Mimesis, Masochism and Mime

Timothy Murray

Editore: The University of Michigan Press, 1997
ISBN 10: 0472066358 / ISBN 13: 9780472066353
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Riassunto: In the first collection of its kind, Timothy Murray brings together writing by leading French thinkers on the political effects of theatricality on theater, film, literature, philosophy, and psychoanalysis. In addition to recently translated work by Cixous and Deleuze, the collection features English translations of essays by Althusser, Derrida, Durand, Fanon, Féral, Foucault, Girard, Green, Irigaray, Kristeva, Lacoue-Labarthe, Lyotard, and Marin.
 Mimesis, Masochism, & Mime provides a welcome theoretical contribution to recent theories of performance and to the development of French cultural studies. Its emphasis on the politics of theatricality lends unprecedented focus to French theorizations of the body, gender, sight, screen, voice, territoriality, otherness, and diversity. In so doing, the volume provides an intellectual context and theoretical blueprint for future work in the cultural study of mimesis, masochism, and mime. The collection highlights the importance of theatricality to the theory and practice of aesthetics as well as to French debates over patriarchy, absolutism, and metaphysics. In turn, wide-ranging analyses provide a range of approaches to the politics of identity, feminism, marginality, and postcoloniality. Timothy Murray's introduction makes clear the theoretical context of the volume, and situates the book in relation to recent Anglo-American debates over realism, multiculturalism, and identity politics.
 The contributors are especially helpful in linking varying political accounts of ideology, philosophy, and psychoanalysis to historical and contemporary work in performance, film, and video. Astute commentaries on Sophocles, Shakespeare, and Artaud are combined with fascinating analyses of more recent mixed-media performance, from the European stage (Duras, Théâtre du Soleil, Bene, and Strehler), to the site of North American performance (Snow, Mabou Mines, Wilson, and Rainer).
Mimesis, Masochism, & Mime provides a stunning account of the political importance of theatricality to contemporary French thought and will be welcomed by readers in French studies, theory, theater, cultural studies, film, women's studies, aesthetics, and psychoanalysis.
 "The essays . . .are judiciously chosen, accurately justified, wide in range within the dispensation of post-structuralist thought--that is, they touch on everything from the question of origins to the libidinal economy of performance to post- Brechtian staging to the ineliminable shadow play of tragedy through its ideological demystification by schizoanalysis to feminism in the theater." --Herbert Blau, University of Wisconsin, Milwaukee
 Timothy Murray is Professor of English at Cornell University and former Editor of Theatre Journal. He is the author of Theatrical Legitimation: Allegories of Genius in Seventeenth-Century England and France and Like a Film: Ideological Fantasy on Screen, Camera, and Canvas.

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Titolo: Mimesis, Masochism and Mime
Casa editrice: The University of Michigan Press
Data di pubblicazione: 1997
Legatura: Paperback
Condizione libro: New

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Descrizione libro University of Michigan Press. PAPERBACK. Condizione: Fair. 0472066358 Item in acceptable condition including possible liquid damage. As well, answers may be filled in. Lastly, may be missing components, e.g. missing DVDs, CDs, Access Code, etc. Codice articolo Z0472066358Z4

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Descrizione libro University of Michigan Press. PAPERBACK. Condizione: Fine. 0472066358 2000. Glossy, illustrated paper covers; light shelf wear; 8vo, 7 3/4" - 9 3/4" Tall; Interior clean and unmarked; 320 pages. Codice articolo SKU1107201

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Descrizione libro Univ Michigan Press. Condizione: BRAND NEW. BRAND NEW Softcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Codice articolo 2260452

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Descrizione libro University of Michigan Press, 1997. Paperback. Condizione: Used: Good. Codice articolo SONG0472066358

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Descrizione libro The University of Michigan Press. Paperback. Condizione: New. New copy - Usually dispatched within 2 working days. Codice articolo B9780472066353

