ISBN 10: 0813560586 / ISBN 13: 9780813560588
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Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: The Eyes Have It explores those rarified screen moments when viewers are confronted by sights that seem at once impossible and present, artificial and stimulating, illusory and definitive. Murray Pomerance takes readers on an illuminating filmic journey through a vast array of cinematic moments, technical methods, and laborious collaborations from the 1930s to the 2000s to show how the viewer's experience of "reality" is put in context and willfully engaged. Codice inventario libreria

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Riassunto: The Eyes Have It explores those rarified screen moments when viewers are confronted by sights that seem at once impossible and present, artificial and stimulating, illusory and definitive.

Beginning with a penetrating study of five cornfield sequences—including The Wizard of Oz, Arizona Dream, and Signs—Murray Pomerance journeys through a vast array of cinematic moments, technical methods, and laborious collaborations from the 1930s to the 2000s to show how the viewer's experience of "reality" is put in context, challenged, and willfully engaged.

Four meditations deal with “reality effects” from different philosophical and technical angles. “Vivid Rivals” assesses active participation and critical judgment in seeing effects with such works as Defiance, Cloverfield, Knowing, Thelma & Louise, and more. “The Two of Us” considers double placement and doubled experience with such films as The Prestige, Niagara, and A Stolen Life. “Being There” discusses cinematic performance and the problems of believability, highlighting such films as Gran Torino, The Manchurian Candidate,  In Harm’s Way, and other films. “Fairy Land” explores the art of scenic backing, focusing on the fictional world of Brigadoon, which borrows from both hard-edged realism and evocative landscape painting.

About the Author:

MURRAY POMERANCE is a professor of sociology at Ryerson University in Toronto. Among his many books are Shining in Shadows: Movie Stars of the 2000s, A Little Solitaire: John Frankenheimer and American Film, Johnny Depp Starts Here, and An Eye for Hitchcock, all published by Rutgers University Press.

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Descrizione libro Rutgers University Press. PAPERBACK. Condizione libro: Very Good. 0813560586 Crisp, clean, unread paperback with light shelfwear to the covers and a publisher's mark to one edge - Nice!. Codice libro della libreria Z0813560586Z2

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Descrizione libro 2013. PAP. Condizione libro: New. New Book.Shipped from US within 10 to 14 business days. Established seller since 2000. Codice libro della libreria IB-9780813560588

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Descrizione libro Rutgers University Press, United States, 2013. Paperback. Condizione libro: New. New.. Language: English . Brand New Book. The Eyes Have It explores those rarefied screen moments when viewers are confronted by sights that seem at once impossible and present, artificial and stimulating, illusory and definitive.Beginning with a penetrating study of five cornfield sequences--including The Wizard of Oz, Arizona Dream, and Signs--Murray Pomerance journeys through a vast array of cinematic moments, technical methods, and laborious collaborations from the 1930s to the 2000s to show how the viewer s experience of reality is put in context, challenged, and wilfully engaged.Four meditations deal with reality effects from different philosophical and technical angles. Vivid Rivals assesses active participation and critical judgment in seeing effects with such works as Defiance, Cloverfield, Knowing, Thelma Louise, and more. The Two of Us considers double placement and doubled experience with such films as The Prestige, Niagara, and A Stolen Life. Being There discusses cinematic performance and the problems of believability, highlighting such films as Gran Torino, The Manchurian Candidate, In Harm s Way, and other films. Fairy Land explores the art of scenic backing, focusing on the fictional world of Brigadoon, which borrows from both hard-edged realism and evocative landscape painting. Codice libro della libreria AAC9780813560588

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Descrizione libro Rutgers University Press, United States, 2013. Paperback. Condizione libro: New. New.. Language: English . Brand New Book. The Eyes Have It explores those rarefied screen moments when viewers are confronted by sights that seem at once impossible and present, artificial and stimulating, illusory and definitive.Beginning with a penetrating study of five cornfield sequences--including The Wizard of Oz, Arizona Dream, and Signs--Murray Pomerance journeys through a vast array of cinematic moments, technical methods, and laborious collaborations from the 1930s to the 2000s to show how the viewer s experience of reality is put in context, challenged, and wilfully engaged.Four meditations deal with reality effects from different philosophical and technical angles. Vivid Rivals assesses active participation and critical judgment in seeing effects with such works as Defiance, Cloverfield, Knowing, Thelma Louise, and more. The Two of Us considers double placement and doubled experience with such films as The Prestige, Niagara, and A Stolen Life. Being There discusses cinematic performance and the problems of believability, highlighting such films as Gran Torino, The Manchurian Candidate, In Harm s Way, and other films. Fairy Land explores the art of scenic backing, focusing on the fictional world of Brigadoon, which borrows from both hard-edged realism and evocative landscape painting. Codice libro della libreria AAC9780813560588

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Descrizione libro Rutgers University Press. Paperback. Condizione libro: New. Paperback. 288 pages. Dimensions: 8.9in. x 6.0in. x 0.7in.The Eyes Have It explores those rarified screen moments when viewers are confronted by sights that seem at once impossible and present, artificial and stimulating, illusory and definitive. Beginning with a penetrating study of five cornfield sequencesincluding The Wizard of Oz, Arizona Dream, and SignsMurray Pomerance journeys through a vast array of cinematic moments, technical methods, and laborious collaborations from the 1930s to the 2000s to show how the viewers experience of reality is put in context, challenged, and willfully engaged. Four meditations deal with reality effects from different philosophical and technical angles. Vivid Rivals assesses active participation and critical judgment in seeing effects with such works as Defiance, Cloverfield, Knowing, Thelma and Louise, and more. The Two of Us considers double placement and doubled experience with such films as The Prestige, Niagara, and A Stolen Life. Being There discusses cinematic performance and the problems of believability, highlighting such films as Gran Torino, The Manchurian Candidate, In Harms Way, and other films. Fairy Land explores the art of scenic backing, focusing on the fictional world of Brigadoon, which borrows from both hard-edged realism and evocative landscape painting. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Codice libro della libreria 9780813560588

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Descrizione libro Rutgers University Press 2013-04-30, New Brunswick, 2013. paperback. Condizione libro: New. Codice libro della libreria 9780813560588

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Descrizione libro Rutgers University Press. Paperback. Condizione libro: new. BRAND NEW, The Eyes Have it: Cinema and the Reality Effect, Murray Pomerance, The Eyes Have It explores those rarefied screen moments when viewers are confronted by sights that seem at once impossible and present, artificial and stimulating, illusory and definitive.Beginning with a penetrating study of five cornfield sequences--including The Wizard of Oz, Arizona Dream, and Signs--Murray Pomerance journeys through a vast array of cinematic moments, technical methods, and laborious collaborations from the 1930s to the 2000s to show how the viewer's experience of "reality" is put in context, challenged, and wilfully engaged.Four meditations deal with "reality effects" from different philosophical and technical angles. "Vivid Rivals" assesses active participation and critical judgment in seeing effects with such works as Defiance, Cloverfield, Knowing, Thelma & Louise, and more. "The Two of Us" considers double placement and doubled experience with such films as The Prestige, Niagara, and A Stolen Life. "Being There" discusses cinematic performance and the problems of believability, highlighting such films as Gran Torino, The Manchurian Candidate, In Harm's Way, and other films. "Fairy Land" explores the art of scenic backing, focusing on the fictional world of Brigadoon, which borrows from both hard-edged realism and evocative landscape painting. Codice libro della libreria B9780813560588

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