ISBN 10: 0691124760 / ISBN 13: 9780691124766
Usato / Quantità: 0
Copie del libro da altre librerie
Mostra tutte le  copie di questo libro

Libro

Purtroppo questa copia non è più disponibile. Di seguito ti proponiamo una lista di copie simili.

Descrizione:

This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Summary: Introduction by Jeffrey F. Hamburger The Place of Theology in Medieval Art History: Problems, Positions, Possibilities by Jeffrey F. Hamburger Anthropology and the Use of Religious Images in the Opus Caroli Regis (Libri Carolini) by Karl F. Morrison Replica: Images of Identity and the Identity of Images in Prescholastic France by Brigitte Miriam Bedos-Rezak Is There a Theology of the Gothic Cathedral? A Re-reading of Abbot Suger's Writings on the Abbey Church of St.-Denis by Andreas Speer Christ and the Vision of God: The Biblical Diagrams of the Codex Amiatinus by Celia Chazelle Raban Maur, Bernard de Clairvaux, Bonaventure: expression de l'espace et topographie spirituelle dans les images mdivales by Christian Heck Typology and Its Uses in the Moralized Bible by Christopher Hughes L'Exception corporelle: propos de l'Assomption de Marie by Jean-Claude Schmitt Theologians as Trinitarian Iconographers by Bernard McGinn Seeing and Seeing Beyond: The Mass of St. Gregory in the Fifteenth Century by Caroline Walker Bynum Porous Subject Matter and Christ's Haunted Infancy by Alfred Acres Love's Arrows: Christ as Cupid in Late Medieval Art and Devotion by Barbara Newman Moving Images in the Mind's Eye by Marty Carruthers Vox Imaginis: Anomaly and Enigma in Romanesque Art by Anne-Marie Bouch Seeing as Action and Passion in the Thirteenth and Fourteenth Centuries by Katherine H. Tachau "As far as the eye can see. . .": Rituals of Gazing in the Late Middle Ages by Thomas Lentes The Medieval Work of Art: Wherein the "Work"? Wherein the "Art"? by Jeffrey F. Hamburger Turning a Blind Eye: Medieval Art and the Dynamics of Contemplation by Herbert L. Kessler. Codice inventario libreria

Su questo libro:

Book ratings provided by Goodreads):
5 valutazione media
(3 valutazioni)

Riassunto:


The Mind's Eye focuses on the relationships among art, theology, exegesis, and literature--issues long central to the study of medieval art, yet ripe for reconsideration. Essays by leading scholars from many fields examine the illustration of theological commentaries, the use of images to expound or disseminate doctrine, the role of images within theological discourse, the development of doctrine in response to images, and the place of vision and the visual in theological thought.


At issue are the ways in which theologians responded to the images that we call art and in which images entered into dialogue with theological discourse. In what ways could medieval art be construed as argumentative in structure as well as in function? Are any of the modes of representation in medieval art analogous to those found in texts? In what ways did images function as vehicles, not merely vessels, of meaning and signification? To what extent can exegesis and other genres of theological discourse shed light on the form, as well as the content and function, of medieval images? These are only some of the challenging questions posed by this unprecedented and interdisciplinary collection, which provides a historical framework within which to reconsider the relationship between seeing and thinking, perception and the imagination in the Middle Ages.

From the Inside Flap:

"The Mind's Eye represents the most significant collection of essays on medieval art that has been assembled in recent memory, and its implications for the understanding of medieval art and society will be felt for a long time to come. Rarely does a group of conference proceedings demonstrate such a uniformly high quality of intellectual accomplishment, and credit is due not only to the contributors themselves, but also to the editors for bringing together such an important group of scholars in the first place. Indeed, the volume demonstrates, among other things, the inadequacy of modern disciplinary boundaries in addressing medieval history in general and medieval art in particular; this is a model of what interdisciplinarity should be."--Adam Cohen, University of Toronto

Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.

Dati bibliografici

Condizione libro: Used

I migliori risultati di ricerca su AbeBooks

1.

Jeffrey F. Hamburger
Editore: Princeton University Press (2005)
ISBN 10: 0691124760 ISBN 13: 9780691124766
Nuovi Quantità: 3
Da
Books2Anywhere
(Fairford, GLOS, Regno Unito)
Valutazione libreria
[?]

Descrizione libro Princeton University Press, 2005. PAP. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria WP-9780691124766

Maggiori informazioni su questa libreria | Fare una domanda alla libreria

Compra nuovo
EUR 35,37
Convertire valuta

Aggiungere al carrello

Spese di spedizione: EUR 10,07
Da: Regno Unito a: U.S.A.
Destinazione, tempi e costi

2.

