Now in a protective archival removable mylar cover. A beautiful new copy. Review - "A beautifully designed book . Duchamp emerges here as gendered, textual, carnal, and visual. The discussion fostered by the Nova Scotia colloquium not only points to the future of Duchamp studies but suggests some significant directions for the new art history." -- Artforum. ; Black and white illustrations; 1.61 x 9.33 x 8 Inches; 488 pages. Codice inventario libreria
Riassunto: The Duchamp scholars represented here are the leading European and American critics of their generation - a number of whom have staked out opposing territories, making for a particularly animated critique of this fascinating artist and his provocative work.
Eric Cameron, Herbert Molderings, and Francis Naumann probe the philosophical implications of Duchamp's skepticism, eroticism, and paradoxical acceptance of contradiction.
William Camfield and Thierry de Duve investigate the events that led to the creation of Duchamp's infamous Fountain. Jean Suquet's rigorous yet poetic reading of the Large Glass appears here in English for the first time, as does Andre Gervais's exhilarating voyage through Duchamp's puns, aphorisms, and wordplays.
Carol James offers a fresh interpretation of Duchamp's late works as readymades. With an eye on today's art practices and theoretical debates, Craig Adcock and Rosalind Krauss examine to what extent scientific models explain Duchamp's art or are challenged by it. And Molly Nesbit uncovers important evidence of how the gender-based teaching of drawing in the Third Republic might have nurtured Duchamp's - or Rrose Selavy's - peculiar use of mechanical drawing.
Thierry de Duve is Director of Studies, Association de prefiguration de I'Ecole des Beaux-Arts de la Ville de Paris.
The Essays: Given, Eric Cameron. Marcel Duchamp: A Reconciliation of Opposites, Francis Naumann. Possible, Jean Suquet. Marcel Duchamp's Fountain: Aesthetic Object, Icon, or Anti-Art? William Camfield. Given the Richard Mutt Case, Thierry de Duve. Objects of Modern Skepticism, Herbert Molderings. An Original Revolutionary Messagerie Rrose, or What Became of Readymades, Carol James. Duchamp's Way: Twisting Our Memory of the Past "For the Fun of It," Craig Adcock. The Language of Industry, Molly Nesbit. Connections: Of Art and Arrhe, Andre Gervais. Where's Poppa? Rosalind Krauss.
Copublished with the Nova Scotia College of Art and Design.
Product Description: Book by None
Titolo: The Definitively Unfinished Marcel Duchamp
Casa editrice: The MIT Press
Data di pubblicazione: 1992
Condizione libro: Fine+
Edizione: Second Printing.
Descrizione libro The Mit Press, Cambridge, 1991. Hardcover. Condizione: Fine. Condizione sovraccoperta: near fine. First edition. Octavo. 488pp. Dustjacket is price-clipped, otherwise as new. Codice articolo 10494
Descrizione libro MIT Press, Cambridge, 1991. hardcover. Condizione: fine. Condizione sovraccoperta: fine. Duchamp, Marcel (illustratore). First. Illus. 488pp. Square 8vo, 1/2 black cloth, d.w. Cambridge: MIT Press, (1991). Fine. Codice articolo 270873
Descrizione libro MIT Press, Mass., 1991. Hard Cover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Jacket has light edgewear. Boards have only minor shelfwear. Pages are clean, text has no markings, binding is sound. This book will require extra charges for Priority or International shipping. Size: 8vo - 7¾" - 9¾" Tall. Codice articolo 019211
Descrizione libro The MIT Press, 1991. Hardcover. Condizione: Used: Good. Codice articolo SONG0262041170
Descrizione libro The MIT Press, 1991. Condizione: Good. A+ Customer service! Satisfaction Guaranteed! Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. Codice articolo 0262041170-2-4
Descrizione libro MIT, Cambridge, 1991. Clothspine Hardcover. Condizione: New. Condizione sovraccoperta: New. NEW BOOK and DJ, both Mint and with new Mylar protection. // Clothbound hardcover, Octavo, 488 pages, illustrated. Price-clipped and DJ slightly 'sunned' at spine. Size: Octavo. Codice articolo 000347
Descrizione libro The MIT Press, 1991. Hardcover. Condizione: New. As new clean tight and bright hardcover in jacket. Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal. Codice articolo 72064
Descrizione libro The MIT Press 1991-10-24, 1991. Hardcover. Condizione: good. First Edition. 0262041170. Codice articolo 563029
Descrizione libro MIT Press, London and New Haven, 1992. hardcover. Condizione: fine. Condizione sovraccoperta: fine. Codice articolo 3207
Descrizione libro Nova Scotia College Of Art & Design, Halifax, 1991 First Edition. Hardback. Dust Jacket., 1991. Small 4to. pp xii, 488. Original publisher's grey cloth, lettered gilt at the spine. Copiously illustrated in black and white throughout. Contributors include: Eric Cameron, Francis Naumann, Jean Suquet, William Camfield, Herbert Molderings, Craig Adcock. ISBN: 0262041170 Fine in fine dust jacket. Codice articolo C23838