Titolo: Lee Krasner
Casa editrice: Harry N. Abrams
Data di pubblicazione: 1999
Condizione libro: New
Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: This is a complete reappraisal of Lee Krasner (1908-1984), who, along with her husband, Jackson Pollock, was among the artists who launched the New York School of painting after World War II. One of the few critically recognized female Abstract Expressionists of her generation, she has emerged as an essential figure in postwar American art.This lavishly illustrated book, the companion to a major traveling exhibition, takes a fresh look at Krasner and highlights the striking originality and complexity of her work. Krasner saw her art as an open-ended exploration and a dialogue with a wide range of artistic, literary, and cultural voices. Complete with never-before-published excerpts from the diary of writer B. H. Friedman, a longtime associate of Krasner's who provides priceless insights into this pivotal period of American history, this book is essential for any art library.This book and the exhibition it accompanies were developed by Independent Curators International (ICI), a non-profit organization,that creates innovative, provocative traveling exhibitions of contemporary art that have been presented in museums and university galleries worldwide. Codice inventario libreria ABE_book_new_0810963957
Riassunto: With more than 100 illustrations -- approximately 48 in full color -- this innovative series offers a fresh look at the most creative and influential artists of the postwar era. Modern Masters form a perfect reference set for home, school, or library. Each handsomely designed volume presents:
- A thorough survey of the artist's life and work
- Statements by the artist
- An illustrated chapter on technique
- Lists of exhibitions and public collections
- Annotated bibliography
Recensione: At nearly every stage of her 15-year marriage to the universally recognized Jackson Pollock, Lee Krasner was quicker to respond to stylistic innovations in the art world than her husband. Pollock either didn't catch on to the art-world developments that surrounded him or incorporated changes much later than Krasner did. Some critics read Krasner's dynamic painting style as evidence of her superiority as an artist, but others saw her porousness as a problem, and Pollock's comparative insularity as one key to his uniqueness. In Lee Krasner, Robert Hobbs gracefully analyzes the many forces--of personality, education, and cultural and political milieu--that shaped Krasner's 60-year devotion to art; in the process, he elucidates the many reasons her "artistically constructed self remains provisional."
B.H. Friedman, Pollock's first biographer, introduces the book with a gripping series of intimate, you-are-there diary entries from the long years of his friendship with the two artists. Then Hobbs weaves biography and critical interpretation to develop the main text of the book. The reproductions of Krasner's drawings and paintings (97 in color) are excellent, giving a fair picture of her long career, and there are more than a score of black-and-white archival photos of Krasner and the other early abstract expressionists. The book has a few odd omissions though, such as any reference to Mark Tobey, whose "white writing" paintings and others are so closely related stylistically to Krasner's work of the 1940s. Still, this is the respectful but objective book Krasner's vigorous work and forceful personality deserve. It sheds sympathetic light on her lifelong, intellectually rigorous, artistic questing. --Peggy Moorman
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Libreria AbeBooks dal: 7 maggio 2014
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