Titolo: Culture on the Margins: The Black Spiritual ...
Casa editrice: Princeton University Press
Data di pubblicazione: 1999
Legatura: Soft cover
Condizione libro: Used
This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Summary: ACKNOWLEDGMENTS ix Introduction 3 ONE The Conundrum of Authenticity 19 TWO Sound Barriers and Sound Management 43 THREE From Objects to Subjects 67 FOUR From Authentic Subjects to Authentic Culture 99 FIVE From Testimonies to Artifacts 124 SIX Institutionalizing Ethnosympathy 164 SEVEN Conclusion 189 EPILOGUE 200 NOTES 207 BIBLIOGRAPHY 259 SUBJECT INDEX 275 SONGS CITED INDEX 289. Codice inventario libreria ABE_book_usedgood_0691004749
In Culture on the Margins, Jon Cruz recounts the "discovery" of black music by white elites in the nineteenth century, boldly revealing how the episode shaped modern approaches to studying racial and ethnic cultures. Slave owners had long heard black song making as meaningless "noise." Abolitionists began to attribute social and political meaning to the music, inspired, as many were, by Frederick Douglass's invitation to hear slaves' songs as testimonies to their inner, subjective worlds. This interpretive shift--which Cruz calls "ethnosympathy"--marks the beginning of a mainstream American interest in the country's cultural margins. In tracing the emergence of a new interpretive framework for black music, Cruz shows how the concept of "cultural authenticity" is constantly redefined by critics for a variety of purposes--from easing anxieties arising from contested social relations to furthering debates about modern ethics and egalitarianism.
In focusing on the spiritual aspect of black music, abolitionists, for example, pivoted toward an idealized religious singing subject at the expense of absorbing the more socially and politically elaborate issues presented in the slave narratives and other black writings. By the end of the century, Cruz maintains, modern social science also annexed much of this cultural turn. The result was a fully modern tension-ridden interest in culture on the racial margins of American society that has long had the effect of divorcing black culture from politics.
Dal retro di copertina:
"A splendid and important book that clearly establishes Jon Cruz as one of the most significant cultural sociologists of his generation. The scope, depth, and originality of his theoretical analysis contributes to the general project of understanding cultural production, cultural 'objects,' and cultural interpretation and appropriation. The richness of his deployment of historical materials--whether travel diaries, sermons, or early journal articles--brings his analytic framework alive. Because his book engages crucial debates in history, ethnic studies, and cultural studies as well as in sociology, it should have a wide readership among academics in many fields."--Elizabeth Long, Rice University
Metodi di pagamento
La libreria accetta i seguenti metodi di pagamento:
Libreria AbeBooks dal: 7 maggio 2014
We guarantee the condition of every book as it's described on the AbeBooks web
sites. If you're dissatisfied with your purchase (Incorrect Book/Not as
Described/Damaged) or if the order hasn't arrived, you're eligible for a refund
within 30 days of the estimated delivery date. If you've changed your mind
about a book that you've ordered, please use the Ask bookseller a question link
to contact us and we'll respond within 2 business days.
Shipping costs are based on books weighing 2.2 LB, or 1 KG. If your book order is heavy or oversized, we may contact you to let you know extra shipping is required.