ISBN 10: 0810963957 / ISBN 13: 9780810963955
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Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: This is a complete reappraisal of Lee Krasner (1908-1984), who, along with her husband, Jackson Pollock, was among the artists who launched the New York School of painting after World War II. One of the few critically recognized female Abstract Expressionists of her generation, she has emerged as an essential figure in postwar American art.This lavishly illustrated book, the companion to a major traveling exhibition, takes a fresh look at Krasner and highlights the striking originality and complexity of her work. Krasner saw her art as an open-ended exploration and a dialogue with a wide range of artistic, literary, and cultural voices. Complete with never-before-published excerpts from the diary of writer B. H. Friedman, a longtime associate of Krasner's who provides priceless insights into this pivotal period of American history, this book is essential for any art library.This book and the exhibition it accompanies were developed by Independent Curators International (ICI), a non-profit organization,that creates innovative, provocative traveling exhibitions of contemporary art that have been presented in museums and university galleries worldwide. Codice inventario libreria

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Riassunto: Lee Krasner never took the easy way out — not in life, not in art. Brought up in a poor Brooklyn neighborhood and originally named Lena Krasner by her immigrant parents, she decided early on to create a new name and a new identity for herself. Later, as one of the few female painters in the aggressively male circle of Abstract Expressionists, she had to contend not only with the critics' skepticism about their new way of making art but also with the skepticism that greeted any woman's attempts to become a professional artist.

Many of Krasner's male colleagues — including her husband, Jackson Pollock — developed a unique "signature" style that identified them throughout their careers. Krasner, however, experimented with one style after another, from her early geometric abstractions (created while she was one of Hans Hofmann's most talented students), through her large-scale organic images of mid-career, to the hard-edge compositions of her late years. Certain elements recur throughout — most notably, her distinctive sense of color, her affinity for swelling forms inspired by nature, and her fearlessness in experimenting with new techniques.

Krasner's unwillingness to stick to one style, her readiness to put her career aside to focus on Pollock's, and her feuds with some of the period's most powerful critics all reduced her visibility in the art world. She has been the subject of exhibition catalogs, but this is the first monograph devoted to her work, and it brings to light all the intriguing complexities of her approach to making art. Dr. Robert Hobbs skillfully explores the twists and turns of her career, offering new information and insight about one of the most intriguing painters of the postwar era.

About the Modern Masters series:

With informative, enjoyable texts and over 100 illustrations — approximately 48 in full color — this innovative series offers a fresh look at the most creative and influential artists of the postwar era. The authors are highly respected art historians and critics chosen for their ability to think clearly and write well. Each handsomely designed volume presents a thorough survey of the artist's life and work, as well as statements by the artist, an illustrated chapter on technique, a chronology, lists of exhibitions and public collections, an annotated bibliography, and an index. Every art lover, from the casual museumgoer to the serious student, teacher, critic, or curator, will be eager to collect these Modern Masters. And with such a low price, they can afford to collect them all.

Review: At nearly every stage of her 15-year marriage to the universally recognized Jackson Pollock, Lee Krasner was quicker to respond to stylistic innovations in the art world than her husband. Pollock either didn't catch on to the art-world developments that surrounded him or incorporated changes much later than Krasner did. Some critics read Krasner's dynamic painting style as evidence of her superiority as an artist, but others saw her porousness as a problem, and Pollock's comparative insularity as one key to his uniqueness. In Lee Krasner, Robert Hobbs gracefully analyzes the many forces--of personality, education, and cultural and political milieu--that shaped Krasner's 60-year devotion to art; in the process, he elucidates the many reasons her "artistically constructed self remains provisional."

B.H. Friedman, Pollock's first biographer, introduces the book with a gripping series of intimate, you-are-there diary entries from the long years of his friendship with the two artists. Then Hobbs weaves biography and critical interpretation to develop the main text of the book. The reproductions of Krasner's drawings and paintings (97 in color) are excellent, giving a fair picture of her long career, and there are more than a score of black-and-white archival photos of Krasner and the other early abstract expressionists. The book has a few odd omissions though, such as any reference to Mark Tobey, whose "white writing" paintings and others are so closely related stylistically to Krasner's work of the 1940s. Still, this is the respectful but objective book Krasner's vigorous work and forceful personality deserve. It sheds sympathetic light on her lifelong, intellectually rigorous, artistic questing. --Peggy Moorman

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Hobbs, Robert
Editore: Harry N. Abrams (1999)
ISBN 10: 0810963957 ISBN 13: 9780810963955
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Descrizione libro Harry N. Abrams, 1999. Condizione libro: Fair. 1st US -1st Printing. Shows definite wear, and perhaps considerable marking on inside. Codice libro della libreria GRP96702590

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Descrizione libro Harry N. Abrams. Condizione libro: fair. 1999. 1st US -1st Printing edition. hardcover. former library book with typical labels, pockets, etc. Cover: slightly bumped corner(s). Dustcover: good. ISBN:0810963957. sku254031: Codice libro della libreria 254031

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Descrizione libro Harry N. Abrams, 1999. Hard Cover. Condizione libro: Very Good. Condizione sovraccoperta: Good+. 224pp. Over sized heavy gray cloth hardback, upper front corner tip slightly bumped, DJ has a one ince tear at upper spine edge and slight wrinkle along front upper edge, VG, b&w and color photos and illustrations, Collection of paintings by Lee Krasner, a female abstract expressionist painter who was recognized as one of the founders of the New York school of painting after World War II, Codice libro della libreria w170623633

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Descrizione libro Independent Curators Internationa/Harry N. Abrams, New York, 1999. Hardcover. Condizione libro: Fine. Condizione sovraccoperta: Very Good. 1st Edition. 4to(12"tall)gray cloth. First Printing, 1999. Fine but for ink inscription on front free endpaper, in an unclipped dust jacket with minor edgewear and slight rubbing, otherwise Near Fine. SCARCE IN FIRST PRINTING. **NOTE: A large and heavy book that may require extra postage.**. Codice libro della libreria 8490

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Descrizione libro Harry N. Abrams, 1999. Hardcover. Condizione libro: Used: Very Good. Codice libro della libreria SONG0810963957

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Descrizione libro Harry N. Abrams 1999-10-01, 1999. Hardcover. Condizione libro: good. 0810963957. Codice libro della libreria 570511

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Descrizione libro Harry N. Abrams, 1999. Hardcover. Condizione libro: Very Good. Condizione sovraccoperta: Very Good. Jacket in Very Good condition. No markings throughout. Nice clean copy. Family owned since 1989. Selling online since 1995. Exceptional shopping experience, 100% Satisfaction Guaranteed!. Codice libro della libreria mon0000602765

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Descrizione libro Independent Curators International / Harry N. Abrams, New York, 1999. Hardcover. Slate-gray cloth, black & color illus. dust jacket, 224 pp., 93 color illus., 33 BW illus. Issued in conjunction with 1999-2001 exhibitions featuring works by American abstract expressionist Lee Krasner (1908-1984): "the only critically recognized woman artist among the founders of the New York school of painting after World War II." (dj) With essays by B. H. Friedman and Robert Hobbs. "The book breaks new ground not only in expounding the meanings of her work, but also in examining her dialogue with a wide range of artistic, literary, and cultural voices, including those of fellow artists Jackson Pollock (her husband), Hand Hofmann, and Willem de Kooning, and of critic Harold Rosenberg." (dj). VG (Ex-gallery, with stamp and a few marks, pages lightly tanning at edges, otherwise very nice indeed.). Codice libro della libreria 137117

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