ISBN 10: 1844572102 / ISBN 13: 9781844572106
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This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Summary: The great Italian composer Nino Rota wrote some of the loveliest and most beloved of all film music, including The Godfather trilogy, Zeffirelli's Shakespeares and Fellini's masterpieces 8 1/2 and La Dolce Vita. Richard Dyer's study of Rota's life and work provides a detailed account of Rota's aesthetic and of his unique genius. Codice inventario libreria

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Riassunto: Nino Rota is one of the most important composers in the history of cinema. Both popular and prolific, he wrote some of the most cherished and memorable of all film music – for The Godfather Parts I and II, The Leopard, the Zeffirelli Shakespeares, nearly all of Fellini and for more than 140 popular Italian movies. Yet his music does not quite work in the way that we have come to assume music in film works: it does not seek to draw us in and identify, nor to overwhelm and excite us. In itself, in its pretty but reticent melodies, its at once comic and touching rhythms, and in its relation to what's on screen, Rota's music is close and affectionate towards characters and events but still restrained, not detached but ironically attached.

In this major new study of Rota's film career, Richard Dyer gives a detailed account of Rota's aesthetic, suggesting it offers a new approach to how we understand both film music and feeling and film more broadly. He also provides a first full account in English of Rota's life and work, linking it to notions of plagiarism and pastiche, genre and convention, irony and narrative. Rota's practice is related to some of the major ways music is used in film, including the motif, musical reference, underscoring and the difference between diegetic and non-diegetic music, revealing how Rota both conforms to and undermines standard conceptions. In addition, Dyer considers the issue of gay cultural production, Rota's favourte genre, comedy, and his productive collaboration with the director Federico Fellini.

About the Author: RICHARD DYER is Professor of Film Studies at King's College, London, UK. He is the author of Stars (1979; 1998); Heavenly Bodies: Film Stars and Society (1987; 2004); Now You See It: Historical Studies in Lesbian and Gay Film (1990; 2003); Only Entertainment (1992; 2002); The Matter of Images: Essays on Representations (1993; 2002); volumes on Brief Encounter (1993) and Seven (1999) in the BFI Film Classics series; White (1999); The Culture of Queers (2002) and Pastiche (2006).

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ISBN 10: 1844572102 ISBN 13: 9781844572106
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Descrizione libro Condizione libro: Good. Ships Within 24 Hours M-F- Satisfaction Guaranteed! Has a publisher overstock mark. Item shows minor use. Cover and Binding have minimal wear / creases, and the pages are in good shape. Codice libro della libreria 39BAPP003LBL

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Richard Dyer
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Descrizione libro British Film Institute, 2010. Condizione libro: Very Good. Ships from the UK. Former Library book. Great condition for a used book! Minimal wear. Codice libro della libreria GRP69940866

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DYER, RICHARD
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Descrizione libro BFI Palgrave, 2010. Paperback. Condizione libro: NEW. 9781844572106 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. Codice libro della libreria HTANDREE0116224

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Descrizione libro British Film Institute, United Kingdom, 2010. Paperback. Condizione libro: New. 2010. Language: English . Brand New Book. Nino Rota is one of the most important composers in the history of cinema. Both popular and prolific, he wrote some of the most cherished and memorable of all film music - for The Godfather Parts I and II, The Leopard, the Zeffirelli Shakespeares, nearly all of Fellini and for more than 140 popular Italian movies. Yet his music does not quite work in the way that we have come to assume music in film works: it does not seek to draw us in and identify, nor to overwhelm and excite us. In itself, in its pretty but reticent melodies, its at once comic and touching rhythms, and in its relation to what s on screen, Rota s music is close and affectionate towards characters and events but still restrained, not detached but ironically attached. In this major new study of Rota s film career, Richard Dyer gives a detailed account of Rota s aesthetic, suggesting it offers a new approach to how we understand both film music and feeling and film more broadly. He also provides a first full account in English of Rota s life and work, linking it to notions of plagiarism and pastiche, genre and convention, irony and narrative.Rota s practice is related to some of the major ways music is used in film, including the motif, musical reference, underscoring and the difference between diegetic and non-diegetic music, revealing how Rota both conforms to and undermines standard conceptions. In addition, Dyer considers the issue of gay cultural production, Rota s favourte genre, comedy, and his productive collaboration with the director Federico Fellini. Codice libro della libreria SPR9781844572106

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Descrizione libro British Film Institute, 2010. Paperback. Condizione libro: New. book. Codice libro della libreria 1844572102

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Descrizione libro British Film Institute, United Kingdom, 2010. Paperback. Condizione libro: New. 2010. Language: English . Brand New Book. Nino Rota is one of the most important composers in the history of cinema. Both popular and prolific, he wrote some of the most cherished and memorable of all film music - for The Godfather Parts I and II, The Leopard, the Zeffirelli Shakespeares, nearly all of Fellini and for more than 140 popular Italian movies. Yet his music does not quite work in the way that we have come to assume music in film works: it does not seek to draw us in and identify, nor to overwhelm and excite us. In itself, in its pretty but reticent melodies, its at once comic and touching rhythms, and in its relation to what s on screen, Rota s music is close and affectionate towards characters and events but still restrained, not detached but ironically attached. In this major new study of Rota s film career, Richard Dyer gives a detailed account of Rota s aesthetic, suggesting it offers a new approach to how we understand both film music and feeling and film more broadly. He also provides a first full account in English of Rota s life and work, linking it to notions of plagiarism and pastiche, genre and convention, irony and narrative. Rota s practice is related to some of the major ways music is used in film, including the motif, musical reference, underscoring and the difference between diegetic and non-diegetic music, revealing how Rota both conforms to and undermines standard conceptions. In addition, Dyer considers the issue of gay cultural production, Rota s favourte genre, comedy, and his productive collaboration with the director Federico Fellini. Codice libro della libreria SPR9781844572106

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Descrizione libro 2010. PAP. Condizione libro: New. New Book.Shipped from US within 10 to 14 business days. Established seller since 2000. Codice libro della libreria IB-9781844572106

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Descrizione libro British Film Institute, 2010. Paperback. Condizione libro: New. Codice libro della libreria DADAX1844572102

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Descrizione libro British Film Institute, 2010. PAP. Condizione libro: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Codice libro della libreria IB-9781844572106

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Descrizione libro Condizione libro: New. Depending on your location, this item may ship from the US or UK. Codice libro della libreria 97818445721060000000

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