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Descrizione libro The University of Michigan Press, United States, 1997. Paperback. Condizione: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. In the first collection of its kind, Timothy Murray brings together writing by leading French thinkers on the political effects of theatricality on theater, film, literature, philosophy, and psychoanalysis. In addition to recently translated work by Cixous and Deleuze, the collection features English translations of essays by Althusser, Derrida, Durand, Fanon, Feral, Foucault, Girard, Green, Irigaray, Kristeva, Lacoue-Labarthe, Lyotard, and Marin. Mimesis, Masochism, Mime provides a welcome theoretical contribution to recent theories of performance and to the development of French cultural studies. Its emphasis on the politics of theatricality lends unprecedented focus to French theorizations of the body, gender, sight, screen, voice, territoriality, otherness, and diversity. In so doing, the volume provides an intellectual context and theoretical blueprint for future work in the cultural study of mimesis, masochism, and mime. The collection highlights the importance of theatricality to the theory and practice of aesthetics as well as to French debates over patriarchy, absolutism, and metaphysics. In turn, wide-ranging analyses provide a range of approaches to the politics of identity, feminism, marginality, and postcoloniality. Timothy Murray s introduction makes clear the theoretical context of the volume, and situates the book in relation to recent Anglo-American debates over realism, multiculturalism, and identity politics. The contributors are especially helpful in linking varying political accounts of ideology, philosophy, and psychoanalysis to historical and contemporary work in performance, film, and video. Astute commentaries on Sophocles, Shakespeare, and Artaud are combined with fascinating analyses of more recent mixed-media performance, from the European stage (Duras, Theatre du Soleil, Bene, and Strehler), to the site of North American performance (Snow, Mabou Mines, Wilson, and Rainer). Mimesis, Masochism, Mime provides a stunning account of the political importance of theatricality to contemporary French thought and will be welcomed by readers in French studies, theory, theater, cultural studies, film, women s studies, aesthetics, and psychoanalysis. The essays . . .are judiciously chosen, accurately justified, wide in range within the dispensation of post-structuralist thought--that is, they touch on everything from the question of origins to the libidinal economy of performance to post- Brechtian staging to the ineliminable shadow play of tragedy through its ideological demystification by schizoanalysis to feminism in the theater. --Herbert Blau, University of Wisconsin, Milwaukee Timothy Murray is Professor of English at Cornell University and former Editor of Theatre Journal. He is the author of Theatrical Legitimation: Allegories of Genius in Seventeenth-Century England and France and Like a Film: Ideological Fantasy on Screen, Camera, and Canvas. Codice articolo BTE9780472066353

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Timothy Murray
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Descrizione libro The University of Michigan Press, United States, 1997. Paperback. Condizione: New. Language: English . Brand New Book. In the first collection of its kind, Timothy Murray brings together writing by leading French thinkers on the political effects of theatricality on theater, film, literature, philosophy, and psychoanalysis. In addition to recently translated work by Cixous and Deleuze, the collection features English translations of essays by Althusser, Derrida, Durand, Fanon, Feral, Foucault, Girard, Green, Irigaray, Kristeva, Lacoue-Labarthe, Lyotard, and Marin. Mimesis, Masochism, Mime provides a welcome theoretical contribution to recent theories of performance and to the development of French cultural studies. Its emphasis on the politics of theatricality lends unprecedented focus to French theorizations of the body, gender, sight, screen, voice, territoriality, otherness, and diversity. In so doing, the volume provides an intellectual context and theoretical blueprint for future work in the cultural study of mimesis, masochism, and mime. The collection highlights the importance of theatricality to the theory and practice of aesthetics as well as to French debates over patriarchy, absolutism, and metaphysics. In turn, wide-ranging analyses provide a range of approaches to the politics of identity, feminism, marginality, and postcoloniality. Timothy Murray s introduction makes clear the theoretical context of the volume, and situates the book in relation to recent Anglo-American debates over realism, multiculturalism, and identity politics. The contributors are especially helpful in linking varying political accounts of ideology, philosophy, and psychoanalysis to historical and contemporary work in performance, film, and video. Astute commentaries on Sophocles, Shakespeare, and Artaud are combined with fascinating analyses of more recent mixed-media performance, from the European stage (Duras, Theatre du Soleil, Bene, and Strehler), to the site of North American performance (Snow, Mabou Mines, Wilson, and Rainer). Mimesis, Masochism, Mime provides a stunning account of the political importance of theatricality to contemporary French thought and will be welcomed by readers in French studies, theory, theater, cultural studies, film, women s studies, aesthetics, and psychoanalysis. The essays . . .are judiciously chosen, accurately justified, wide in range within the dispensation of post-structuralist thought--that is, they touch on everything from the question of origins to the libidinal economy of performance to post- Brechtian staging to the ineliminable shadow play of tragedy through its ideological demystification by schizoanalysis to feminism in the theater. --Herbert Blau, University of Wisconsin, Milwaukee Timothy Murray is Professor of English at Cornell University and former Editor of Theatre Journal. He is the author of Theatrical Legitimation: Allegories of Genius in Seventeenth-Century England and France and Like a Film: Ideological Fantasy on Screen, Camera, and Canvas. Codice articolo AAN9780472066353

