ISBN 10: 0691140111 / ISBN 13: 9780691140117
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Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: "As a critic, Edward Cone drew the best from his Princeton mentors Roger Sessions, Richard Blackmur of the New Criticism, and the no less legendary musicologist Oliver Strunk. His work--elegant and profound, self-aware but never self-important, resolutely undogmatic--is above all true to what can only be called an exquisite ear. Few have written better on Schubert, Berlioz, or Stravinsky, and none better on the crux of composer, performer, and listener he saw as axiomatic to musical experience. We are indebted indeed to Robert Morgan for this large, dazzling new trove of Cone's writings."-- Joseph Kerman, professor emeritus, University of California, Berkeley "This collection is a treasure. Like Edward T. Cone's other extraordinary writings, these unpublished essays offer a wealth of critical and analytical thought on some of the central composers and compositions of classical music. What emerges, beyond the many wonderful insights about individual compositions, is not a theory but the persistent exemplification of Cone's style of analysis, one that balances listening and reflection with particular deftness."-- Fred Everett Maus, University of Virginia "This book underlines the values of an outstanding pioneer in the field of musical-critical discourse at a time when the historical legitimacy of those values benefits from being reinforced. Edward T. Cone was undeniably a master of the lecture, and his trademark lucidity and good humor are apparent everywhere here."-- Arnold Whittall, author of Exploring Twentieth-Century Music. Codice inventario libreria

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Riassunto:

Edward T. Cone was one of the most important and influential music critics of the twentieth century. He was also a master lecturer skilled at conveying his ideas to broad audiences. Hearing and Knowing Music collects fourteen essays that Cone gave as talks in his later years and that were left unpublished at his death. Edited and introduced by Robert Morgan, these essays cover a broad range of topics, including music's position in culture, musical aesthetics, the significance of opera as an art, setting text to music, the nature of twentieth-century harmony and form, and the practice of musical analysis. Fully matching the quality and style of Cone's published writings, these essays mark a critical addition to his work, developing new ideas, such as the composer as critic; clarifying and modifying older positions, especially regarding opera and the nature of sung utterance; and adding new and often unexpected insights on composers and ideas previously discussed by Cone. In addition, there are essays, such as one on Debussy, that lead Cone into areas he had not previously examined. Hearing and Knowing Music represents the final testament of one of our most important writers on music.

From the Back Cover:

"As a critic, Edward Cone drew the best from his Princeton mentors Roger Sessions, Richard Blackmur of the New Criticism, and the no less legendary musicologist Oliver Strunk. His work--elegant and profound, self-aware but never self-important, resolutely undogmatic--is above all true to what can only be called an exquisite ear. Few have written better on Schubert, Berlioz, or Stravinsky, and none better on the crux of composer, performer, and listener he saw as axiomatic to musical experience. We are indebted indeed to Robert Morgan for this large, dazzling new trove of Cone's writings."--Joseph Kerman, professor emeritus, University of California, Berkeley

"This collection is a treasure. Like Edward T. Cone's other extraordinary writings, these unpublished essays offer a wealth of critical and analytical thought on some of the central composers and compositions of classical music. What emerges, beyond the many wonderful insights about individual compositions, is not a theory but the persistent exemplification of Cone's style of analysis, one that balances listening and reflection with particular deftness."--Fred Everett Maus, University of Virginia

"This book underlines the values of an outstanding pioneer in the field of musical-critical discourse at a time when the historical legitimacy of those values benefits from being reinforced. Edward T. Cone was undeniably a master of the lecture, and his trademark lucidity and good humor are apparent everywhere here."--Arnold Whittall, author of Exploring Twentieth-Century Music

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Cone, Edward T.
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Descrizione libro Princeton University Press. Hardcover. Condizione libro: Very Good. 0691140111 Item in very good condition and at a great price! Textbooks may not include supplemental items i.e. CDs, access codes etc. Codice libro della libreria Z0691140111Z2

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Descrizione libro Princeton University Press, 2009. Hardcover. Condizione libro: Used: Very Good. Codice libro della libreria SONG0691140111

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Descrizione libro Princeton University Press. Condizione libro: Used - Like New. 2009. Hardcover. Fine. Dust Jacket is Fine. Codice libro della libreria BR27720

