ISBN 10: 0847824772 / ISBN 13: 9780847824779
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This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Summary: This catalogue of the major exhibition at the Palazzo Grassi in Venice presents a groundbreaking interpretatioin of the birth of modern art. Serge Lemoine, curator of the exhibition and director of the Musee d'Orsay, proposes that "modern art does not descend, as is commonly thought, from Manet and Impressionism, but from . . . the French painter Pierre Puvis de Chavannes (1824-1898)." The author of monumental mural decorations in such civic buildings as the museums of Amiens, Lyons, Rouen, the Pantheon and the Sorbonne, Puvis de Chavannes had a remarkable influence on his contemporaries in France and abroad, including Seurat, Gauguin and Cezanne, as well as on later generations of artists. Equally indebted to Puvis de Chavannes are the great European symbolist painters, from Munch to Hodler. However, perhaps his most prestigious modern acolytes were Picasso and Matisse, who remained loyal to him all their lives. This volume features detailed scholarly contributions analyzing Puvis de Chavannes's work and all his affiliations, as well as offering rich critical and documentary data on his numerous and notable disciples. Accompanied by over five hundred illustrations, this volume is a superb evocation of a period of great artistic ferment and outstanding creativity. A landmark study, "Toward Modern Art makes the bold argument that modern art does not descend, as is commonly described, from Manet and Impressionism, but rather from the unlikely figure of French painter Pierre Puvis de Chavannes (1824-1898). This gorgeously illustrated volume with over 500 full color illustrations, was organized by Serge Lemoine, director of Musee d'Orsay in Paris, and includes over 15 essays bydistinguished writers. Lemoine's side-by-side comparisons and expert commentary bear witness to his groundbreaking thesis. Codice inventario libreria

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Riassunto: This catalogue of the major exhibition at the Palazzo Grassi in Venice presents a groundbreaking interpretatioin of the birth of modern art. Serge Lemoine, curator of the exhibition and director of the Musée d'Orsay, proposes that "modern art does not descend, as is commonly thought, from Manet and Impressionism, but from . . . the French painter Pierre Puvis de Chavannes (1824-1898)." The author of monumental mural decorations in such civic buildings as the museums of Amiens, Lyons, Rouen, the Panthéon and the Sorbonne, Puvis de Chavannes had a remarkable influence on his contemporaries in France and abroad, including Seurat, Gauguin and Cézanne, as well as on later generations of artists. Equally indebted to Puvis de Chavannes are the great European symbolist painters, from Munch to Hodler. However, perhaps his most prestigious modern acolytes were Picasso and Matisse, who remained loyal to him all their lives.

This volume features detailed scholarly contributions analyzing Puvis de Chavannes's work and all his affiliations, as well as offering rich critical and documentary data on his numerous and notable disciples. Accompanied by over five hundred illustrations, this volume is a superb evocation of a period of great artistic ferment and outstanding creativity.

A landmark study, Toward Modern Art makes the bold argument that modern art does not descend, as is commonly described, from Manet and Impressionism, but rather from the unlikely figure of French painter Pierre Puvis de Chavannes (1824-1898). This gorgeously illustrated volume with over 500 full color illustrations, was organized by Serge Lemoine, director of Musée d'Orsay in Paris, and includes over 15 essays by distinguished writers. Lemoine's side-by-side comparisons and expert commentary bear witness to his groundbreaking thesis.

L'autore: Serge Lemoine is director of the Musée d'Orsay.

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Lemoine, Serge
Editore: Rizzoli 1899-12-30 (1899)
ISBN 10: 0847824772 ISBN 13: 9780847824779
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Descrizione libro Rizzoli 1899-12-30, 1899. Condizione libro: Fair. 0847824772 No dust jacket. Text is clean and unmarked! Has a small black line on bottom/exterior edge of pages. Tracking is not available for orders shipped outside of the United States. **Heavier books will require additional postage for International** PA Sales Tax is included in purchase price. Codice libro della libreria NDJ-HC-J-0847824772

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Descrizione libro Condizione libro: Acceptable. Book Condition: Acceptable. Codice libro della libreria 97808478247795.0

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Descrizione libro Rizzoli 2002-09-07, 2002. Hardcover. Condizione libro: good. 0847824772. Codice libro della libreria 504517

