The Great White Way: Race and the Broadway Musical

Hoffman, Warren

Editore: Rutgers University Press, 2014
ISBN 10: 0813563356 / ISBN 13: 9780813563350
Usato / Hardcover / Quantità: 0
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0813563356 Crisp, clean, unread hardcover with light shelfwear, missing dust jacket and a publisher's mark to one edge - Nice!. Codice inventario libreria Z0813563356Z2

Dati bibliografici

Titolo: The Great White Way: Race and the Broadway ...
Casa editrice: Rutgers University Press
Data di pubblicazione: 2014
Legatura: Hardcover
Condizione libro: Very Good
Condizione sovraccoperta: Dust Jacket Included

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Hoffman, Warren
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Descrizione libro Rutgers University Press. Condizione libro: New. Brand New. Codice libro della libreria 0813563356

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Descrizione libro Rutgers University Press. Hardcover. Condizione libro: Very Good. 0813563356 Crisp, clean, unread hardcover with light shelfwear, missing dust jacket and a publisher's mark to one edge - Nice!. Codice libro della libreria Z0813563356Z2

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Warren Hoffman
Editore: Rutgers University Press (2014)
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Descrizione libro Rutgers University Press, 2014. HRD. Condizione libro: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Codice libro della libreria IB-9780813563350

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Warren Hoffman
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Descrizione libro Rutgers University Press, 2014. HRD. Condizione libro: New. New Book.Shipped from US within 10 to 14 business days. Established seller since 2000. Codice libro della libreria IB-9780813563350

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Warren Hoffman
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Descrizione libro Rutgers University Press, United States, 2014. Hardback. Condizione libro: New. 231 x 155 mm. Language: English . Brand New Book. Broadway musicals are one of America s most beloved art forms and play to millions of people each year. But what do these shows, which are often thought to be just frothy entertainment, really have to say about our country and who we are as a nation? The Great White Way is the first book to reveal the racial politics, content, and subtexts that have haunted musicals for almost one hundred years from Show Boat (1927) to The Scottsboro Boys (2011). Musicals mirror their time periods and reflect the political and social issues of their day. Warren Hoffman investigates the thematic content of the Broadway musical and considers how musicals work on a structural level, allowing them to simultaneously present and hide their racial agendas in plain view of their audiences. While the musical is informed by the cultural contributions of African Americans and Jewish immigrants, Hoffman argues that ultimately the history of the American musical is the history of white identity in the United States. Presented chronologically, The Great White Way shows how perceptions of race altered over time and how musicals dealt with those changes. Hoffman focuses first on shows leading up to and comprising the Golden Age of Broadway (1927-1960s), then turns his attention to the revivals and nostalgic vehicles that defined the final quarter of the twentieth century. He offers entirely new and surprising takes on shows from the American musical canon-Show Boat (1927), Oklahoma! (1943), Annie Get Your Gun (1946), The Music Man (1957), West Side Story (1957), A Chorus Line (1975), and 42nd Street (1980), among others. New archival research on the creators who produced and wrote these shows, including Leonard Bernstein, Jerome Robbins, Stephen Sondheim, and Edward Kleban, will have theater fans and scholars rethinking forever how they view this popular American entertainment. Codice libro della libreria AAC9780813563350

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Warren Hoffman
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ISBN 10: 0813563356 ISBN 13: 9780813563350
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Descrizione libro Rutgers University Press, United States, 2014. Hardback. Condizione libro: New. 231 x 155 mm. Language: English . Brand New Book. Broadway musicals are one of America s most beloved art forms and play to millions of people each year. But what do these shows, which are often thought to be just frothy entertainment, really have to say about our country and who we are as a nation? The Great White Way is the first book to reveal the racial politics, content, and subtexts that have haunted musicals for almost one hundred years from Show Boat (1927) to The Scottsboro Boys (2011). Musicals mirror their time periods and reflect the political and social issues of their day. Warren Hoffman investigates the thematic content of the Broadway musical and considers how musicals work on a structural level, allowing them to simultaneously present and hide their racial agendas in plain view of their audiences. While the musical is informed by the cultural contributions of African Americans and Jewish immigrants, Hoffman argues that ultimately the history of the American musical is the history of white identity in the United States. Presented chronologically, The Great White Way shows how perceptions of race altered over time and how musicals dealt with those changes. Hoffman focuses first on shows leading up to and comprising the Golden Age of Broadway (1927-1960s), then turns his attention to the revivals and nostalgic vehicles that defined the final quarter of the twentieth century. He offers entirely new and surprising takes on shows from the American musical canon-Show Boat (1927), Oklahoma! (1943), Annie Get Your Gun (1946), The Music Man (1957), West Side Story (1957), A Chorus Line (1975), and 42nd Street (1980), among others. New archival research on the creators who produced and wrote these shows, including Leonard Bernstein, Jerome Robbins, Stephen Sondheim, and Edward Kleban, will have theater fans and scholars rethinking forever how they view this popular American entertainment. Codice libro della libreria AAC9780813563350

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Descrizione libro Rutgers University Press. Hardback. Condizione libro: new. BRAND NEW, Great White Way: Race and the Broadway Musical, Warren Hoffman, Broadway musicals are one of America's most beloved art forms and play to millions of people each year. But what do these shows, which are often thought to be just frothy entertainment, really have to say about our country and who we are as a nation? The Great White Way is the first book to reveal the racial politics, content, and subtexts that have haunted musicals for almost one hundred years from Show Boat (1927) to The Scottsboro Boys (2011). Musicals mirror their time periods and reflect the political and social issues of their day. Warren Hoffman investigates the thematic content of the Broadway musical and considers how musicals work on a structural level, allowing them to simultaneously present and hide their racial agendas in plain view of their audiences. While the musical is informed by the cultural contributions of African Americans and Jewish immigrants, Hoffman argues that ultimately the history of the American musical is the history of white identity in the United States. Presented chronologically, The Great White Way shows how perceptions of race altered over time and how musicals dealt with those changes. Hoffman focuses first on shows leading up to and comprising the Golden Age of Broadway (1927-1960s), then turns his attention to the revivals and nostalgic vehicles that defined the final quarter of the twentieth century. He offers entirely new and surprising takes on shows from the American musical canon-- Show Boat (1927), Oklahoma! (1943), Annie Get Your Gun (1946), The Music Man (1957), West Side Story (1957), A Chorus Line (1975), and 42nd Street (1980), among others. New archival research on the creators who produced and wrote these shows, including Leonard Bernstein, Jerome Robbins, Stephen Sondheim, and Edward Kleban, will have theater fans and scholars rethinking forever how they view this popular American entertainment. Codice libro della libreria B9780813563350

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Warren Hoffman
Editore: Rutgers University Press 2014-02-28, New Brunswick, NJ (2014)
ISBN 10: 0813563356 ISBN 13: 9780813563350
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Descrizione libro Rutgers University Press 2014-02-28, New Brunswick, NJ, 2014. hardback. Condizione libro: New. Codice libro della libreria 9780813563350

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Descrizione libro Rutgers University Press. Hardcover. Condizione libro: New. 0813563356 Brand New Book. Ships from the United States. 30 Day Satisfaction Guarantee!. Codice libro della libreria 16407081

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Warren Hoffman
ISBN 10: 0813563356 ISBN 13: 9780813563350
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Descrizione libro Hardcover. Condizione libro: New. 155mm x 20mm x 229mm. Hardcover. Broadway musicals are one of America's most beloved art forms and play to millions of people each year. But what do these shows, which are often thought to be just frothy entertainment, re.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 251 pages. 0.522. Codice libro della libreria 9780813563350

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