ISBN 10: 3847316389 / ISBN 13: 9783847316381
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Riassunto: This research is based on an aesthetical-theorical analysis of Final Fantasy score giving an insight into the composer?s compositional methods applied to the screen.Film music, over the last thirty years, has taken many forms and gone in many directions that were not thought possible. One of the most interesting directions has been the mixing of contrasting atonal-tonal musical styles within the same score. This approach is an aspect of Postmodernism and has been used mainly in horror-fantasy films.Elliot Goldenthal´s concert music, with its mixing of languages (atonal-tonal) and dramatics, has found a successful way in scoring fantasy-horror movies like Alien III (Fincher, 1992), Sphere (Levinson, 1998) or Interview with the Vampire (Jordan, 1996).The autor discuses the composer?s approach in scoring for this genre of films, focussing on the mixed harmonic and instrumental techniques to match with the imagery of these films, blurring the lines between concert and film both music and composers.

L'autore: Eneko Vadillo.BMus in composition MMus in composition and composition for the screen London (Royal College of Music). Computer assisted composition IRCAM Paris.Professional Studies New York City (Manhattan School of Music).Fulbright fellowship, Rome Prize (2006).Composition teacher at Royal Conservatoire of Music (Madrid) from 2004 to 2009.

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Eneko Vadillo
Editore: LAP Lambert Academic Publishing Dez 2011 (2011)
ISBN 10: 3847316389 ISBN 13: 9783847316381
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Descrizione libro LAP Lambert Academic Publishing Dez 2011, 2011. Taschenbuch. Condizione libro: Neu. 221x123x17 mm. Neuware - This research is based on an aesthetical-theorical analysis of Final Fantasy score giving an insight into the composer s compositional methods applied to the screen.Film music, over the last thirty years, has taken many forms and gone in many directions that were not thought possible. One of the most interesting directions has been the mixing of contrasting atonal-tonal musical styles within the same score. This approach is an aspect of Postmodernism and has been used mainly in horror-fantasy films.Elliot Goldenthal s concert music, with its mixing of languages (atonal-tonal) and dramatics, has found a successful way in scoring fantasy-horror movies like Alien III (Fincher, 1992), Sphere (Levinson, 1998) or Interview with the Vampire (Jordan, 1996).The autor discuses the composer s approach in scoring for this genre of films, focussing on the mixed harmonic and instrumental techniques to match with the imagery of these films, blurring the lines between concert and film both music and composers. 56 pp. Englisch. Codice libro della libreria 9783847316381

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Eneko Vadillo
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Descrizione libro LAP Lambert Academic Publishing Dez 2011, 2011. Taschenbuch. Condizione libro: Neu. 221x123x17 mm. Neuware - This research is based on an aesthetical-theorical analysis of Final Fantasy score giving an insight into the composer s compositional methods applied to the screen.Film music, over the last thirty years, has taken many forms and gone in many directions that were not thought possible. One of the most interesting directions has been the mixing of contrasting atonal-tonal musical styles within the same score. This approach is an aspect of Postmodernism and has been used mainly in horror-fantasy films.Elliot Goldenthal s concert music, with its mixing of languages (atonal-tonal) and dramatics, has found a successful way in scoring fantasy-horror movies like Alien III (Fincher, 1992), Sphere (Levinson, 1998) or Interview with the Vampire (Jordan, 1996).The autor discuses the composer s approach in scoring for this genre of films, focussing on the mixed harmonic and instrumental techniques to match with the imagery of these films, blurring the lines between concert and film both music and composers. 56 pp. Englisch. Codice libro della libreria 9783847316381

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Descrizione libro LAP Lambert Academic Publishing Dez 2011, 2011. Taschenbuch. Condizione libro: Neu. 221x123x17 mm. This item is printed on demand - Print on Demand Neuware - This research is based on an aesthetical-theorical analysis of Final Fantasy score giving an insight into the composer s compositional methods applied to the screen.Film music, over the last thirty years, has taken many forms and gone in many directions that were not thought possible. One of the most interesting directions has been the mixing of contrasting atonal-tonal musical styles within the same score. This approach is an aspect of Postmodernism and has been used mainly in horror-fantasy films.Elliot Goldenthal s concert music, with its mixing of languages (atonal-tonal) and dramatics, has found a successful way in scoring fantasy-horror movies like Alien III (Fincher, 1992), Sphere (Levinson, 1998) or Interview with the Vampire (Jordan, 1996).The autor discuses the composer s approach in scoring for this genre of films, focussing on the mixed harmonic and instrumental techniques to match with the imagery of these films, blurring the lines between concert and film both music and composers. 56 pp. Englisch. Codice libro della libreria 9783847316381

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Descrizione libro LAP Lambert Academic Publishing, 2011. PAP. Condizione libro: New. New Book. Delivered from our UK warehouse in 3 to 5 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Codice libro della libreria LQ-9783847316381

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Descrizione libro LAP Lambert Academic Publishing, 2016. Paperback. Condizione libro: New. PRINT ON DEMAND Book; New; Publication Year 2016; Not Signed; Fast Shipping from the UK. No. book. Codice libro della libreria ria9783847316381_lsuk

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Descrizione libro LAP Lambert Academic Publishing, 2011. PAP. Condizione libro: New. New Book. Shipped from US within 10 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Codice libro della libreria IQ-9783847316381

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Descrizione libro LAP LAMBERT Academic Publishing, 2011. Paperback. Condizione libro: New. book. Codice libro della libreria 3847316389

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Descrizione libro LAP Lambert Academic Publishing, Germany, 2011. Paperback. Condizione libro: New. Aufl.. 216 x 152 mm. Language: English . Brand New Book. This research is based on an aesthetical-theorical analysis of Final Fantasy score giving an insight into the composer s compositional methods applied to the screen.Film music, over the last thirty years, has taken many forms and gone in many directions that were not thought possible. One of the most interesting directions has been the mixing of contrasting atonal-tonal musical styles within the same score. This approach is an aspect of Postmodernism and has been used mainly in horror-fantasy films.Elliot Goldenthal? s concert music, with its mixing of languages (atonal-tonal) and dramatics, has found a successful way in scoring fantasy-horror movies like Alien III (Fincher, 1992), Sphere (Levinson, 1998) or Interview with the Vampire (Jordan, 1996).The autor discuses the composer s approach in scoring for this genre of films, focussing on the mixed harmonic and instrumental techniques to match with the imagery of these films, blurring the lines between concert and film both music and composers. Codice libro della libreria KNV9783847316381

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Descrizione libro LAP Lambert Academic Publishing. Paperback. Condizione libro: New. Paperback. 56 pages. Dimensions: 8.5in. x 6.0in. x 0.2in.This research is based on an aesthetical-theorical analysis of Final Fantasy score giving an insight into the composers compositional methods applied to the screen. Film music, over the last thirty years, has taken many forms and gone in many directions that were not thought possible. One of the most interesting directions has been the mixing of contrasting atonal-tonal musical styles within the same score. This approach is an aspect of Postmodernism and has been used mainly in horror-fantasy films. Elliot Goldenthals concert music, with its mixing of languages (atonal-tonal) and dramatics, has found a successful way in scoring fantasy-horror movies like Alien III (Fincher, 1992), Sphere (Levinson, 1998) or Interview with the Vampire (Jordan, 1996). The autor discuses the composers approach in scoring for this genre of films, focussing on the mixed harmonic and instrumental techniques to match with the imagery of these films, blurring the lines between concert and film both music and composers. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Codice libro della libreria 9783847316381

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