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Lemoine, Serge
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Descrizione libro Rizzoli, -, 2002. Hardcover. Condizione libro: Very Good-. THIS ITEM IS LARGE/HEAVY AND MAY REQUIRE EXTRA SHIPPING FOR INTERNATIONAL OR EXPEDITED DELIVERY 11.98 X 8.67 X 1.80 inches mildly used hardcover in dust jacket. covers lightly scuffed, mild bumping to dj edges, mild creasing at top front dj, 1/3' closed tear at bottom front dj corner, not price-clipped. binding remains solid, no marks to text, boards lightly scuffed but clean, page edges lightly scuffed with bottom edges lightly dirty. Codice libro della libreria 10000000118983

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Descrizione libro Rizzoli, 2002. Hardcover. Condizione libro: Very Good. Very good. Codice libro della libreria HH-166-27-3146803

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Descrizione libro Rizzoli, 2002. Hardcover. Condizione libro: New. Codice libro della libreria P110847824772

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Descrizione libro Rizzoli International Publications, United States, 2002. Hardback. Condizione libro: New. 304 x 220 mm. Language: English . Brand New Book. This catalogue of the major exhibition at the Palazzo Grassi in Venice presents a groundbreaking interpretatioin of the birth of modern art. Serge Lemoine, curator of the exhibition and director of the Musée d Orsay, proposes that modern art does not descend, as is commonly thought, from Manet and Impressionism, but from . . . the French painter Pierre Puvis de Chavannes (1824-1898). The author of monumental mural decorations in such civic buildings as the museums of Amiens, Lyons, Rouen, the Panthéon and the Sorbonne, Puvis de Chavannes had a remarkable influence on his contemporaries in France and abroad, including Seurat, Gauguin and Cézanne, as well as on later generations of artists. Equally indebted to Puvis de Chavannes are the great European symbolist painters, from Munch to Hodler. However, perhaps his most prestigious modern acolytes were Picasso and Matisse, who remained loyal to him all their lives. This volume features detailed scholarly contributions analyzing Puvis de Chavannes s work and all his affiliations, as well as offering rich critical and documentary data on his numerous and notable disciples. Accompanied by over five hundred illustrations, this volume is a superb evocation of a period of great artistic ferment and outstanding creativity. A landmark study, Toward Modern Art makes the bold argument that modern art does not descend, as is commonly described, from Manet and Impressionism, but rather from the unlikely figure of French painter Pierre Puvis de Chavannes (1824-1898). This gorgeously illustrated volume with over 500 full color illustrations, was organized by Serge Lemoine, director of Musée d Orsay in Paris, and includes over 15 essays by distinguished writers. Lemoine s side-by-side comparisons and expert commentary bear witness to his groundbreaking thesis. Codice libro della libreria FLT9780847824779

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Serge Lemoine
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Descrizione libro Rizzoli International Publications, United States, 2002. Hardback. Condizione libro: New. 304 x 220 mm. Language: English . Brand New Book. This catalogue of the major exhibition at the Palazzo Grassi in Venice presents a groundbreaking interpretatioin of the birth of modern art. Serge Lemoine, curator of the exhibition and director of the Musée d Orsay, proposes that modern art does not descend, as is commonly thought, from Manet and Impressionism, but from . . . the French painter Pierre Puvis de Chavannes (1824-1898). The author of monumental mural decorations in such civic buildings as the museums of Amiens, Lyons, Rouen, the Panthéon and the Sorbonne, Puvis de Chavannes had a remarkable influence on his contemporaries in France and abroad, including Seurat, Gauguin and Cézanne, as well as on later generations of artists. Equally indebted to Puvis de Chavannes are the great European symbolist painters, from Munch to Hodler. However, perhaps his most prestigious modern acolytes were Picasso and Matisse, who remained loyal to him all their lives. This volume features detailed scholarly contributions analyzing Puvis de Chavannes s work and all his affiliations, as well as offering rich critical and documentary data on his numerous and notable disciples. Accompanied by over five hundred illustrations, this volume is a superb evocation of a period of great artistic ferment and outstanding creativity. A landmark study, Toward Modern Art makes the bold argument that modern art does not descend, as is commonly described, from Manet and Impressionism, but rather from the unlikely figure of French painter Pierre Puvis de Chavannes (1824-1898). This gorgeously illustrated volume with over 500 full color illustrations, was organized by Serge Lemoine, director of Musée d Orsay in Paris, and includes over 15 essays by distinguished writers. Lemoine s side-by-side comparisons and expert commentary bear witness to his groundbreaking thesis. Codice libro della libreria FLT9780847824779

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Descrizione libro Rizzoli, 2002. Hardcover. Condizione libro: New. First Edition. Codice libro della libreria DADAX0847824772

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Lemoine, Serge
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Descrizione libro Rizzoli, 2002. Hardcover. Condizione libro: New. book. Codice libro della libreria 0847824772

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