Franz Radziwill and the Contradictions of German Art History, 1919-1945 (Hardback)

James A. Van Dyke

Editore: The University of Michigan Press, 2011
ISBN 10: 0472116282 / ISBN 13: 9780472116287
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Language: English . Brand New Book. What was Nazi art ? For the most part, we think of traditionally painted scenes of peasants plowing; blonde German girls with or without clothes; and heroically posed, square-jawed soldiers. When we think of modern art in Nazi Germany, we typically think above all of the infamous exhibition Degenerate Art, which opened in Munich in July 1937. While these associations are not entirely wrong, the relationship between modern German art and National Socialism is considerably more complex than has generally been understood. In Franz Radziwill and the Contradictions of German Art History, 1919-45 , James A. van Dyke tells the story of a well-known modern artist who regarded modernity and civilization with deep ambivalence during the 1920s and then for a time became a strong supporter of National Socialism. Radziwill s art, politics, and career are embedded in the debates about the definition of German art and state art policy in and after Hitler s rise. Challenging the monolithic view of the Nazis, this book details how a painter could be championed by certain powerful National Socialists and be seen as a degenerate artist by others, how he could criticize the state and yet fight for the Fatherland, and how the unevenness of Hitler s state could foster hope and resistance even in a man who ultimately was deeply distressed by events. Codice inventario libreria

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Riassunto: What was Nazi art ? For the most part, we think of traditionally painted scenes of peasants plowing; blonde German girls with or without clothes; and heroically posed, square-jawed soldiers. When we think of modern art in Nazi Germany, we typically think above all of the infamous exhibition ""Degenerate Art,"" which opened in Munich in July 1937. While these associations are not entirely wrong, the relationship between modern German art and National Socialism is considerably more complex than has generally been understood. In Franz Radziwill and the Contradictions of German Art History, 1919-45 , James A. van Dyke tells the story of a well-known modern artist who regarded modernity and civilization with deep ambivalence during the 1920s and then for a time became a strong supporter of National Socialism. Radziwill's art, politics, and career are embedded in the debates about the definition of German art and state art policy in and after Hitler's rise. Challenging the monolithic view of ""the Nazis,"" this book details how a painter could be championed by certain powerful National Socialists and be seen as a ""degenerate"" artist by others, how he could criticize the state and yet fight for the Fatherland, and how the unevenness of Hitler's state could foster hope and resistance even in a man who ultimately was deeply distressed by events.

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Dati bibliografici

Titolo: Franz Radziwill and the Contradictions of ...
Casa editrice: The University of Michigan Press
Data di pubblicazione: 2011
Legatura: Hardback
Condizione libro: New

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Descrizione libro Michigan. Condizione: Used - Like New. Fine. Cloth, D-j. 2014. Originally published at $85. Codice articolo W98882

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Descrizione libro Michigan. Condizione: New. Fine. Cloth, D-j. 2014. Originally published at $85. Codice articolo W98882b

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Descrizione libro The University of Michigan Press, United States, 2011. Hardback. Condizione: New. Language: English . Brand New Book. What was Nazi art? For the most part, we think of traditionally painted scenes of peasants plowing; blonde German girls with or without clothes; and heroically posed, square-jawed soldiers. When we think of modern art in Nazi Germany, we typically think above all of the infamous exhibition Degenerate Art, which opened in Munich in July 1937. While these associations are not entirely wrong, the relationship between modern German art and National Socialism is considerably more complex than has generally been understood. In Franz Radziwill and the Contradictions of German Art History, 1919-45, James A. van Dyke tells the story of a well-known modern artist who regarded modernity and civilization with deep ambivalence during the 1920s and then for a time became a strong supporter of National Socialism. Radziwill s art, politics, and career are embedded in the debates about the definition of German art and state art policy in and after Hitler s rise. Challenging the monolithic view of the Nazis, this book details how a painter could be championed by certain powerful National Socialists and be seen as a degenerate artist by others, how he could criticize the state and yet fight for the Fatherland, and how the unevenness of Hitler s state could foster hope and resistance even in a man who ultimately was deeply distressed by events. Codice articolo POW9780472116287

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Descrizione libro University of Michigan Press. Hardcover. Condizione: Fine. 0472116282 Like New Condition, No Sales Tax. Codice articolo Z0472116282Z1

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Descrizione libro The University of Michigan Press, United States, 2011. Hardback. Condizione: New. Language: English . Brand New Book. What was Nazi art? For the most part, we think of traditionally painted scenes of peasants plowing; blonde German girls with or without clothes; and heroically posed, square-jawed soldiers. When we think of modern art in Nazi Germany, we typically think above all of the infamous exhibition Degenerate Art, which opened in Munich in July 1937. While these associations are not entirely wrong, the relationship between modern German art and National Socialism is considerably more complex than has generally been understood. In Franz Radziwill and the Contradictions of German Art History, 1919-45, James A. van Dyke tells the story of a well-known modern artist who regarded modernity and civilization with deep ambivalence during the 1920s and then for a time became a strong supporter of National Socialism. Radziwill s art, politics, and career are embedded in the debates about the definition of German art and state art policy in and after Hitler s rise. Challenging the monolithic view of the Nazis, this book details how a painter could be championed by certain powerful National Socialists and be seen as a degenerate artist by others, how he could criticize the state and yet fight for the Fatherland, and how the unevenness of Hitler s state could foster hope and resistance even in a man who ultimately was deeply distressed by events. Codice articolo POW9780472116287

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Descrizione libro University of Michigan Press, 2010. Condizione: Good. A+ Customer service! Satisfaction Guaranteed! Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. Codice articolo 0472116282-2-4

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