ISBN 10: 0870708902 / ISBN 13: 9780870708909
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This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Summary: Now regarded as one of the postwar era's most important artists, Lygia Clark produced a generative body of abstract painting in the 1950s, reinvented sculpture with her participatory objects of the '60s, and later devised an altogether unique mode of ritualistic, collective quasi therapy. Codice inventario libreria

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Riassunto: Published in conjunction with a major retrospective of the work of Brazilian painter, sculptor and performance artist Lygia Clark, this publication presents a linear and progressive survey of the artist’s groundbreaking practice. Having trained with modern masters from the late 1940s to the mid-1950s, Clark was at the forefront of Constructivist and Neo-Concretist movements in Brazil and fostered the active participation of the spectator through her works. Examining Clark’s output from her early abstract compositions to the "biological architectures" and "relational objects" she created late in her career, this is the most comprehensive volume on the artist available in English. Three sections based on key phases throughout her career--Abstraction, Neo-Concretism and The Abandonment of Art--examine these critical moments in Clark’s production, anchor significant concepts or constellations of works that mark a definitive step in her work, and shed light on circumstances in her life as an artist. Featuring a significant selection of previously unpublished archival texts of Clark’s personal writings, it is a vital source of primary documentation for twentieth-century art history scholarship.
Lygia Clark (1920–1988) trained in Rio de Janeiro and Paris from the late 1940s to the mid-1950s. From the late 1960s through the 1970s she created a series of unconventional artworks in parallel to a lengthy psychoanalytic therapy, leading her to develop a series of therapeutic propositions grounded in art. Clark has become a major reference for contemporary artists dealing with the limits of conventional forms of art.

About the Author:

Cornelia Butler is Chief Curator at the Hammer Museum in Los Angeles.

Luis Perez-Oramas is the Estrellita Brodsky Curator of Latin American Art for the Department of Drawings and Prints at The Museum of Modern Art.

Sergio Bessa is the director of curatorial and education programs at the Bronx Museum, and a teacher of Museum Education at Columbia University.

Eleonora Fabiao is a performer/performance theorist and Associate Professor at the Federal University of Rio de Janeiro.

Briony Fer is a British art historian, curator and Professor of History of Art at University College London.

Geaninne Gutiérrez-Guimarães has curated for the Museum of Modern Art and the Bertha and Karl Leubsdorf Art Gallery.

Andre Lepecki is Associate Professor at the Department of Performance Studies at Tisch School of the Arts at New York University. He is a writer and curator working mainly on performance studies, choreography and dramaturgy.

Zeuler Lima is an architect and associate professor of history, theory and design at the School of Design and Visual Arts at Washington University in St. Louis.

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Cornelia H. Butler, Luis Pérez-Oramas
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Descrizione libro The Museum of Modern Art 2014-06-02, New York, 2014. hardback. Condizione libro: New. Codice libro della libreria 9780870708909

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Descrizione libro The Museum of Modern Art, New York 2014-06-02, 2014. Condizione libro: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Codice libro della libreria NU-GRD-05107084

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Artist) Lygia Clark, Cornelia H. Butler, Luis Perez-Oramas
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Descrizione libro The Museum of Modern Art, New York, 2014. Oversized Hardcover. Condizione libro: New. Codice libro della libreria 2553161

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Descrizione libro Museum of Modern Art, 2014. HRD. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria GB-9780870708909

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Descrizione libro MUSEUM OF MODERN ART, United States, 2014. Hardback. Condizione libro: New. Language: English . Brand New Book. Published in conjunction with a major monographic retrospective of the work of Brazilian painter, sculptor and performance artist Lygia Clark, this publication presents a linear and progressive survey of the artist s groundbreaking practice. Having trained with modern masters from the late 1940s to mid-1950s, Clark was at the forefront of Constructivist and Neo-Concretist movements in Brazil and fostered the active participation of the spectator through her works. Examining Clarks output from her early abstract compositions to the biological architectures and relational objects she created late in her career, this is the most comprehensive volume on the artist available in English. Three sections based on key phases throughout her career Abstraction, Neo-Concretism and The Abandonment of Art examine these critical moments in Clarks production, anchor significant concepts or constellations of works that mark a definitive step in her work, and shed light on groundbreaking sets of circumstances in her life as an artist.Each section is accompanied by a selection of works by other artists that provide context for understanding the circumstances that shaped her artistic investigations, as well works by a younger generation of Brazilian artists that reflect Clarks own landmark influence. Featuring a significant selection of previously unpublished archival texts of Clarks personal writings, it is a vital source of primary documentation for twentieth-century art history scholarship. Codice libro della libreria AA29780870708909

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Cornelia H. Butler, Luis Perez-Oramas
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ISBN 10: 0870708902 ISBN 13: 9780870708909
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Descrizione libro MUSEUM OF MODERN ART, United States, 2014. Hardback. Condizione libro: New. Language: English . Brand New Book. Published in conjunction with a major monographic retrospective of the work of Brazilian painter, sculptor and performance artist Lygia Clark, this publication presents a linear and progressive survey of the artist s groundbreaking practice. Having trained with modern masters from the late 1940s to mid-1950s, Clark was at the forefront of Constructivist and Neo-Concretist movements in Brazil and fostered the active participation of the spectator through her works. Examining Clarks output from her early abstract compositions to the biological architectures and relational objects she created late in her career, this is the most comprehensive volume on the artist available in English. Three sections based on key phases throughout her career Abstraction, Neo-Concretism and The Abandonment of Art examine these critical moments in Clarks production, anchor significant concepts or constellations of works that mark a definitive step in her work, and shed light on groundbreaking sets of circumstances in her life as an artist. Each section is accompanied by a selection of works by other artists that provide context for understanding the circumstances that shaped her artistic investigations, as well works by a younger generation of Brazilian artists that reflect Clarks own landmark influence. Featuring a significant selection of previously unpublished archival texts of Clarks personal writings, it is a vital source of primary documentation for twentieth-century art history scholarship. Codice libro della libreria AA29780870708909

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Cornelia H. Butler; Luis Pérez-Oramas
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