ISBN 10: 0814211771 / ISBN 13: 9780814211779
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 Hemingway and the Black Renaissance, edited by Gary Edward Holcomb and Charles Scruggs, explores a conspicuously overlooked topic: Hemingway’s wide-ranging influence on writers from the Harlem Renaissance to the present day. An observable who’s who of black writers—Ralph Ellison, James Baldwin, Langston Hughes, Claude McKay, Wallace Thurman, Chester Himes, Alex la Guma, Derek Walcott, Gayl Jones, and more—cite Hemingway as a vital influence. This inspiration extends from style, Hemingway’s minimalist art, to themes of isolation and loneliness, the dilemma of the expatriate, and the terrifying experience of living in a time of war. The relationship, nevertheless, was not unilateral, as in the case of Jean Toomer’s 1923 hybrid, short-story cycle Cane, which influenced Hemingway’s collage-like 1925 In Our Time.

            Just as important as Hemingway’s influence, indeed, is the complex intertextuality, the multilateral conversation, between Hemingway and key black writers. The diverse praises by black writers for Hemingway in fact signify that the white author’s prose rises out of the same intensely American concerns that their own writings are formed on: the integrity of the human subject faced with social alienation, psychological violence, and psychic disillusionment. An understanding of this literary kinship ultimately initiates not only an appreciation of Hemingway’s stimulus but also a perception of an insistent black presence at the core of Hemingway’s writing.

About the Author:  Gary Edward Holcomb is associate professor of African American literature in the Americas at Ohio University in Athens, Ohio. Charles Scruggs is professor of literature at the University of Arizona in Tucson.

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Holcomb, Gary Edward, & Scruggs, Charles, Ed.
Editore: Ohio State Univ Pr (2012)
ISBN 10: 0814211771 ISBN 13: 9780814211779
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Descrizione libro Ohio State Univ Pr, 2012. Hard Cover. Condizione libro: Very Good. No Jacket. 246 pages. No dust jacket. Size: 8vo - over 7? - 9? Tall. Codice libro della libreria 34537

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Descrizione libro University of Chicago press. Condizione libro: New. Brand New. Codice libro della libreria 0814211771

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Descrizione libro 2012. HRD. Condizione libro: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Codice libro della libreria TX-9780814211779

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Descrizione libro OHIO STATE UNIV PR, 2012. HRD. Condizione libro: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Codice libro della libreria IB-9780814211779

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Descrizione libro Ohio State University Press, United States, 2012. Hardback. Condizione libro: New. Language: English . Brand New Book. Hemingway and the Black Renaissance, edited by Gary Edward Holcomb and Charles Scruggs, explores a conspicuously overlooked topic: Hemingway s wide-ranging influence on writers from the Harlem Renaissance to the present day. An observable who s who of black writers Ralph Ellison, James Baldwin, Langston Hughes, Claude McKay, Wallace Thurman, Chester Himes, Alex la Guma, Derek Walcott, Gayl Jones, and more cite Hemingway as a vital influence. This inspiration extends from style, Hemingway s minimalist art, to themes of isolation and loneliness, the dilemma of the expatriate, and the terrifying experience of living in a time of war. The relationship, nevertheless, was not unilateral, as in the case of Jean Toomer s 1923 hybrid, short-story cycle Cane, which influenced Hemingway s collage-like 1925 In Our Time. Just as important as Hemingway s influence, indeed, is the complex intertextuality, the multilateral conversation, between Hemingway and key black writers. The diverse praises by black writers for Hemingway in fact signify that the white author s prose rises out of the same intensely American concerns that their own writings are formed on: the integrity of the human subject faced with social alienation, psychological violence, and psychic disillusionment. An understanding of this literary kinship ultimately initiates not only an appreciation of Hemingway s stimulus but also a perception of an insistent black presence at the core of Hemingway s writing. Codice libro della libreria AAC9780814211779

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Gary Edward Holcomb, Charles Scruggs
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Descrizione libro Ohio State University Press, United States, 2012. Hardback. Condizione libro: New. Language: English . Brand New Book. Hemingway and the Black Renaissance, edited by Gary Edward Holcomb and Charles Scruggs, explores a conspicuously overlooked topic: Hemingway s wide-ranging influence on writers from the Harlem Renaissance to the present day. An observable who s who of black writers Ralph Ellison, James Baldwin, Langston Hughes, Claude McKay, Wallace Thurman, Chester Himes, Alex la Guma, Derek Walcott, Gayl Jones, and more cite Hemingway as a vital influence. This inspiration extends from style, Hemingway s minimalist art, to themes of isolation and loneliness, the dilemma of the expatriate, and the terrifying experience of living in a time of war. The relationship, nevertheless, was not unilateral, as in the case of Jean Toomer s 1923 hybrid, short-story cycle Cane, which influenced Hemingway s collage-like 1925 In Our Time. Just as important as Hemingway s influence, indeed, is the complex intertextuality, the multilateral conversation, between Hemingway and key black writers. The diverse praises by black writers for Hemingway in fact signify that the white author s prose rises out of the same intensely American concerns that their own writings are formed on: the integrity of the human subject faced with social alienation, psychological violence, and psychic disillusionment. An understanding of this literary kinship ultimately initiates not only an appreciation of Hemingway s stimulus but also a perception of an insistent black presence at the core of Hemingway s writing. Codice libro della libreria AAC9780814211779

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Gary Edward Holcomb, Charles Scruggs
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Descrizione libro Ohio State University Press, United States, 2012. Hardback. Condizione libro: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Hemingway and the Black Renaissance, edited by Gary Edward Holcomb and Charles Scruggs, explores a conspicuously overlooked topic: Hemingway s wide-ranging influence on writers from the Harlem Renaissance to the present day. An observable who s who of black writers Ralph Ellison, James Baldwin, Langston Hughes, Claude McKay, Wallace Thurman, Chester Himes, Alex la Guma, Derek Walcott, Gayl Jones, and more cite Hemingway as a vital influence. This inspiration extends from style, Hemingway s minimalist art, to themes of isolation and loneliness, the dilemma of the expatriate, and the terrifying experience of living in a time of war. The relationship, nevertheless, was not unilateral, as in the case of Jean Toomer s 1923 hybrid, short-story cycle Cane, which influenced Hemingway s collage-like 1925 In Our Time. Just as important as Hemingway s influence, indeed, is the complex intertextuality, the multilateral conversation, between Hemingway and key black writers. The diverse praises by black writers for Hemingway in fact signify that the white author s prose rises out of the same intensely American concerns that their own writings are formed on: the integrity of the human subject faced with social alienation, psychological violence, and psychic disillusionment. An understanding of this literary kinship ultimately initiates not only an appreciation of Hemingway s stimulus but also a perception of an insistent black presence at the core of Hemingway s writing. Codice libro della libreria BTE9780814211779

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Descrizione libro Ohio State University Press, 2012. Hardcover. Condizione libro: New. book. Codice libro della libreria 0814211771

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Descrizione libro Ohio State University Press, 2012. Hardcover. Condizione libro: New. Codice libro della libreria 0814211771

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