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Musica Poetica: Musical-Rhetorical Figures in German Baroque Music (Hardback)

Dietrich Bartel

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ISBN 10: 0803212763 / ISBN 13: 9780803212763
Editore: University of Nebraska Press, United States, 2002
Nuovi Condizione: New Rilegato
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Language: English . Brand New Book. Musica Poetica provides an unprecedented examination of the development of Baroque musical thought. The initial chapters, which serve as an introduction to the concept and teachings of musical-rhetorical figures, explore Martin Luther s theology of music, the development of the Baroque concept of musica poetica, the idea of the affections in German Baroque music, and that music s use of the principles and devices of rhetoric. Dietrich Bartel then turns to more detailed considerations of the musical-rhetorical figures that were developed in Baroque treatises and publications. After brief biographical sketches of the major theorists, Bartel examines those theorists interpretation and classification of the figures. The book concludes with a detailed presentation of the musical-rhetorical figures, in which each theorist s definitions are presented in the original language and in parallel English translations. Bartel s clear, detailed analysis of German Baroque musical-rhetorical figures, combined with his careful translations of interpretations of those figures from a wide range of sources, make this book an indispensable introduction and resource for all students of Baroque music. Codice inventario libreria AAJ9780803212763

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Dati bibliografici

Titolo: Musica Poetica: Musical-Rhetorical Figures ...

Casa editrice: University of Nebraska Press, United States

Data di pubblicazione: 2002

Legatura: Hardback

Condizione libro:New

Edizione: New..

Descrizione articolo

Riassunto:

Musica Poetica provides an unprecedented examination of the development of Baroque musical thought. The initial chapters, which serve as an introduction to the concept and teachings of musical-rhetorical figures, explore Martin Luther’s theology of music, the development of the Baroque concept of musica poetica, the idea of the affections in German Baroque music, and that music’s use of the principles and devices of rhetoric. Dietrich Bartel then turns to more detailed considerations of the musical-rhetorical figures that were developed in Baroque treatises and publications. After brief biographical sketches of the major theorists, Bartel examines those theorists’ interpretation and classification of the figures. The book concludes with a detailed presentation of the musical-rhetorical figures, in which each theorist’s definitions are presented in the original language and in parallel English translations. Bartel’s clear, detailed analysis of German Baroque musical-rhetorical figures, combined with his careful translations of interpretations of those figures from a wide range of sources, make this book an indispensable introduction and resource for all students of Baroque music.

About the Author:

Dietrich Bartel is an associate professor in the Department of Music at Canadian Mennonite Bible College (affiliated with University of Manitoba).

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