In Giacometti’s Studio

Peppiatt, Michael

Editore: Yale University Press
ISBN 10: 0300093934 / ISBN 13: 9780300093933
Usato / Hardcover / Quantità: 0
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0300093934 Bumped and creased book with tears to the extremities, but not affecting the text block - GOOD. Codice inventario libreria

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Riassunto:

This deeply engaging book introduces the reader to the creative chaos of the tiny Parisian studio of the great sculptor Alberto Giacometti, from the moment he and his brother, Diego, arrived in 1927, with all their possessions in a wheelbarrow, until Alberto?s death in 1966. Michael Peppiatt relates how the artist first worked there as a member of the Surrealist movement and then how he gradually made his mark on Paris?s artistic, literary, and intellectual worlds. After an enforced wartime exile in Geneva in a miserable hotel, he returned to Paris and to the same broken-down little shed of a studio behind Montparnasse where he struggled to realize his pared-down vision of mankind and which became a magnet for many of the great artists and writers of the time (from Picasso and Braque to Balthus, from Breton and Genet to Beckett). Peppiatt prefaces his story with a poignant, personal narrative of how as a young man he arrived in Paris with an introduction from Francis Bacon to Giacometti; the encounter was forestalled by the artist?s very recent death, but Peppiatt instead got to know the key people in Giacometti?s world. He explains how the studio, now dismantled, seems to be both Giacometti?s most important artwork, encompassing countless complete or unfinished works, and the archive of years of struggle. With Giacometti?s death, it became his greatest achievement, containing as it did the traces of a lifetime?s search for truth. This vivid exploration of one of the most evocative and influential spaces in 20th-century art connects us with both a unique career and an entire, outstanding moment in French culture.

L'autore: Michael Peppiatt is a leading authority on Giacometti and Francis Bacon. He is the author of, among many works, Alberto Giacometti in Postwar Paris and Francis Bacon in the 1950s.

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Dati bibliografici

Titolo: In Giacometti’s Studio
Casa editrice: Yale University Press
Legatura: Hardcover
Condizione libro: Good

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Peppiatt, Michael
Editore: Yale University Press (2010)
ISBN 10: 0300093934 ISBN 13: 9780300093933
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Descrizione libro Yale University Press, 2010. Hardcover. Condizione libro: New. Condizione sovraccoperta: New. Still in shrinkwrap. This book is brand new; never used or opened. No remainder marks. ; 12.90 X 9.90 X 1 inches; 224 pages. Codice libro della libreria 060816-427-122

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Descrizione libro Yale University Press. Hardcover. Condizione libro: Very Good. 0300093934 Crisp, clean, unread book with some shelfwear - NICE. Codice libro della libreria Z0300093934Z2

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Michael Peppiatt
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Descrizione libro Yale University Press, 2010. HRD. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria WY-9780300093933

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Descrizione libro Yale University Press, 2010. Hardcover. Condizione libro: New. Codice libro della libreria DADAX0300093934

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Michael Peppiatt
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Descrizione libro Yale University Press, United States, 2010. Hardback. Condizione libro: New. 328 x 251 mm. Language: English . Brand New Book. This deeply engaging book introduces the reader to the creative chaos of the tiny Parisian studio of the great sculptor Alberto Giacometti, from the moment he and his brother, Diego, arrived in 1927, with all their possessions in a wheelbarrow, until Alberto s death in 1966. Michael Peppiatt relates how the artist first worked there as a member of the Surrealist movement and then how he gradually made his mark on Paris s artistic, literary, and intellectual worlds. After an enforced wartime exile in Geneva in a miserable hotel, he returned to Paris and to the same broken-down little shed of a studio behind Montparnasse where he struggled to realize his pared-down vision of mankind and which became a magnet for many of the great artists and writers of the time (from Picasso and Braque to Balthus, from Breton and Genet to Beckett). Peppiatt prefaces his story with a poignant, personal narrative of how as a young man he arrived in Paris with an introduction from Francis Bacon to Giacometti; the encounter was forestalled by the artist s very recent death, but Peppiatt instead got to know the key people in Giacometti s world. He explains how the studio, now dismantled, seems to be both Giacometti s most important artwork, encompassing countless complete or unfinished works, and the archive of years of struggle. With Giacometti s death, it became his greatest achievement, containing as it did the traces of a lifetime s search for truth. This vivid exploration of one of the most evocative and influential spaces in 20th-century art connects us with both a unique career and an entire, outstanding moment in French culture. Codice libro della libreria AAH9780300093933

