ISBN 10: 069100918X / ISBN 13: 9780691009186
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Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: PREFACE INTRODUCTION ix CHAPTER 1 Five Exceptional Artists 2 CHAPTER 2 The Drawings: Their Histories, Techniques, and Themes 26 CHAPTER 3 Practice and Idea 66 CHAPTER 4 On the Attribution and Dating of the Drawings 96 CHAPTER 5 Drawing and Money 144 CHAPTER 6 Drawing and Design 176 NOTES 211 SELECTED BIBLIOGRAPHY 234 INDEX 238. Codice inventario libreria

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Pierre Rosenberg, the distinguished art historian and director of the Musée du Louvre, has long admired and studied both paintings and drawings. This dual interest may seem commonplace but is in fact highly unusual: specialists in the field of drawing rarely write about painting, and vice versa. From Drawing to Painting offers a unique perspective by interweaving biographical information about five renowned French artists--Nicolas Poussin, Antoine Watteau, Jean-Honoré Fragonard, Jacques-Louis David, and Jean-Auguste-Dominique Ingres--with a fascinating look at dozens of their drawings and the links that they have to their paintings. Presenting over 260 illustrations, this book explores drawing as a site of reflection, the space between the idea of a painted image and its realization on canvas.


How, why, and for whom did these artists draw? What value did they place on their drawings? How did their drawings get handed down to us? In what way do they enable us better to understand the artists' intentions, their creative processes, and to penetrate their worlds? Rosenberg determines that each artist approached drawing in a distinctive way, reflecting his individual training, work habits, and personal ambitions. For example, Poussin viewed his drawings simply as working documents, Watteau preferred his drawings to his paintings, and Fragonard made a lucrative business selling his graphic work. For David and Ingres, drawing had a considerable pedagogical function, whether in copying the great works of their predecessors or in sharpening their own techniques.


Originally delivered as a series of Mellon Lectures at the National Gallery of Art, Washington, D.C., From Drawing to Painting gives the reader an unprecedented view of the artistic process. This richly illustrated book will make an important and beautiful addition to any art library.

About the Author: Pierre Rosenberg has been president and director of the Musée du Louvre since 1994. A member of the Académie française, he has published extensively on painting and drawing of the seventeenth and eighteenth centuries and has organized numerous exhibitions throughout the world. In collaboration with Louis-Antoine Prat, he has published catalogues raisonnés of the drawings of Poussin and Watteau and is undertaking similar publications for Fragonard, David, and Ingres.

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Rosenberg, Pierre
Editore: Princeton University Press
ISBN 10: 069100918X ISBN 13: 9780691009186
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Descrizione libro Princeton University Press. Hardcover. Condizione libro: Very Good. 069100918X Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc. Codice libro della libreria Z069100918XZ2

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Descrizione libro Princeton University Press, 2000. Hardcover. Condizione libro: Very Good. Condizione sovraccoperta: Very Good. This book is in very good condition; no remainder marks. Dustjacket does have some shelfwear. Inside pages are clean. ; 11.18 X 8.98 X 1.10 inches; 280 pages. Codice libro della libreria 020417-528-011s

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Descrizione libro Princeton University Press, United States, 2000. Hardback. Condizione libro: New. Language: English . Brand New Book. Pierre Rosenberg, the distinguished art historian and director of the Musee du Louvre, has long admired and studied both paintings and drawings. This dual interest may seem commonplace but is in fact highly unusual: specialists in the field of drawing rarely write about painting, and vice versa. From Drawing to Painting offers a unique perspective by interweaving biographical information about five renowned French artists--Nicolas Poussin, Antoine Watteau, Jean-Honore Fragonard, Jacques-Louis David, and Jean-Auguste-Dominique Ingres--with a fascinating look at dozens of their drawings and the links that they have to their paintings. Presenting over 260 illustrations, this book explores drawing as a site of reflection, the space between the idea of a painted image and its realization on canvas. How, why, and for whom did these artists draw? What value did they place on their drawings? How did their drawings get handed down to us? In what way do they enable us better to understand the artists intentions, their creative processes, and to penetrate their worlds? Rosenberg determines that each artist approached drawing in a distinctive way, reflecting his individual training, work habits, and personal ambitions. For example, Poussin viewed his drawings simply as working documents, Watteau preferred his drawings to his paintings, and Fragonard made a lucrative business selling his graphic work. For David and Ingres, drawing had a considerable pedagogical function, whether in copying the great works of their predecessors or in sharpening their own techniques. Originally delivered as a series of Mellon Lectures at the National Gallery of Art, Washington, D.C., From Drawing to Painting gives the reader an unprecedented view of the artistic process. This richly illustrated book will make an important and beautiful addition to any art library. Codice libro della libreria AAH9780691009186

