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Lost Souls (Dean Koontz's Frankenstein)

Dean Koontz

Editore: Harper Collins Ome, 2011
ISBN 10: 0007386974 / ISBN 13: 9780007386970
Usato / Quantità: 1
Da Nearfine Books (Brooklyn, NY, U.S.A.)
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Titolo: Lost Souls (Dean Koontz's Frankenstein)

Casa editrice: Harper Collins Ome

Data di pubblicazione: 2011

Condizione libro: very good


Gently used. Expect delivery in 2-3 weeks. Codice inventario libreria 9780007386970-3

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Riassunto: SOMEONE NEW IS PLAYING GOD The Frankenstein story updated to the 21st century by the great American storyteller Dean Koontz. In a powerful reworking of one of the classic stories of all time, Dr Frankenstein lives on, seemingly indestructible, more malignant than ever. Frankenstein's first monster, Deucalion, has spent two hundred years trying to put an end to his creator. Now he learns that a new Frankenstein clone, Victor Helios, is out there again, somewhere. Terrifyingly, with each incarnation the sinister doctor draws closer to the possibility of succeeding in his ambition to create a new human race -- which he will control. He has found an enigmatic backer and is working in a secret location. Together with the two ex-cops who helped him destroy the previous Victor, Deucalion is drawn to the small Montana town where Victor's grotesque new creations are taking shape. Victor's New Race is spectacularly different, a product of cutting-edge technology and stem-cell circuits, and when things go wrong, they go wrong in very unexpected ways. Frankenstein is unleashing a new menace on the world, whether or not he can control it. It may be too late, even if Deucalion can bring him down.

Recensione: Dean Koontz on Frankenstein: Lost Souls

When it comes to predicting the future, I am Nostradamus's idiot great nephew. In the 1980s, I believed that by 2010, we would all be traveling regularly to no-sales-tax shopping malls on the moon and zipping over to Mars for a Frappuccino. I thought we would be enjoying genetically engineered house pets like cadogs (half cat, half dog, all affection), miniature eaglebbits (flying rabbits), dry chihuahuas (little dogs that never need to pee), crocodobers (highly effective home guard dogs), and spongerbils (sponge gerbils that not only can be cuddled but will mop your floors and wring one another out in a bucket of water).

I also predicted that by now we would be flying everywhere with personal jet packs, and carrying clever autofloss machines to strip the bugs out of our teeth in thirty seconds flat after landing. Back in 1980, I predicted that by now John Belushi would be president, but I don't count this one a complete miss, because Al Franken is a United States Senator, which I admit surprises me considering that Mr. Franken isn't nearly funny enough to hold high office.

When I finished the third Frankenstein novel, Dead and Alive, I foresaw that it was the end of the series. As it turns out, I was as right about this as I was about my prediction that the annual Academy Awards TV special would be hosted five years running by Muammar Gaddafi.

My original trilogy brought to an end a story cycle, but the themes of Shelley's novel are more timely by the month. I realized that I could do much more with the concept than I had done thus far. Furthermore, an entirely new kind of technology of creature-creation occurred to me, and it was a lot more terrifying than the messy-gooey, strictly biological New Race that Victor developed in the first trilogy. By moving the setting from New Orleans to Rainbow Falls, Montana, I was able, as well, to change the atmosphere and to have fun with Armageddon occurring in snow-and-cowboy country.

As always, if readers hadn't been so enthusiastic about these books, I wouldn't have been able to proceed with the series. I appreciate your support more than I can say. I've received a lot of mail from readers who said they didn't read these novels for the longest time because the whole Frankenstein thing turned them off, but when they finally tried them, they discovered these weren't at all like what they expected, and they loved them. I always try not to give you the same old same old. Lost Souls has the flavor of my first three Frankenstein titles, but otherwise it does not clump over familiar territory. This time, Victor is much scarier and smarter than his predecessor, and his war against humanity is a blitzkrieg that comes on like a storm.

Lost Souls, like the books after it, is self-contained even though it is a part of a larger narrative. You can plunge into it and, if you like it, then go back to Prodigal Son, City of Night, and Dead and Alive if you wish. I am currently working on The Dead Town, recounting the next phase of the war against humanity, and I suppose it might sound a little strange to say I'm having a good time chronicling our doom.

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