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Michael Peppiatt
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Descrizione libro Yale University Press, United States, 2010. Hardback. Condizione libro: New. 328 x 251 mm. Language: English . Brand New Book. This deeply engaging book introduces the reader to the creative chaos of the tiny Parisian studio of the great sculptor Alberto Giacometti, from the moment he and his brother, Diego, arrived in 1927, with all their possessions in a wheelbarrow, until Alberto s death in 1966. Michael Peppiatt relates how the artist first worked there as a member of the Surrealist movement and then how he gradually made his mark on Paris s artistic, literary, and intellectual worlds. After an enforced wartime exile in Geneva in a miserable hotel, he returned to Paris and to the same broken-down little shed of a studio behind Montparnasse where he struggled to realize his pared-down vision of mankind and which became a magnet for many of the great artists and writers of the time (from Picasso and Braque to Balthus, from Breton and Genet to Beckett). Peppiatt prefaces his story with a poignant, personal narrative of how as a young man he arrived in Paris with an introduction from Francis Bacon to Giacometti; the encounter was forestalled by the artist s very recent death, but Peppiatt instead got to know the key people in Giacometti s world. He explains how the studio, now dismantled, seems to be both Giacometti s most important artwork, encompassing countless complete or unfinished works, and the archive of years of struggle. With Giacometti s death, it became his greatest achievement, containing as it did the traces of a lifetime s search for truth. This vivid exploration of one of the most evocative and influential spaces in 20th-century art connects us with both a unique career and an entire, outstanding moment in French culture. Codice libro della libreria AAH9780300093933

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Descrizione libro Condizione libro: Good. Book Condition: Good. Codice libro della libreria 97803000939334.0

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Descrizione libro Yale University Press, 2010. Hardcover. Condizione libro: New. book. Codice libro della libreria 0300093934

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Descrizione libro Yale University Press, 2010. Hardcover. Condizione libro: New. BRAND NEW. Still Sealed in Publishers Shrinkwrap. Codice libro della libreria 150925007

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Descrizione libro U.S.A.: Yale University Press, 2010. Hardcover. Condizione libro: Fine. Dust Jacket Included. 1st Edition. Yale University Press, United States, 2010. Hardback. Book Condition: Fine 337 x 251 mm. Clean, Unread. This deeply engaging book introduces the reader to the creative chaos of the tiny Parisian studio of the great sculptor Alberto Giacometti, from the moment he and his brother, Diego, arrived in 1927, with all their possessions in a wheelbarrow, until Alberto s death in 1966. Michael Peppiatt relates how the artist first worked there as a member of the Surrealist movement and then how he gradually made his mark on Paris artistic, literary, and intellectual worlds. After an enforced wartime exile in Geneva in a miserable hotel, he returned to Paris and to the same broken-down little shed of a studio behind Montparnasse where he struggled to realize his pared-down vision of mankind and which became a magnet for many of the great artists and writers of the time (from Picasso and Braque to Balthus, from Breton and Genet to Beckett). Peppiatt prefaces his story with a poignant, personal narrative of how as a young man he arrived in Paris with an introduction from Francis Bacon to Giacometti; the encounter was forestalled by the artist s very recent death, but Peppiatt instead got to know the key people in Giacometti s world. He explains how the studio, now dismantled, seems to be both Giacometti s most important artwork, encompassing countless complete or unfinished works, and the archive of years of struggle. With Giacometti s death, it became his greatest achievement, containing as it did the traces of a lifetime s search for truth. This vivid exploration of one of the most evocative and influential spaces in 20th-century art connects us with both a unique career and an entire, outstanding moment in French culture. Codice libro della libreria UBU.2014.021.Sc

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