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Descrizione libro Princeton University Press 2000-06-08, Princeton, N.J., 2000. hardback. Condizione libro: New. Codice libro della libreria 9780691009186

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Descrizione libro Princeton University Press 2000-05-08, 2000. Hardcover. Condizione libro: good. 069100918X. Codice libro della libreria 584397

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Descrizione libro Princeton University Press, 2000. Hardcover. Condizione libro: Used: Good. Codice libro della libreria SONG069100918X

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Descrizione libro Princeton University Press, United States, 2000. Hardback. Condizione libro: New. Language: English . Brand New Book. Pierre Rosenberg, the distinguished art historian and director of the Musee du Louvre, has long admired and studied both paintings and drawings. This dual interest may seem commonplace but is in fact highly unusual: specialists in the field of drawing rarely write about painting, and vice versa. From Drawing to Painting offers a unique perspective by interweaving biographical information about five renowned French artists--Nicolas Poussin, Antoine Watteau, Jean-Honore Fragonard, Jacques-Louis David, and Jean-Auguste-Dominique Ingres--with a fascinating look at dozens of their drawings and the links that they have to their paintings. Presenting over 260 illustrations, this book explores drawing as a site of reflection, the space between the idea of a painted image and its realization on canvas. How, why, and for whom did these artists draw? What value did they place on their drawings? How did their drawings get handed down to us? In what way do they enable us better to understand the artists intentions, their creative processes, and to penetrate their worlds? Rosenberg determines that each artist approached drawing in a distinctive way, reflecting his individual training, work habits, and personal ambitions. For example, Poussin viewed his drawings simply as working documents, Watteau preferred his drawings to his paintings, and Fragonard made a lucrative business selling his graphic work. For David and Ingres, drawing had a considerable pedagogical function, whether in copying the great works of their predecessors or in sharpening their own techniques. Originally delivered as a series of Mellon Lectures at the National Gallery of Art, Washington, D.C., From Drawing to Painting gives the reader an unprecedented view of the artistic process. This richly illustrated book will make an important and beautiful addition to any art library. Codice libro della libreria AAH9780691009186

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Descrizione libro Princeton University Press, 2000. HRD. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria WP-9780691009186

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Descrizione libro Princeton University Press. Hardback. Condizione libro: new. BRAND NEW, From Drawing to Painting: Poussin, Watteau, Fragonard, David and Ingres, Pierre Rosenberg, Pierre Rosenberg, the distinguished art historian and director of the Musee du Louvre, has long admired and studied both paintings and drawings. This dual interest may seem commonplace but is in fact highly unusual: specialists in the field of drawing rarely write about painting, and vice versa. From Drawing to Painting offers a unique perspective by interweaving biographical information about five renowned French artists--Nicolas Poussin, Antoine Watteau, Jean-Honore Fragonard, Jacques-Louis David, and Jean-Auguste-Dominique Ingres--with a fascinating look at dozens of their drawings and the links that they have to their paintings. Presenting over 260 illustrations, this book explores drawing as a site of reflection, the space between the idea of a painted image and its realization on canvas. How, why, and for whom did these artists draw? What value did they place on their drawings? How did their drawings get handed down to us? In what way do they enable us better to understand the artists' intentions, their creative processes, and to penetrate their worlds? Rosenberg determines that each artist approached drawing in a distinctive way, reflecting his individual training, work habits, and personal ambitions. For example, Poussin viewed his drawings simply as working documents, Watteau preferred his drawings to his paintings, and Fragonard made a lucrative business selling his graphic work. For David and Ingres, drawing had a considerable pedagogical function, whether in copying the great works of their predecessors or in sharpening their own techniques. Originally delivered as a series of Mellon Lectures at the National Gallery of Art, Washington, D.C., From Drawing to Painting gives the reader an unprecedented view of the artistic process. This richly illustrated book will make an important and beautiful addition to any art library. Codice libro della libreria B9780691009186

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Descrizione libro Princeton University Press, 2000. Hardcover. Condizione libro: Very Good. Great condition with minimal wear, aging, or shelf wear. Codice libro della libreria P02069100918X

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