Editore: Princeton University Press, United States (2005)
ISBN 10: 0691124760 ISBN 13: 9780691124766
Nuovi Paperback Quantità: 1
Da
The Book Depository
(London, Regno Unito)
Valutazione libreria
[?]

Descrizione libro Princeton University Press, United States, 2005. Paperback. Condizione libro: New. Language: French,English . Brand New Book. The Mind s Eye focuses on the relationships among art, theology, exegesis, and literature--issues long central to the study of medieval art, yet ripe for reconsideration. Essays by leading scholars from many fields examine the illustration of theological commentaries, the use of images to expound or disseminate doctrine, the role of images within theological discourse, the development of doctrine in response to images, and the place of vision and the visual in theological thought. At issue are the ways in which theologians responded to the images that we call art and in which images entered into dialogue with theological discourse. In what ways could medieval art be construed as argumentative in structure as well as in function? Are any of the modes of representation in medieval art analogous to those found in texts? In what ways did images function as vehicles, not merely vessels, of meaning and signification? To what extent can exegesis and other genres of theological discourse shed light on the form, as well as the content and function, of medieval images?These are only some of the challenging questions posed by this unprecedented and interdisciplinary collection, which provides a historical framework within which to reconsider the relationship between seeing and thinking, perception and the imagination in the Middle Ages. Codice libro della libreria AAH9780691124766

Maggiori informazioni su questa libreria | Fare una domanda alla libreria

Compra nuovo
EUR 45,84
Convertire valuta

Aggiungere al carrello

Spese di spedizione: GRATIS
Da: Regno Unito a: U.S.A.
Destinazione, tempi e costi

3.

Editore: Princeton University Press, United States (2005)
ISBN 10: 0691124760 ISBN 13: 9780691124766
Nuovi Paperback Quantità: 1
Da
The Book Depository US
(London, Regno Unito)
Valutazione libreria
[?]

Descrizione libro Princeton University Press, United States, 2005. Paperback. Condizione libro: New. Language: French,English . Brand New Book. The Mind s Eye focuses on the relationships among art, theology, exegesis, and literature--issues long central to the study of medieval art, yet ripe for reconsideration. Essays by leading scholars from many fields examine the illustration of theological commentaries, the use of images to expound or disseminate doctrine, the role of images within theological discourse, the development of doctrine in response to images, and the place of vision and the visual in theological thought. At issue are the ways in which theologians responded to the images that we call art and in which images entered into dialogue with theological discourse. In what ways could medieval art be construed as argumentative in structure as well as in function? Are any of the modes of representation in medieval art analogous to those found in texts? In what ways did images function as vehicles, not merely vessels, of meaning and signification? To what extent can exegesis and other genres of theological discourse shed light on the form, as well as the content and function, of medieval images? These are only some of the challenging questions posed by this unprecedented and interdisciplinary collection, which provides a historical framework within which to reconsider the relationship between seeing and thinking, perception and the imagination in the Middle Ages. Codice libro della libreria AAH9780691124766

Maggiori informazioni su questa libreria | Fare una domanda alla libreria

Compra nuovo
EUR 46,67
Convertire valuta

Aggiungere al carrello

Spese di spedizione: GRATIS
Da: Regno Unito a: U.S.A.
Destinazione, tempi e costi

4.

Jeffrey F. Hamburger
Editore: Princeton University Press (2005)
ISBN 10: 0691124760 ISBN 13: 9780691124766
Nuovi Quantità: > 20
Print on Demand
Da
Pbshop
(Wood Dale, IL, U.S.A.)
Valutazione libreria
[?]

Descrizione libro Princeton University Press, 2005. PAP. Condizione libro: New. New Book.Shipped from US within 10 to 14 business days.THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Codice libro della libreria IP-9780691124766

Maggiori informazioni su questa libreria | Fare una domanda alla libreria

Compra nuovo
EUR 44,32
Convertire valuta

Aggiungere al carrello

Spese di spedizione: EUR 3,43
In U.S.A.
Destinazione, tempi e costi

5.

Jeffrey F. Hamburger
Editore: Princeton University Press (2005)
ISBN 10: 0691124760 ISBN 13: 9780691124766
Nuovi Quantità: > 20
Print on Demand
Da
Books2Anywhere
(Fairford, GLOS, Regno Unito)
Valutazione libreria
[?]

Descrizione libro Princeton University Press, 2005. PAP. Condizione libro: New. New Book. Delivered from our US warehouse in 10 to 14 business days. THIS BOOK IS PRINTED ON DEMAND.Established seller since 2000. Codice libro della libreria IP-9780691124766

Maggiori informazioni su questa libreria | Fare una domanda alla libreria

Compra nuovo
EUR 46,35
Convertire valuta

Aggiungere al carrello

Spese di spedizione: EUR 10,07
Da: Regno Unito a: U.S.A.
Destinazione, tempi e costi

6.

