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Louis I Kahn

Robert McCarter

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ISBN 10: 0714849715 / ISBN 13: 9780714849713
Editore: Phaidon Verlag Gmbh Feb 2009, 2009
Nuovi Condizione: Neu Brossura
Da Rhein-Team Lörrach Ivano Narducci e.K. (Lörrach, Germania)

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Neuware - Louis I Kahn (1901-74) is one of the most influential architects of the mid-20th century, whose work marked a significant move away from International Modernism towards a monumental and expressive style / Now available in paperback, this in-depth and scholarly monograph provides the definitive account of the life and works of Louis I Kahn / Includes major buildings such as the Kimbell Art Museum, the Yale Art Gallery and the Salk Institute, as well as the National Assembly Building, Dhaka, Bangladesh / Fully illustrated with photographs that convey the spirit and spatial qualities of Kahn's buildings, as well as concept development portfolios with drawings and plans that reveal the inspiration and development behind each project / Contains a new comprehensive list of projects compiled by William Whitaker of the Louis I Kahn Collection at the University of Pennsylvania Archives, listing over 231 projects, at least 30 previously unattributed 412 pp. Englisch. Codice inventario libreria 9780714849713

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Titolo: Louis I Kahn

Casa editrice: Phaidon Verlag Gmbh Feb 2009

Data di pubblicazione: 2009

Legatura: Taschenbuch

Condizione libro:Neu

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An in-depth and scholarly monograph on the mid-20th century architect.


The considerable beauty of Robert McCarter's book about Louis Kahn, one of the titans of modern archtitecture, is akin to a Kahn building: squarish, monumental, monkish yet passionate and cunningly designed. The layout is exemplary, the straightforward chronological account of Kahn's career interspersed with conceptual histories of each of his important buildings, from the Yale Art Gallery to the Salk Institute to the National Capital of Bangladesh. The light splashes off the bright, thick pages in a way that would delight the master, and he would approve the clarity of the text and illustrations. Though the ample passages of Kahn's own prose are more poetical than McCarter's, in his soberly scholarly way, he's intellectually lively too, alert to Kahn's influences, from Frank Lloyd Wright to Buckminster Fuller, Barnett Newman to Noguchi. Fascinatingly, he traces the conceptual development of each major project--Kahn's masterpiece, La Jolla's Salk Institute, derives from the Acropolis plinth, Diocletian's palace, Hadrian's villa, the Alhambra, medieval monasteries, Renaissance churches, and Piranesi's plan to rebuild the ancient Roman Campus Martius (which also inspired the Bangladesh masterpiece). With exhilarated admiration, McCarter explains how Kahn coated the Salk project's concrete forms with polyurethane for perfect smoothness, added travertine stone and pozzuolana in the old Roman fashion to fashion textures and warm the tones, and fulfilled the master's ambition to fufill the material's potential: "Concrete really wants to be granite, but it can't manage." Wonderfully, McCarter provides computer renditions of masterpieces Kahn never created, including the stunning Hurva Synagogue in Jerusalem, which was to echo Wright's Johnson Wax Building. He gives a sense of Kahn the man, in his lifelong lover's quarrel with Wright and his hatred of the automobile. For a still deeper portrait, see Kahn's son's brilliant documentary My Architect. No serious student of modern architecture can afford to be without this landmark book, a great teaching tool about one of the great teachers of the 20th century. --Tim Appelo

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