-depth field studies. Topics include adaptations of the Gombe drum over the course of its migration from Jamaica to West Africa; uses of "ritual piracy" involved in the appropriation of Catholic symbols by Puerto Rican brujos; the subversion of official culture and authority through playful and combative use of "creole talk" in Argentine literature and verbal arts; the mislabeling and trivialization ("toy blindness") of objects appropriated by African Americans in the American South; the strategic use of creole techniques among storytellers within the islands of the Indian Ocean; and the creolized character of New Orleans and its music. In the introductory essay the editors address both local and universal dimensions of creolization and argue for the centrality of its expressive manifestations for creolization scholarship. Robert Baron, Brooklyn, New York, directs the folk arts program of the New York State Council on the Arts. He is the coeditor, with Nick Spitzer, of Public Folklore. Folklorist Ana C. Cara, Oberlin, Ohio, is professor of Hispanic studies at Oberlin College. Her articles have appeared in Journal of American Folklore, World Literature Today, and Latin American Research Review. 320 pages (approx.), 6 x 9 inches, 28 b&w illustrations, bibliography, index (Key Words: Robert Baron, Creole Culture, Roger D. Abrahams, Creole Societies, Latin America, Caribbean, Haiti, Martinique, Guadeloupe, American South, Trinidad and Tobago, Madagascar, Mauritius, Seychelles, RŽunion, Puerto Rico, Argentina, Suriname, Jamaica, Sierra Leone, Anthropology, Ethnomusicology, Literary Studies, Creolization, Gombe Drums, Jamaica, West Africa, Catholic Symbols, Puerto Rican Brujos, Creole Talk, Argentine Literature African Americans, American South, Storytellers within the islands of the Indian Ocean, Kenneth Bilby, Ana C. Cara, J. Michael Dash, Grey Gundaker, Lee Haring, Raquel Romberg, Nick Spitzer, Folklore, Multicultural Studies, Performance Studies, John F. Szwed). book. Codice libro della libreria 81396X1

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Descrizione libro University Press of Mississippi. Paperback. Condizione libro: New. Paperback. 366 pages. Dimensions: 9.0in. x 5.9in. x 1.1in.Global in scope and multidisciplinary in approach, Creolization as Cultural Creativity explores the expressive forms and performances that come into being when cultures encounter one another. Creolization is presented as a powerful marker of identity in the postcolonial Creole societies of Latin America, the Caribbean, and the southwest Indian Ocean region, as well as a universal process that can occur anywhere cultures come into contact. An extraordinary number of cultures from Haiti, Martinique, Guadeloupe, the southern United States, Trinidad and Tobago, Madagascar, Mauritius, Seychelles, Runion, Puerto Rico, Argentina, Suriname, Jamaica, and Sierra Leone are discussed in these essays. Essayists address theoretical dimensions of creolization and present in-depth field studies. Topics include adaptations of the Gombe drum over the course of its migration from Jamaica to West Africa; uses of ritual piracy involved in the appropriation of Catholic symbols by Puerto Rican brujos; the subversion of official culture and authority through playful and combative use of creole talk in Argentine literature and verbal arts; the mislabeling and trivialization (toy blindness) of objects appropriated by African Americans in the American South; the strategic use of creole techniques among storytellers within the islands of the Indian Ocean; and the creolized character of New Orleans and its music. In the introductory essay the editors address both local and universal dimensions of creolization and argue for the centrality of its expressive manifestations for creolization scholarship. Creolization as Cultural Creativity draws from the disciplines of folklore, anthropology, ethnomusicology, literary studies, history, and material culture studies. Contributors include Roger D. Abrahams, Robert Baron, Kenneth Bilby, Ana C. Cara, J. Michael Dash, Grey Gundaker, Lee Haring, Raquel Romberg, Nick Spitzer, and John F. Szwed. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Codice libro della libreria 9781617039492

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Descrizione libro University Press of Mississippi, 2013. Paperback. Condizione libro: New. book. Codice libro della libreria 1617039497

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