Jeffrey F. Hamburger (Editor), Anne-Marie Bouché (Editor)
Editore: Princeton University Press (2005)
ISBN 10: 0691124760 ISBN 13: 9780691124766
Nuovi Paperback Quantità: 1
Da
Ergodebooks
(RICHMOND, TX, U.S.A.)
Valutazione libreria
[?]

Descrizione libro Princeton University Press, 2005. Paperback. Condizione libro: New. Codice libro della libreria DADAX0691124760

Maggiori informazioni su questa libreria | Fare una domanda alla libreria

Compra nuovo
EUR 50,45
Convertire valuta

Aggiungere al carrello

Spese di spedizione: EUR 3,43
In U.S.A.
Destinazione, tempi e costi

7.

Hamburger, Jeffrey F./ Bouche, Anne-marie (Editor)
Editore: Princeton Univ Pr (2005)
ISBN 10: 0691124760 ISBN 13: 9780691124766
Nuovi Paperback Quantità: 2
Da
Revaluation Books
(Exeter, Regno Unito)
Valutazione libreria
[?]

Descrizione libro Princeton Univ Pr, 2005. Paperback. Condizione libro: Brand New. 464 pages. 10.50x8.25x1.25 inches. In Stock. Codice libro della libreria __0691124760

Maggiori informazioni su questa libreria | Fare una domanda alla libreria

Compra nuovo
EUR 51,81
Convertire valuta

Aggiungere al carrello

Spese di spedizione: EUR 6,72
Da: Regno Unito a: U.S.A.
Destinazione, tempi e costi

8.

HAMBURGER
ISBN 10: 0691124760 ISBN 13: 9780691124766
Nuovi Paperback Quantità: 10
Da
Herb Tandree Philosophy Books
(Stroud, GLOS, Regno Unito)
Valutazione libreria
[?]

Descrizione libro 2005. Paperback. Condizione libro: NEW. 9780691124766 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. Codice libro della libreria HTANDREE01145577

Maggiori informazioni su questa libreria | Fare una domanda alla libreria

Compra nuovo
EUR 51,82
Convertire valuta

Aggiungere al carrello

Spese di spedizione: EUR 8,95
Da: Regno Unito a: U.S.A.
Destinazione, tempi e costi

9.

Editore: Princeton University Press (2017)
ISBN 10: 0691124760 ISBN 13: 9780691124766
Nuovi Paperback Quantità: 10
Print on Demand
Da
Murray Media
(North Miami Beach, FL, U.S.A.)
Valutazione libreria
[?]

Descrizione libro Princeton University Press, 2017. Paperback. Condizione libro: New. This item is printed on demand. Codice libro della libreria 0691124760

Maggiori informazioni su questa libreria | Fare una domanda alla libreria

Compra nuovo
EUR 57,53
Convertire valuta

Aggiungere al carrello

Spese di spedizione: EUR 2,57
In U.S.A.
Destinazione, tempi e costi

10.

Editore: Princeton University Press, United States (2005)
ISBN 10: 0691124760 ISBN 13: 9780691124766
Nuovi Paperback Quantità: 10
Da
Book Depository hard to find
(London, Regno Unito)
Valutazione libreria
[?]

Descrizione libro Princeton University Press, United States, 2005. Paperback. Condizione libro: New. Language: French,English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. The Mind s Eye focuses on the relationships among art, theology, exegesis, and literature--issues long central to the study of medieval art, yet ripe for reconsideration. Essays by leading scholars from many fields examine the illustration of theological commentaries, the use of images to expound or disseminate doctrine, the role of images within theological discourse, the development of doctrine in response to images, and the place of vision and the visual in theological thought. At issue are the ways in which theologians responded to the images that we call art and in which images entered into dialogue with theological discourse. In what ways could medieval art be construed as argumentative in structure as well as in function? Are any of the modes of representation in medieval art analogous to those found in texts? In what ways did images function as vehicles, not merely vessels, of meaning and signification? To what extent can exegesis and other genres of theological discourse shed light on the form, as well as the content and function, of medieval images? These are only some of the challenging questions posed by this unprecedented and interdisciplinary collection, which provides a historical framework within which to reconsider the relationship between seeing and thinking, perception and the imagination in the Middle Ages. Codice libro della libreria BTE9780691124766

Maggiori informazioni su questa libreria | Fare una domanda alla libreria

Compra nuovo
EUR 61,14
Convertire valuta

Aggiungere al carrello

Spese di spedizione: GRATIS
Da: Regno Unito a: U.S.A.
Destinazione, tempi e costi

Vedi altre 15 copie di questo libro

Vedi tutti i risultati per questo libro