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Timothy Murray
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Descrizione libro The University of Michigan Press, United States, 1997. Paperback. Condizione: New. Language: English . Brand New Book. In the first collection of its kind, Timothy Murray brings together writing by leading French thinkers on the political effects of theatricality on theater, film, literature, philosophy, and psychoanalysis. In addition to recently translated work by Cixous and Deleuze, the collection features English translations of essays by Althusser, Derrida, Durand, Fanon, Feral, Foucault, Girard, Green, Irigaray, Kristeva, Lacoue-Labarthe, Lyotard, and Marin. Mimesis, Masochism, Mime provides a welcome theoretical contribution to recent theories of performance and to the development of French cultural studies. Its emphasis on the politics of theatricality lends unprecedented focus to French theorizations of the body, gender, sight, screen, voice, territoriality, otherness, and diversity. In so doing, the volume provides an intellectual context and theoretical blueprint for future work in the cultural study of mimesis, masochism, and mime. The collection highlights the importance of theatricality to the theory and practice of aesthetics as well as to French debates over patriarchy, absolutism, and metaphysics. In turn, wide-ranging analyses provide a range of approaches to the politics of identity, feminism, marginality, and postcoloniality. Timothy Murray s introduction makes clear the theoretical context of the volume, and situates the book in relation to recent Anglo-American debates over realism, multiculturalism, and identity politics. The contributors are especially helpful in linking varying political accounts of ideology, philosophy, and psychoanalysis to historical and contemporary work in performance, film, and video. Astute commentaries on Sophocles, Shakespeare, and Artaud are combined with fascinating analyses of more recent mixed-media performance, from the European stage (Duras, Theatre du Soleil, Bene, and Strehler), to the site of North American performance (Snow, Mabou Mines, Wilson, and Rainer). Mimesis, Masochism, Mime provides a stunning account of the political importance of theatricality to contemporary French thought and will be welcomed by readers in French studies, theory, theater, cultural studies, film, women s studies, aesthetics, and psychoanalysis. The essays . . .are judiciously chosen, accurately justified, wide in range within the dispensation of post-structuralist thought--that is, they touch on everything from the question of origins to the libidinal economy of performance to post- Brechtian staging to the ineliminable shadow play of tragedy through its ideological demystification by schizoanalysis to feminism in the theater. --Herbert Blau, University of Wisconsin, Milwaukee Timothy Murray is Professor of English at Cornell University and former Editor of Theatre Journal. He is the author of Theatrical Legitimation: Allegories of Genius in Seventeenth-Century England and France and Like a Film: Ideological Fantasy on Screen, Camera, and Canvas. Codice articolo AAN9780472066353

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Descrizione libro The University of Michigan Press, 1997. PAP. Condizione: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice articolo CE-9780472066353

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