ISBN 10: 0199767661 / ISBN 13: 9780199767663
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Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: We'll Meet Again illuminates music's central role in the design and reception of Stanley Kubrick's films. It brings together archival evidence and close analysis to trace the ways music serves as starting point and inspiration throughout Kubrick's working process. Codice inventario libreria

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Riassunto: Unique and often startling encounters between music and the moving image in the films of Stanley Kubrick are trademarks of his style; witness the powerful effects of Strauss's "Also Sprach Zarathustra" in 2001: A Space Odyssey and of Beethoven's 9th Symphony in A Clockwork Orange, each excerpt vetted by Kubrick himself. We'll Meet Again argues that, for Kubrick, music is neither post-production afterthought nor background nor incidental, but instead is core to films' effects and meanings. The book first identifies the building blocks in Kubrick's sonic world and illuminates the ways in which Kubrick uses them to support his characters and to define character relationships. It then delves into the effects of Kubrick's signature musical techniques, including the use of texture, form, and inscription to render and reinforce psychological ideas and spectator responses. Finally it presents case studies that show how the history of the music plays a vital and dynamic role for the films. As a whole, the book locates Kubrick as a force in music reception history by examining the relationship between his musical choices and popular culture, and reveals the foundational role of music in his filmmaking.

About the Author:
Kate McQuiston is Associate Professor of Musicology at the University of Hawai'i at Manoa.

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Descrizione libro Oxford University Press, Usa, 2013. Condizione libro: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. With usual stamps and markings, In good all round condition. , 450grams, ISBN:9780199767663. Codice libro della libreria 6827484

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Descrizione libro Oxford University Press Inc, United States, 2013. Paperback. Condizione libro: New. Language: English . Brand New Book. Famous for his painstaking attention to detail and for the craftsmanship and artistry he brought to his work, filmmaker Stanley Kubrick is by now long established as both the subject of an entire sub-field of scholarly inquiry, and as the object of all levels of cinema studies pedagogy. His oeuvre, developed over nearly 50 years, traverses an immensely broad variety of film genres and subjects and has long been studied and understood in terms of its narrative, thematic, and striking visual elements. However, unique and often startling encounters between music and the moving image are central trademarks of Kubrick s style; witness the powerful effects of Strauss s Also Sprach Zarathustra in 2001: A Space Odyssey and of Beethoven s 9th Symphony in A Clockwork Orange, each excerpt hand-picked by Kubrick himself. We ll Meet Again argues that some of the most compelling and understudied aspects of Stanley Kubrick s films are musically conceived. Author Kate McQuiston illustrates that, for Kubrick, music is neither post-production afterthought nor background nor incidental, but rather core to films themes and meanings.The book is divided into three sections, the first of which identifies the building blocks in Kubrick s sonic world and illuminates the ways in which Kubrick uses them to substantiate his characters and to define character relationships. The second section delves into the effects of Kubrick s signature musical techniques, including the use of texture, recurrence, and inscription to render and reinforce psychological ideas and particular spectator responses. The third and final section presents case studies in which the history of the music Kubrick chooses plays a vital and dynamic role. Throughout the author s arguments, the book locates Kubrick as a force in music reception history by examining the relationship between his musical choices and popular culture. Codice libro della libreria AOP9780199767663

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Descrizione libro OUP USA 2013-10-31, New York, 2013. paperback. Condizione libro: New. Codice libro della libreria 9780199767663

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Descrizione libro OUP USA, 2013. PAP. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria FU-9780199767663

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Descrizione libro Condizione libro: good. Used products do not contain supplements and some products may include highlighting and writing. Codice libro della libreria 19778077-5

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Descrizione libro Oxford University Press Inc. Paperback. Condizione libro: new. BRAND NEW, We'll Meet Again: Musical Design in the Films of Stanley Kubrick, Kate McQuiston, Famous for his painstaking attention to detail and for the craftsmanship and artistry he brought to his work, filmmaker Stanley Kubrick is by now long established as both the subject of an entire sub-field of scholarly inquiry, and as the object of all levels of cinema studies pedagogy. His oeuvre, developed over nearly 50 years, traverses an immensely broad variety of film genres and subjects and has long been studied and understood in terms of its narrative, thematic, and striking visual elements. However, unique and often startling encounters between music and the moving image are central trademarks of Kubrick's style; witness the powerful effects of Strauss's "Also Sprach Zarathustra" in 2001: A Space Odyssey and of Beethoven's 9th Symphony in A Clockwork Orange, each excerpt hand-picked by Kubrick himself. We'll Meet Again argues that some of the most compelling and understudied aspects of Stanley Kubrick's films are musically conceived. Author Kate McQuiston illustrates that, for Kubrick, music is neither post-production afterthought nor background nor incidental, but rather core to films' themes and meanings. The book is divided into three sections, the first of which identifies the building blocks in Kubrick's sonic world and illuminates the ways in which Kubrick uses them to substantiate his characters and to define character relationships. The second section delves into the effects of Kubrick's signature musical techniques, including the use of texture, recurrence, and inscription to render and reinforce psychological ideas and particular spectator responses. The third and final section presents case studies in which the history of the music Kubrick chooses plays a vital and dynamic role. Throughout the author's arguments, the book locates Kubrick as a force in music reception history by examining the relationship between his musical choices and popular culture. Codice libro della libreria B9780199767663

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Descrizione libro Oxford University Press Inc, United States, 2013. Paperback. Condizione libro: New. Language: English . Brand New Book. Famous for his painstaking attention to detail and for the craftsmanship and artistry he brought to his work, filmmaker Stanley Kubrick is by now long established as both the subject of an entire sub-field of scholarly inquiry, and as the object of all levels of cinema studies pedagogy. His oeuvre, developed over nearly 50 years, traverses an immensely broad variety of film genres and subjects and has long been studied and understood in terms of its narrative, thematic, and striking visual elements. However, unique and often startling encounters between music and the moving image are central trademarks of Kubrick s style; witness the powerful effects of Strauss s Also Sprach Zarathustra in 2001: A Space Odyssey and of Beethoven s 9th Symphony in A Clockwork Orange, each excerpt hand-picked by Kubrick himself. We ll Meet Again argues that some of the most compelling and understudied aspects of Stanley Kubrick s films are musically conceived. Author Kate McQuiston illustrates that, for Kubrick, music is neither post-production afterthought nor background nor incidental, but rather core to films themes and meanings. The book is divided into three sections, the first of which identifies the building blocks in Kubrick s sonic world and illuminates the ways in which Kubrick uses them to substantiate his characters and to define character relationships. The second section delves into the effects of Kubrick s signature musical techniques, including the use of texture, recurrence, and inscription to render and reinforce psychological ideas and particular spectator responses. The third and final section presents case studies in which the history of the music Kubrick chooses plays a vital and dynamic role. Throughout the author s arguments, the book locates Kubrick as a force in music reception history by examining the relationship between his musical choices and popular culture. Codice libro della libreria AOP9780199767663

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Descrizione libro 2013. PAP. Condizione libro: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Codice libro della libreria VU-9780199767663

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