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Descrizione libro Condizione libro: Good. Book Condition: Good. Codice libro della libreria 97806911401174.0

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Descrizione libro Princeton University Press, 2009. HRD. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria WP-9780691140117

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Descrizione libro Princeton University Press, Princeton, New Jersey, 2009. Hard Cover. Near Fine in hardcover in Fine dustjacket. 24 by 16 cm. 215 pages. Illustrated dustjacket. Beige cover with red lettering on spine. Contains index and bibliography. Small black remainder dot along bottom page edges. Bright, clean. Codice libro della libreria 15566

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Descrizione libro Princeton University Press, 2009. Hardcover. Condizione libro: New. book. Codice libro della libreria 0691140111

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Descrizione libro Princeton University Press, United States, 2009. Hardback. Condizione libro: New. Language: English . Brand New Book. Edward T. Cone was one of the most important and influential music critics of the twentieth century. He was also a master lecturer skilled at conveying his ideas to broad audiences. Hearing and Knowing Music collects fourteen essays that Cone gave as talks in his later years and that were left unpublished at his death. Edited and introduced by Robert Morgan, these essays cover a broad range of topics, including music s position in culture, musical aesthetics, the significance of opera as an art, setting text to music, the nature of twentieth-century harmony and form, and the practice of musical analysis. Fully matching the quality and style of Cone s published writings, these essays mark a critical addition to his work, developing new ideas, such as the composer as critic; clarifying and modifying older positions, especially regarding opera and the nature of sung utterance; and adding new and often unexpected insights on composers and ideas previously discussed by Cone. In addition, there are essays, such as one on Debussy, that lead Cone into areas he had not previously examined.Hearing and Knowing Music represents the final testament of one of our most important writers on music. Codice libro della libreria AAH9780691140117

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Edward T. Cone
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Descrizione libro Princeton University Press, United States, 2009. Hardback. Condizione libro: New. Language: English . Brand New Book. Edward T. Cone was one of the most important and influential music critics of the twentieth century. He was also a master lecturer skilled at conveying his ideas to broad audiences. Hearing and Knowing Music collects fourteen essays that Cone gave as talks in his later years and that were left unpublished at his death. Edited and introduced by Robert Morgan, these essays cover a broad range of topics, including music s position in culture, musical aesthetics, the significance of opera as an art, setting text to music, the nature of twentieth-century harmony and form, and the practice of musical analysis. Fully matching the quality and style of Cone s published writings, these essays mark a critical addition to his work, developing new ideas, such as the composer as critic; clarifying and modifying older positions, especially regarding opera and the nature of sung utterance; and adding new and often unexpected insights on composers and ideas previously discussed by Cone. In addition, there are essays, such as one on Debussy, that lead Cone into areas he had not previously examined.Hearing and Knowing Music represents the final testament of one of our most important writers on music. Codice libro della libreria AAH9780691140117

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Edward T. Cone, Robert P. Morgan
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Descrizione libro Princeton University Press. Hardback. Condizione libro: new. BRAND NEW, Hearing and Knowing Music: The Unpublished Essays of Edward T. Cone, Edward T. Cone, Robert P. Morgan, Edward T. Cone was one of the most important and influential music critics of the twentieth century. He was also a master lecturer skilled at conveying his ideas to broad audiences. Hearing and Knowing Music collects fourteen essays that Cone gave as talks in his later years and that were left unpublished at his death. Edited and introduced by Robert Morgan, these essays cover a broad range of topics, including music's position in culture, musical aesthetics, the significance of opera as an art, setting text to music, the nature of twentieth-century harmony and form, and the practice of musical analysis. Fully matching the quality and style of Cone's published writings, these essays mark a critical addition to his work, developing new ideas, such as the composer as critic; clarifying and modifying older positions, especially regarding opera and the nature of sung utterance; and adding new and often unexpected insights on composers and ideas previously discussed by Cone. In addition, there are essays, such as one on Debussy, that lead Cone into areas he had not previously examined. Hearing and Knowing Music represents the final testament of one of our most important writers on music. Codice libro della libreria B9780691140117

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